Kultura i Zabytki w Południowym Tyrolu

Ansitz Freienfeld was built in 1521 by the Earl of Indermauer. (Courtyard surrounded by embattled walls.) In the large windows of the Trinkstube beautiful frescoes can be seen.

The little St. Joseph Church in Ronchi - “Kirche St. Joseph in Rungg” in German, “Chiesa di San Giuseppe a Ronchi” in Italian - is, compared to the other churches in the surroundings of Lake Caldaro, a more recent construction. The building was planned in 1900 by Ferdinand Mungenast, an Austrian architect, who designed also other significant buildings in Bolzano and the Oltradige area, such as the Grandhotel d’Appiano or the St. Joseph Church in Frangarto. Seven years after its edification in 1901, the St. Joseph Church was embellished with a steeple.

Nowadays, the sacred building presents itself with a two-bay groined vault, a polygonal choir termination and a church tower with a pointed spire. In 1977 the church was placed under monumental protection. Worth seeing are above all the artworks by Ferdinand Stuflesser (1855 - 1926), a famous sculptor from the Val Gardena valley in South Tyrol: the altar with the statues of St. Joseph with Jesus the child and St. Francis de Sales, patron saint of writers and deaf people, as well as St. Teresa of Ávila, also called Saint Teresa of Jesus, the national patron saint of Spain.

Above the church entrance there is the statue of St. Anthony of Padua, venerated as the patron saint for the recovery of lost items. It is located in the hamlet of Ronchi (Rungg), which can be found along the South Tyrolean Wine Road after the centre of Termeno and before the wine village of Cortaccia. Also the public bus stops there.

Medieval winery and estate on the Kiechelberg hill which, together with the associated Church of St. Daniel, was until 1785 in the possession of the Benedictine Sonnenburg Abbey in the Puster Valley. The free-standing farm building dates back to the late Middle Ages and the Gothic style of the 15th century.

Without bigger difficulties one can recognise that this municipality matured after the parochial foundation of Eppan about 1147 to the richest Pfarre of South Tirol with headquarter in St Paul. She was fine so well-to-do on account of many noble inhabitants of this area who, as it was a custom, of course supported the church. After 1786 it was divided the Pfarre for the first time into Girlan (Girlan, Schreckbichl and Frangart) and St Paul (St Paul, Saint Michael, Montiggl, mountain, Missian, untermargin, Perdonig and Gaid). In 1921 this happened next time: The principal place of the municipality - Saint Michael - was appointed with Montiggl, Gand, Pigeno and southern half by Eppan/mountain to the new Pfarre Saint Michael. On account of the plentiful financial possibilities one began in 1484 with the construction of an especially nice church. The magnitudes of the untercatch were extensive, it lasted therefore also till 1533, until the church was ready. The tower, 86 m high, experienced his own history within the scope of the construction work. From the late 15th century up to the middle of the 17th century there lasted his construction. For this reason he also unites two architectural styles: While Under - and middle section are held in the Gothic style, the end with the onion dome visible far away in baroque kind forms. In his inside there are nine bells, the heaviest one of it weighs 5 tonnes and sounds in deep A. You pleasantly voluminous sound remind us of the fact that this "instrument of God" second largest is in the country. A solar clock from 1718, Funeraldenkmäler of the noble Firmian, Khuen, Thun, rests of Late-Gothic Seccomalereien... There is a lot to see at this place! Something else: The church of St Paul is the only church far and wide which is consecrated only to Holy Paulus. This is not so natural at all, because Paulus is always called in connection with Holy Peter...

An interesting natural appearance in Entiklar is the legendary rain stone at the wine road, a rock face dripping water with many tuff and sinter formations. It is said that a weeping princess is on the inside of this stone and she appears once every 100 years in order to be redeemed and to richly reward her saviour.

Andrian's parish church is dedicated to Saint Valentine. The patrocinium of St. Valentine suggests that it was a place of worship here very early on. The first documented mention of a church dates back to 1231. The oldest part of the present church consists of the lower part of the tower with the three-part ogival spire windows. Unfortunately, the nave of that time has not been preserved, but it is part of the building erected in the early 16th century, which today forms the choir of the church and has preserved its late Gothic elements with its ogival windows and star-ribbed vaulting. Some frescoes from that period can still be seen in the present-day sacristy, as well as the statues of Mary with Christ Child, St. Sebastian, St. Anne, St. Barbara and St. Catherine (late 15th/early 16th century) in the neo-Gothic winged altar, which was only made in 1904. All the rest of the church, including the nave and the upper part of the tower, was not built until the 19th century (nave 1852-1854, tower 1883) and in 1864 the side altarpieces were painted by Anton Psenner.

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The Museum of Popular Culture is situated in a historical building under the arcades of Neumarkt/Egna. You can visit the living space of a middle-class family of the 19th an 20th century.

With an extensive collection of furniture and utensils used in everyday life, the museum gives insight into a long-gone way of life. Thus, in the museum you can find a playroom, sewing room, a kitchen with pantry, as well as a salon and a bedroom.

Patronal feast: November 25th

The church had a late-Romanesque preceding building, which has now disappeared. The new construction dates back to the 15th century, the choir Fresco (Marientod), to about 1400. Agnes von Werdenberg, the widow of Henry of Rottenburg, donated the fresco to the side altar. The church was built by architects from Como, around 1517.

Source: Parrish office Kaltern

Evidence of a church in this area dates back to the mid-13th century, but the construction of the building as we know it today began in 1412 when the choir loft was built by Konrad von Neumarkt. It was completed when the vault was finished at the beginning of the 16th century. The façade of the church is dominated by the bell tower, which stands above the entrance and forms a vestibule leading to the entrance portal. Next to it, a niche for donations is decorated with a fresco of a Madonna and Child, and on the west side of the tower, a small wooden roof protects a fresco of St. Christopher with the Child Jesus. The interior of the church looks light and elegant. Light streams through eight windows, four of which belong to the choir. Of particular value are the Gothic tabernacle and the pulpit base. Of the frescoes in the interior that have survived the test of time, those on the south wall are attributed to the painter Konrad Waider at the beginning of the 16th century. Coat of arms paintings of the Payr of Caldiff and Khuen mark their tombs on the north side of the nave. In 1767, the church was desecrated because the Trudner Bach, which had overflowed its banks, had destroyed a large part of the interior. As a result, it was used, among other things, as a storeroom. Around the middle of the last century, people became aware of the artistic value of the building, restored it, and consecrated it again. Today the church "Unsere Liebe Frau in der Vill" is considered one of the most beautiful late Gothic churches in the country.

This small and cosy chapel was built in 1702 by order of the Commander Johann Jakob Count Thun. It was the second chapel, after the one in Klobenstein that was devoted to the Saint who was greatly revered by him. It is also the crowning conclusion of his building activities carried out at the manor of the Teutonic Order in Siebeneich which began in 1664. The altar with two columns and statues of St. John and St. Jacob, who are the patron saints of the Commander, is credited to the sculptor Cristoforo Benedetti from Castione.

In the Middle Ages, the "Klosterhof" in the Vill/Villa was probably the property of the Augustinian Canons' Monastery of San Michele all'Adige. From 1560, it was owned by Anna Regina Recordin zu Radeck. In 1740, it was acquired by Josef A. v. Feldmannsdorf. From 1762 to 1908, it was owned by the nobles of the v. Vilas family. Since then, it has been the farmstead and winery of the Pernter family. It is a stately two-story building and one of the most beautiful wine farms in the country. The current form dates back to the 17th century.

Three-storey building in neo-Romanesque style; adjacent park with high trees. Single-run outside staircase to the first floor on the northwest side of the palazzo-like main building, with corner pilaster strips to the side, topped with a small turret. An aedicule with the Queen of the Rosary faces the main street. The courtyard entrance features portal pillars in the Mannerist style dating from 1612.

Event venue of Kurtatsch/Cortaccia with stage and seating for 200 people

This imposing 3-storey Baroque building “Herrenhof” (17th century) has a façade with two rows of eleven wide windows topped by oeil-de-boeuf windows. The large round-arch portal framed with marble ashlars is noteworthy. Known as “maso Schnatterle”, the “Schnatterle farmstead” (1550-1600), it belonged first to Andreas von Fenner, then in the 17th century, to the Thun-Filippini family, before passing to the important Zenobio-Albrizzi family and finally, towards the mid-19th century, to the Noldin family.

The location of Castel Freudenstein makes you enjoy a great view on Bolzano and the mountain ranges of the surroundings. Catinaccio, Sciliar and large parts of the Val d’Adige, this is what you can admire from Castel Freudenstein. This mighty mansion was constructed in the High Middle Ages, in the 13th century.

The medieval core, near the Kirchplatz, was rebuilt and considerably altered in the late-Gothic and Renaissance eras of the 16th and 17th centuries. Original staircase as well as rib-vaulted hall. The remains of late-Gothic murals from the early 16th century were uncovered on the second floor.

Large estate building on an L-shaped plan, surrounded by a walled enclosure. The original medieval core, realised in the 13th century, was extended in the early 17th century. Its alternative name, the “Pottaschenhof [potash farm]”, refers to the potash once produced here that was used for laundry purposes.

The castle chapel of Hocheppan with its roman frescos is one of the most important roman art monuments in South Tyrol. The centuries old frescos had been painted over and were only entirely laid open in 1926. Besides religious themes, the hunting scene on the exterior wall can be seen as one of the rarest profane depictions in Tyrol dating from this time period. The wall paintings originate from the first decade of the 13th century and show famous illustrations like the foolish virgins, the dumpling eater - the first proof for Tyrolean dumplings - and the picture of 'Maria Heimsuchung' which is well known far beyond the border of South Tyrol.

Note: Hocheppan Castle will be closed for winter break from November 11, 2025, until March 27, 2026, inclusive. From Saturday, March 28, 2026, we warmly welcome you back and look forward to a new season full of history, culture, and enjoyment at Hocheppan Castle!

In the Middle Ages, Seeber House was part of the sovereign freehold with a barn and court cellar, and until the 19th century it was the seat of the keeper of the court of Enn and Kaldiff, as well as the place of payment of the "Zehent" tax (tithe) in kind to the manor. Roof surfaces, pillars and vaults of the farm buildings are partly originally preserved. Around the year 1600, the residential house was rebuilt. Above the doors there are the coats of arms of the court guardian families. The last incumbent was Vinzenz von Pühler, a friend of Andreas Hofer.

Castle Gandegg in Appiano area Piganò is a massive phenomenon. The most striking feature are likely to be the 4 round towers, each stands at a corner of the rectangular main building. A 1443 first mentioned in late medieval tower house was structurally integrated on the south side of Castle Gandegg. Schlos Gandegg is a unitary construction from the mid-16th century, commissioned by the lords Khuen-Belasi who had taken possession by the original builders of the residential tower, the Annabergern. The basic concept of the building corresponds to the northern Italian style of fortifications of that time.

The rooms are grand, spacious rooms with coffered ceilings and tiled stoves from the 16th and 17th centuries. The main building is surrounded by a large Park, protected by a high wall, on the southwest flank the property is bordered by farm buildings with late Gothic elements.

The „Wohlgemuth zu Wendelstein“ estate dates back to 1592. The date is above the portal in the fresco of the triangular pediment on the double-arched window, which is adorned by a beautiful wrought-iron balustrade. The Renaissance building has an irregular floor plan and is set around an inner courtyard. The hall on the first floor with the aforementioned double-arched window has a precious coffered ceiling.

Lourdes chapel at Egna. The construction of the little Marian Chapel is attributed to the will of the parish priest, Johann Giuliani who, at the end of the 19th century, wanted it to complete the “Institute for the Protection of Children”, which he had founded. Inside the chapel, there is a reproduction of the grotto in Lourdes made of tufa rock from the Trodena Creek; the statues of the Madonna and Bernadette adorn the interior of the grotto. The ceiling is decorated with five medallions representing the four evangelists with their insignia and, at the center, the Annunciation. The chapel is still part of the foundation “Asilo infantile di Egna” (Egna kindergarten). In 2014, it was restored at the hands of a local restorer, Lucia Giacomozzi.

This large stone from the Bronze Age can be found along the Grauner Weg, but unfortunately, its original place of origin is not known. Its many engraved symbols are still a mystery today.

Stone of mica schist with 53 sunken bowls. They point to ancient sacrificial and cult ceremonies. Furthermore, two ships and a
Swastika can be seen (a sun). These type of stones ​​date back to the Bronze Age. The remaining symbols may have been engraved
later. The exact location where it was found in Graun is unknown.

The “Hofkeller” was first mentioned in documents at the beginning of the 14th century. It has a massive gable roof. It was once the seat of the feudal administration, which passed from the Lords of Salorno/Salurn to the Counts of Tyrol. On the east side of the building, on the ground floor, there is a large hall with a cross vault supported by two rows of seven slender columns made of Prun stone and by pilasters. The imposing building already impressed the first South Tyrolean chronicler Marx Sittich von Wolkenstein, as he wrote in his description of Tyrol published in 1600.

"The Sleeping Giant"local recreation area in Neumarkt/Egna. The "The Sleeping Giant" park is a local recreation area with an area of 8 hectares, equipped with a playground for children, a relaxation area for adults, picnic space, and a pond for fishermen. A giant is located in the middle of the park, arranged for children to climb on. Adults can relax on several hammocks, park benches, and sunbeds. The recreation area is located near the Trodena River, a "sleeping giant" because of its calm flow but, once "awakened," it can get really dangerous.

The "gemain Riglhaus" once stood on this site. In 1574 it is mentioned as a schoolhouse as well as a teacher's and organist's residence, and in 1629 as the "gemain Mesenhaus". In 1788, after the introduction of compulsory schooling, the schoolroom was extended here. In 1820, this house is listed as a parish residence, and from 1829 to 1845 it is again listed as a schoolhouse. In 1880 it became the parish and sacristan's house, and in the 20th century the post office was housed here. After the fascist takeover, the first floor became the meeting place of the "Opera Nazionale Dopolavoro". On the lower floor, the last of Montan's cobblers had his workshop for a long time, later there was the office of the tourist association, then a butcher's shop. Since the end of the 1980s, the headquarters of the "Montaner Schützenkompanie" have been located here. The panelled Gothic parlour on the first floor and the stucco ceiling on the second floor are particularly valuable.

The chapel Saint Cosmas & Damian in Glen/Gleno was built in the 17th century. The architectural character is quite simple, but the chapel contains numerous artworks on the inside. One of the artworks is the votive picture marked with the year "1691." It may indicate the year of construction of the chapel.

The wine trail was strategically created in the shape of an eight, with its crossing point at the PUNKT Winehouse on the village market square, and leads you past vineyards and wine estates all the way to Lake Kaltern. White limestone road markers provide information on the unique names of the vineyards - such as Puntara and Palurisch, Salt and Plantaditsch. There are four resting stops along the way, marked by bronze plated information tables.

The old church of St. Michael | Eppan is located on the St. Michaels square next to the church "Maria Heimsuchung".

The stone-framed round-arched portal opens towards Goethe Street on the west side of the An der Lan estate, a Renaissance building from the 16th century. Above it you find the beautiful double-arched windows. The south façade is adorned by a belt cornice and large rectangular windows set in stone with wrought-iron grilles. Inside, the central halls have vaulted ceilings, with the wood-panelled room on the first floor a testament to expert woodcarving and inspired by the Renaissance style. In 1817, the building was acquired by the Gelmini zu Kreuzhof family.