Cultuur en bezienswaardigheden in het zuiden van Zuid-Tirol

The Hospital Church of the Holy Spirit is one of Merano’s most important spiritual centers and art monuments. So it was deliberately a provocation towards the German-speaking religious population when the city’s fascist Italian-speaking government built its Casa del Fascio right next door, in order to obstruct the view of the historical church as you approach the old town. Even worse, the old hospital had to be demolished to make way for the new construction. Despite this architectural history, which is rather inglorious for the Italians, the building ranks among the masterpieces of Italian rationalism, architecturally speaking. The widely visible open tower, the horizontally layered facades, the bands of brick and loosened floor plan make this building one of the most interesting construction works of its time.

Colz Castle, also called Rubatsch Residence, is a massive building, which boasts a curtain wall with four round towers and many embrasures.

The castle dates back to the year 1536, when Ferdinand I. permitted Hans von Rubatsch to build himself a residence. At the end of the 16th century the castle entered into the possession of the Lords of Colz. In the course of time, the building served many functions, like the one of a poorhouse. Finally, it entered into the possession of a farmer’s family.

Colz Castle gained some popularity thanks to the knight Franz Wilhelm Prack zu Asch, also called “Gran Bracun“, who lived in the Ladin valleys between 1573 and 1581 and was known for his cruel but heroic battles.

Finally, Colz Castle was restored, today it is private. 

Walking through the Gate Raintor you will reach the Oberstadt district where there is located also the Parish Church. Many years ago this gate did not have much importance for the traffic, indeed it was used only to connect the town center with the main cemetery.

The square of Lasa/Laas, a village known for its marble, is fancily paved with white marble. In the same square stands a bust of Emperor Franz Josef, done likewise in white marble – and somewhat deserted, having been unclaimed due to the First World War. The traditional tavern situated here is a popular meeting point, and has developed into a popular event venue. The original character was unequivocally to be retained during conversion: wooden floors, brightly painted wooden paneling on the walls, circular benches, simple furniture of widely varying origin and a bar made of matte stainless steel all yield a mixture that seems random, yet was calculated in a sophisticated way in order to create a relaxed atmosphere. The centerpiece of the expansion is the vaulted medieval wine-storage area, which is now used as a restaurant and meeting facilities.

The square is surrounded by beautiful buildings of the Town Hall on the southern side (in neo-baroque style, with an interesting frescoes inside) and by Amonn House on the eastern side (facade decorated with stucco).

The horse racecourse in Maia Bassa/Untermais is one of the largest and most beautiful in Europe. It is very centrally located, but also divides the urban body sharply. In 1886, the first horserace took place for Merano’s aristocratic visitors. But the modern-day period began only in 1936, when the Fascist regime had the new racecourse built by the star architect of the day, Vietti Violi. With stepped staircases, flat roofs and clear design features, its plastered buildings are excellent examples of the Italian rationalist style, which was developed out of the classical modernism of the Bauhaus school. At two stories high, 150 meters long and 20 meters high, the main grandstand seats 15,000 spectators. After its renovation, the building received the 2011 South Tyrolean Architecture Award.

Parallel to the Portici/Lauben, this street used to be the southern moat of the City. The entrance to the Mercantile Museum is visible in the homonymous building, then Troio House, decorated with frescoes and a Corner turret; a narrow side street leads to the Lauben.

The new building was planned on the site of the monastery garden, next to the Capuchin Monastery, as a public facility near Lana's town center. The austere rectangular building, with two plastered massive constructions on the upper floors, appears as if floating on the fully glazed ground floor. The windows articulate the two stories, each floor shifted. The transparent ground floor, on the other hand, signaled a welcoming openness to visitors. The building is freestanding in the beautifully landscaped and well-manicured monastery garden, which is open to the public. Inside, the upper floors are connected by a whitewashed staircase, which gets illumination from above. The walls of the offices are paneled from floor to ceiling with light wood. All the details have been meticulously developed.

The Talvera river runs through the city of Bolzano. The water course originates from the Sarentino Valley and its banks are home to beautiful green lawns, recreational parks, long walks and modern cycle routes. This is the green lung of the city and a popular destination for both tourists and local residents that provide rest and relaxation to those strolling along the tree-lines paths as well as fun for the younger ones in the playgrounds. There are also many sport facilities in the area which attract football, baseball and softball lovers. The Druso, Talvera and S.Antonio bridges are the three main links over the stream, but there are also some footbridges allowing for short or long round trips, on foot or by bicycle.

Beneath the glowing white walls of the Marienberg Abbey lies the somewhat dingier Fürstenburg, built from regional stone in 1278. A collapse of the castle’s keep in 1996 brought about the renovation, including a restructuring and extension, which was carried out in two phases. It began by securing the historical parts of the building and extending the home wing with modern fixtures made from steel and glass in order to provide the old stonewalls with more light transparency. New schoolrooms in the mountain were then constructed outside of the curtain wall to accommodate the increasing number of pupils. It appears from the outside to be a wall one story high made from the same dark stone as the castle. On the inside, the courtyard has been modernized with structural components made of glass and steel and there is a new section of building work climbing up the mountainside, covered in earth and plants. From something old was born something new.

While nursing homes were formerly often pushed “into the green” on the outskirts of the village, it was decided in Valdaora/Olang to attach the elderly to the major facilities within the town center, where the school, kindergarten and other public institutions are to be found. The new nursing home has become an important meeting point. The four-story, wood-paneled structure houses two nursing units with 20 beds and associated spaces. Around the spacious foyer on the ground floor there is a café, a chapel, and a multipurpose room for events. In addition, an outpatient medical clinic and the offices of the district community are housed here. Glazed notches across the entry hall provide for good illumination; a partition of a pleasantly light, inviting architecture further emphasizes this impression through color, light natural stone and wood.

Magnificent buildings were created long the Passer Promenade, intended for the noble audiences of the Hapsburg Monarchy. The architect Martin Dulfer, who was 40 years old at the time, was able to build his first theater here, which became one of the most important representatives of the Baroque-style Art Nouveau; he followed this theater with three others. The theater in Merano was built in just fourteen months, under the supervision of Wilhelm Kürschner, who would later become Bolzano’s city architect. The iron construction of the stage area came from Munich, the stage equipment from Vienna and the seats from Berlin. Important details of the original structure have been changed, but the building remains one of South Tyrol’s few preserved Art Nouveau buildings. The theater’s clear plan is functionally divided into the stage area, auditorium, and foyer; it seats 500 spectators.

A few minutes on foot from Sand in Taufers, near the Ahr, the Rein Valley waterfalls and a naturally formed swimming pool, stands a sports center, which is recognizable by the building's elongated, lightly curved roof. The interlocking of exterior and interior space defines the design. Light shines in from all sides through the glass panelling of the building, providing views of the surrounding area and of the outdoor pool which blends into the landscape. The terraces of the pool are reminiscent of the waterfalls. The interior rooms form a walkway between the areas and provide the required fixed points in the building that simultaneously offer stability next to the seemingly freely swaying roof. Few materials were used in the design: stainless steel basins, rough concrete for the walls, non-slip stone for the flooring, light acoustic ceilings, and the steel and glass facades which are very light in appearance.

The via della Roggia/Rauschertorgasse is situated in the heart of the city where you find a selection of small shops and artisans.

The valley along the Seres brook, in the mountaineering village Lungiarü, is also known as the Mills because of the many hydroelectric mills along its banks . Between the orographic left hamlet Seres and the orographic right hamlet Miscì are eight mills , two of which are equipped with two water wheels

The Neustift vineyards have distinctive long, dry stone walls. There is a group of three-family houses that rises up out of these stone walls. The wooden construction of the larger building rests on a ground floor made of stone work; the smaller building is an all-wooden structure sitting on terraces built from dry stone walls. An open expanse of garden stretches between them with a naturally formed pond. The slanting exterior walls that rise up, covered in wooden slat, are designed to protect the facade from driving rain. Windows are cut deep into this slanting wall, forming loggias. The interior reveals an unusual, imaginative sequence of rooms with white and partially colorful walls, and many wooden structures. The construction manager covers the heating requirements of both houses with waste wood from his carpentry business.

A very reserved building structure was created on a narrow building site between the multiform heritage-listed building of the former Grand Hotel Savoy and some simple row houses. The basic cubic shape tapers slightly at both of the lower floors, lending the solid building a floating feeling. Staggered windows in the facades, uniform in size, break up the building’s austerity. A transparent, visually light glass bridge elegantly links the new building with the facade of the old Savoy. The simple form of the new concrete structure, with flat roof, lends both buildings a contrapuntal aesthetic appeal. The cool clarity of the design is also reflected in the interior of the new building, which has a transparent and fluidly designed sequence of rooms.

Merano’s curative water contains a small amount of radon, and is suitable for therapeutic bathing. Thermal baths were built early on in order to expand the therapeutic offering. After 2000, this outdated facility was demolished and a beautiful urban planning solution, comprising outdoor pool with park, bathing complex and hotel, was designed by Berlin architects in a collaboration with Rüdiger Baumann, thus enhancing the promenade with a central square. Matteo Thun continued the planning in a restrained, almost severe, modern style and produced two successfully scaled buildings on the square, by now always lively; they offer a beautiful panoramic view of the landscape and city. The continuous use of natural stone in warm tones softens the rigid perpendicularity of the building, which is also loosened by rhythmically placed glass surfaces. This architecture allowed for the successful creation of a modern counterpart to the Kurhaus.

The pre-Romanesque Church of St. Sisinius (ninth century), which has a tower above the choir, is one of the Vinschgau Valley's most important monuments, but is used only for Easter worship. In the immediate vicinity, a sports complex that had been built earlier was extended in line with the historical monument protection and now, as a sports and recreational area, is under communal protection. Through the construction of a horizontally supported sports venue, the conditions on the monument listing could be met. An undulation at the ground level allowed for the changing rooms to be housed on the floor below the restaurant, which is located at the level of the pool. The glass-enclosed restaurant looks very transparent, stands upon slender steel supports, and is covered with a thin shed roof, which lends the construction a floating lightness and at the same time functions as a canopy for the stands at the football field. A very elegant solution.

The house and workshop are located on the steep slope just outside the center of the village. The two buildings which run into each other at an angle, open out onto the mountain slope behind, forming an entrance. The workshop and the gallery are situated on the ground floor of the side of the building facing the slope. The concrete construction of this base is partially built into the slope, therefore part of the light for the workshop is provided by openings onto the ground floor which let in indirect light.

Above the basement a wooden construction rises up with interlocking supports, between which the wooden fronting of the facade is inserted; this is where the bedrooms are to be found. In contrast to this the ground floor, home to the living rooms, is predominantly constructed from glass. The shapes formed by the roof seem to evoke the dramatic Dolomite formation of the Schlern Massif, which can be seen in the background.

The biotope relaxing zone is frequently visited by young and adult guests that appreciate the three ponds, a lawn with showers, a bar with restaurant and a children's playground.

The small lakes are divided into pond, children's pool and regeneration pond which was built separately, to ensure the protection of the regeneration zone during bathing season. The pond is purified mechanically, but most of all biologically.

Prices:

Adults: € 9,00
Children (7-14): € 7,00
Children (up to 6 years and only if accompanied): € 4,00
1 Entrance + 1 Sunbed with umbrella: 14,00€
2 Entrances + 2 sunbeds with parasol: 25,00€

In this museum, Reinhold Messner deals with the final aspect of the conflict between man and the mountains; the heritage of the mountains and the people who have lived in them since time immemorial.

The fifth Messner Mountain Museum was opened in summer 2011 in Bruneck Castle by the well-known mountaineer Reinhold Messner. There are countless exhibits from everyday life. With the interactive "MMM Mountain Peoples" project, Reinhold Messner aims not to "exhibit" people, but rather to invite them to take part in an exchange of experience with the local rural population.

Every year guests from another mountain region will spend the summer in the Messner Mountain Peoples Museum and talk about their way of life, accompanied by everyday cultural exhibits belonging to different mountain regions and their inhabitants, including the Sherpas, Incas, Tibetans and Mongolians.

Ticket prices:

Adults € 14,00, kids (6 - 14 years) € 6,00, students under 28 years and seniors over 65 years € 12,00, family ticket (1 adult + kids under 14 years) € 32,00, mini family ticket (1 adult + kids under 14 years) € 18,00, groups of 15 persons and more € 12,00, school classes (6 - 19 years) € 6,00

During the First World War there were several battlefield hospitals in Bruneck, in which many wounded and sick soldiers and prisoners of war unfortunately died. As it was not possible to bury them in the municipal cemetery, the authorities ceded the "Kühbergl", a wooded hill to the south of the town, to the military commanders, in which a suitable place of rest was established. A pioneer officer serving in Bruneck, architect A. Bechtold from Bregenz in Austria, designed the cemetery so that it blended harmoniously into the forest. 669 soldiers of the Austro-Hungarian army, plus 103 Russian, 13 Serb and 7 Romanian soldiers are laid to rest here in individual and mass graves. The 77 Italian soldiers who were once buried here were reburied in 1932 in the newly built mausoleum in Pocòl; the same is true of 45 German soldiers, who were reburied in the cenotaph on the Pordoi Pass. 19 German soldiers from the Second World War who lost their lives in bombing raids also lie here, together with an Italian officer and five citizens of Bruneck, who fell nearby in the final days of the war and were brought here. The war cemetery is taken care of by a ladies' committee, who give equal attention to every grave.

Directly along the bike route into the Pusteria Valley you’ll find Lanz Bike Station, next to the busy street, right at the entrance to the valley. Due to its extremely convenient location the station has also developed into a popular meeting place for vehicle drivers, who find ample parking here. An elongated structure made of plastered reinforced concrete has been created out of an earlier makeshift wooden vendor stand, which is set into the steep hillside. The owner of the station is so connected to it that he had his own house built as a white cube with terrace on the roof of the ground-floor service area. The residence is decorated in a varied way: floor-to-ceiling glass walls for the sales and guest areas, a sheltered garden courtyard and adjoining rooms that seem to be closed off. Everything is painted in gray-brown earth tones in order to emphasize the integration into the area.

This 'beach' is a flat river bank along St. Vigil Bach stream and, with its adventure playground, sunbathing lawn, 'Kneipp' treatment routes and relaxation zones, both adults and children alike will find the perfect setting for a great day out by the water – in the middle of the mountains.

The Municipal Gallery is located in the former Dominican monastery and extends over two floors. The Municipal Departement of culture of Bolzano/Bozen organises regional and inter-regional exhibitions on art and cultural topics.

The housing complex is situated north of the racetrack in a quiet residential area. The rectangular plot of land is reflected in the geometric lines of the four-story block of apartments containing sixteen flats: The outlines and facade are simple and clear, without any design effects. A large protruding attic forms a concise end to the roofline. The division of the front of the lightly plastered walls occurs through two types of window: full length balcony windows, and the windows of the rooms reaching up to the ceiling, which are placed in alternation, creating a lively structural arrangement. The colorful balcony parapets add to the visual effect. The clear design is of particular benefit inside the well laid out apartments − everything is light, friendly and easy to furnish.

Brunnenplatz Square is situated between the Reichenbach, Rosenstein and Rundegg manors, on a noisy street intersection that was long without an eastern border. Urban planning considerations thus played an important role in the idea of closing the square off again. This was achieved with the early positioning of the main facade, which also had to take the height of the adjacent residences into consideration and was supposed to offer a timely addition. The bank's two-story glass front was thus intended as a stone facade of travertine, with irregular openings, to match the manor walls in a way and, similar to a trompe l’oeil, make it look like a five-story structure. A shed roof marks the main entrance to the bank and to the passageway, with a store, apartments, offices on the upper floors, and a public parking garage.

"BZ '18–'45: one monument, one city, two dictatorships", is an exhibition opened to the public in July 2014. It illustrates the history of the Monument to Victory, designed by Marcello Piacentini and erected by the Fascist regime between 1926 and 1928. The monument reflects and provides a link to local historical events during the twenty years of Fascism and the Nazi occupation, within the context of national and international events in the years between the two World Wars (1918–1945). The exhibition also covers the radical urban transformations for the construction of a new “Italian” city of Bolzano, from the end of the 1920s. Finally, the exhibition confronts the difficult relationship between the different language groups, caused by the overbearing legacy of Fascism, within the evolving social and political framework of the second half of the twentieth century to the present day.