Kultura i Zabytki w Południowym Tyrolu

"The Sleeping Giant"local recreation area in Neumarkt/Egna. The "The Sleeping Giant" park is a local recreation area with an area of 8 hectares, equipped with a playground for children, a relaxation area for adults, picnic space, and a pond for fishermen. A giant is located in the middle of the park, arranged for children to climb on. Adults can relax on several hammocks, park benches, and sunbeds. The recreation area is located near the Trodena River, a "sleeping giant" because of its calm flow but, once "awakened," it can get really dangerous.

The perfect combination of history, culture and modern comfort. Talking about Paschbach Castle, one might at first remember the name of one of the greatest pianists of the last century: Arturo Benedetti Michelangeli, who was the co-founder of the Busoni piano contest. Michelangeli lived for many years in the castle and played the piano, which can still be seen here today. A mansion for its noble owners, Paschbach Castle is today a friendly, family-owned b&b. With its beautiful castle grounds, surrounded by the fruit orchards and vineyards of Appiano sulla Strada del Vino, the b&b offers the modern lord and lady of the castle stunning views and a sense of grandeur. The heart of the imposing structure is the "Tower of Paschway" dating back to the first half of the 13th century in which is situated a magnificent gothic stube. The complete complex of buildings is surrounded by ring walls with battlements. The castle is an ideal starting point for numerous excursions and leisure time activities. Only a few steps away you will find the Golfclub Freudenstein with training ground and golf academy. Even the well known Caldaro Lake and the Lake of Monticolo, which you can reach in only a few minutes.

Calvary was laid out by the Order of the Capucin monks near Bozen. After this, most other brother houses of the Order did the same, and this included Eppan. At the end of this pathway the Gleif Church was built in 1716. Each station of the cross took time to erect and several figures were finished in the 19th century. Architectural style: the church was built in the middle of the 18th century as the graveyard church at the end of the pilgrimage path. The two domed towers of the Renaissance building give it an impressive appearance. With all its inside decorations, it is definitely worth a visit. Extras: the view of Eppan from here is worth the walk. Walking: the easy walk to the Gleif Church is part of nearly everyone's holiday programme, but can also be combined with the Ice Holes, Matschatsch, Kem Ravine, the Mendel or the Gantkofel.

Large estate building on an L-shaped plan, surrounded by a walled enclosure. The original medieval core, realised in the 13th century, was extended in the early 17th century. Its alternative name, the “Pottaschenhof [potash farm]”, refers to the potash once produced here that was used for laundry purposes.

Patronal feast: November 6th The late Romanesque rotunda was probably connected to a medieval pilgrim hospice. On the frescoes on the inside, at the feet of the sculputre "St. Leonhard with the chain", the coat of arms of the lords von Fuchs is recognizable. Around 1420 a new building of the church was built. The equipment came from the "Grabenkirche" of Bolzano.

Tower in Pianizza di Sotto
The medieval residential tower was owned by the lords Fuchs von Fuchsenberg in 1739.

Source: Parrish office Kaltern

The train station of the old Val di Fiemme railway was the starting point of the line extending from Auer/Ora to Predazzo, passing through Montan/Montagna, Truden/Trodena, and Kaltenbrunn/Fontanefredde. In 1894, the construction of a railroad had already been considered. Prompted by WWI, the Austrian army command ordered construction of the railway in 1916; it was an important means of supplying the Dolomite Front. From 1918 onward, the railway also carried passengers. In 1930, the train - which was pulled by a steam engine - was electrified, thus reducing the travel time from 4 to 2 hours. Due to increasing mobilization and the establishment of a bus connection to Val di Fiemme, the train lost its importance. On January 10, 1963, the train ran one last time from, Auer to Predazzo, before being decommissioned. Today, the railway track is a popular path for cycling tours or hiking excursions. The old train station Auer Val di Fiemme is the location of several cultural events and concerts.

The remarkable Baroque residence of the Barons of Longo dates back to the beginning of the 18th century. It presents a simple façade and a Baroque portal which can be reached through a two-winged staircase. The stone frame of the portal is decorated with two putti and a female bust. The interiors are richly decorated: high reliefs in stucco by Franz Hannibal Bittner and frescoes by Giacomo Antonio Delai, two artists who worked in the Bolzano/Bozen area from 1730. The palace also includes a unique park that extends to the forest behind the village.

 

Walking along the Margreider Leitenweg to Entiklar, where you can vistit the vinary Turmhof Tiefenbrunner. 

Ansitz Freienfeld was built in 1521 by the Earl of Indermauer. (Courtyard surrounded by embattled walls.) In the large windows of the Trinkstube beautiful frescoes can be seen.

In addition to the existing Nature Park House in Truden, an information point for the Trudner Horn Nature Park was opened in Gfrill (Salurn) in 2014. Right next to the car park, visitors will find the most important information about  Gfrill, interesting facts about water and hiking suggestions in the southern part of the Trudner Horn Nature Park. Special attention is also paid to the wetlands, birdlife and amphibians of the nature park.

Free entry

In 1557, this house on the square, always described as small, was still an accessory to today's Amplatz, formerly the inn "zum Zotten" and connected by three doors. After it was later mentioned as an accessory to the Hilber, it was occupied around 1700 by the priest Johann Teiss the Elder. His heirs sold it in 1722 to Balthasar Öfner, Ladler or Krämer auf Montan. In 1783 the cobbler Johann Babtista Monsorno bought the upper part of the house - the seller received a pair of new shoes on top of the purchase price - and in 1788 Monsorno also bought the lower part. In 1813 the house was divided again: Peter Kaufmann received one floor and Josef Gaßmann one. In 1834 Gaßmann ceded his part to Peter Kaufmann. In 1838, he bequeathed the house to the community as the holder of the patronage rights of the Teissische Benefizium, with the condition that it be made available to the respective beneficiary free of charge. In 1905, the Benefiziumhäusl was sold to Jordan Amplatz. In 2017, Karl Amplatz sold it to the Zuchristian-Amplatz family, who lovingly renovated the house and expanded their directly bordering accommodation business (Amplatz). This closes the circle, and the Benefiziumhäusl is once again an accessory to the adjacent Amplatz, as it was in 1557.

 

Since 1507, a sundial has adorned this house, which in addition to the sundial on the church tower shows the time to visitors to the village square. As a special feature, this chronometer even distinguishes between "old" (winter time) and "new" time (summer time).

Time table:

1191 First mention of a priest Nolpertus

1211 First mention of the parish as plebs Caldari

15th century Late Gothic hall building

1498 Winged altar by Hans Klockner

1791 Demolition of the Old parish Church

1792/93 New construction of the parish church - frescoes by Joseph Schöpf

1793 Sanctification of the parish church

1899/1900 Restoration by Steiner to Felsburg

2002/2004 Restoration of the parish church: complete reconstruction of the church roof, entire interior restoration by Gebr. Zingerle, renovation of the lighting and loudspeaker system, restoration of the high altar.

The high altar of  Teodor Benedetti (around 1740), the high altar of Michelangelo Unterberger (1744) and the ceiling painting by Joseph Schöpf (1792/93) are especially worth seeing .

Source: parish office Kaltern

The Stephanus Church was originally built in Romanesque style around the year 1200. Afterwards the church was rebuilt in the Gothic style. Inside the church there's the famous winged altar, which was created around 1485 by the South-Tyrolean artist Hans Klocker. Today, this altar is one of the biggest and most beautiful winged altars of Tyrol.

In the fullness of the Überetscher countryside, high among the vineyards and orchards, lies the magnificent mansion of the 15th Century overlooking the idyllic Adige valley. For over 50 years in private property. Since 2022,  it has been run, like Castle Freudenstein , by Mrs Karoline Fink and her son Peter Gostner.The place is made for celebrations, which is why the Ansitz Zinnenberg is mainly used for weddings, company parties, Törggelen and other festivities. We will make your celebration an unforgettable event, with all the trimmings: decoration, cuisine and organisation.  
Ansitz Zinnenberg is also a hotel with five suites; a special, private retreat. Please feel free to contact us for further information. 

The Hausmann-Locherer estate dates from the Renaissance period, was built in the second half of the 16th century and is characterised by architectural elements of Nordic and Italian origin that are typical of the Überetsch/Oltradige architectural style. Architrave-shaped windows and an entrance portal with a round arch decorate the façade of the building. Above this round arch is the coat of arms of Andrä Locherer from 1593, consisting of a unicorn standing on its hind legs. The interior rooms with their central hall are arranged symmetrically. Some rooms have stuccoed ceilings, others are covered with 17th century woodcarving decorations. The entire building encloses an inner courtyard.

The Church of the Holy Heart of Jesus in Siebeneich was built in the years 1912-1913 according to the plans of Karl Atz, conservator of the imperial & royal monarchy of Austria-Hungary and beneficiary in Terlan. The solemn consecration took place on November 25, 1913 by Provost Alois Schlechtleitner from Bozen.
The church was restored a first time in 1956 and a second time in 1986. Little has been left of the original church furnishings. The cemetery was established in 1960. The eight-register organ with 560 pipes was built in 1984 by the organ builder Pirchner-Reinisch from Tyrol.
For the 100th anniversary, the church was restored inside and out.

Catholic service: every 2nd and 4th Saturday at 7 p.m. and on Sunday at 8.45 a.m.

The most interesting building in Andreas-Hofer-Street from a historical point of view is surely the "Ballhaus." This construction functioned as a warehouse and repository for goods passing through Neumarkt/Egna, which, by disposition of the reigning sovereign Duke Otto, were obliged to pay duty and remain there for a night. Above the semi-circular stone framed arch of the portal, the erroneous date of 1372 appears along with the Egna coat of arms. In fact, the Ballhaus was built some 150 years later. You could say that the Ballhaus is the symbol of the privileges which Egna enjoyed until the 18th century and which permitted it to develop into the great and beautiful village we know today. Currently, following very careful restoration, this building is the site of the community library for the German-speaking population, the "Bibliothek im Ballhaus."

In the 14th century a church dedicated to St. Jodok stood where the Church of Our Lady now stands. In 1674 it was replaced by an early-Baroque nave dedicated to the Queen of the Rosary, with only the base of the bell tower preserved from its predecessor. The builders were the Misconèl brothers from Tesero in the Val di Fiemme. The tower was completed in 1776/77 with an octagonal tambour and bell dome. The three-bay nave with barrel vault is divided by pilasters and transverse arches between rectangular and lunette windows; a right-angled cornice connects it with the recessed rectangular choir. There is a two-storey loft to the west.

The altar fittings date back to the late-Baroque era. The Queen of the Rosary can be seen between Saints Dominic and Catherine on the high altarpiece, with the side altars dedicated to the Saints Joseph and Anthony of Padua. The pulpit, of stucco marble, dates from the Classicist era around 1800.

Eines der schönsten Anwesen auf rebbepflanztem Hügel. Beliebter Drehort für Filmszenen. Ehemals einfacher mittelalterlicher Weinhof; Umbau zu einem vornehmen Ansitz im Stilempfinden
der Zeit um 1600 vom Besitzer Elias Leis (Baumeister Luca d’Allio): zwei Ecktürme am Wohntrakt, Freitreppe, Loggia, gewölbte Mittelsäle mit Doppelbogenfenstern. Wegen Überschuldung wurde das Anwesen bald verkauft. Über die Jahrhunderte mehrmals Besitzerwechsel, u. a. Johann Anton Zeffer, der 1641 mit „von Zephyris“ geadelt wurde. Seit dem frühen 19. Jh. im bäuerlichen Besitz.
Die Kapelle mit Fassadenturm ist dem Viehpatron St. Anton Abt geweiht und auf einem mittelalterlichen Kern erbaut, im 17. Jh. erweitert. Die Deckenmalerei, Szenen des Hl. Antonius, stammt von Lukas Plazer (1664).

The most interesting part of the façade of the “von Lutterotti” estate, a 17th century Baroque building, is probably the portal. It is framed by two half-columns with capitals and scroll and smooth and broken headstones. This is the magnificent archway of the court and prison building of the former Salorno/Salurn jurisdiction. The seat is adorned by three wrought-iron balconies. The hall on the first floor is decorated with stucco work. After the building was no longer used as a seat of jurisdiction, it passed to the namesake Lutterotti family from Salurn.

During some excavations in the "Kahn" area in 1983, remains of an ancient Roman edifice were found. Those remains almost certainly belong to the "Endidae Mansio," which appears in the "Itinerarium Antonini." The large edifice with ground area of 737 m² featured a rectangular shape with a huge arcade and a central, partly roofed court. Several rooms were built around the court, which were probably relaxation rooms (cubicula) and a kitchen.

 

The Leuchtenburg/Castelchiaro ruin dominates the hill above Lake Kaltern and shapes the landscape all around this wonderful village. The panoramic view from there is stunning and involves Kaltern itself, Tramin/Termeno, the South Tyrolean Unterland/Bassa Atesina and the nearby mountain peaks.

Patronal feast: January 17th The oldest parts of the church are in the tower (13th century) and in the nave walls. Around 1430, the Gothic Polygon Choir was added. The uniformly re-creation of the choir from 1472 have been carried out by the two painters Bernhard and Jakob, who worked in Bolzano. The great Christophorus on the southern façade is also a work of this painting group.

The church is accessible only during the holy masses (Monday 8 am).

Source: Parrish office Kaltern

Greifenstein castle is enthroned high above the village of Siebeneich/Settequerce. It was first mentioned in 1159.  During the war between the Counts of Tyrol and the Bishop of Trient, in 1275/1276, the castle was destroyed.  Only in 1334, the small aristocrats, the Lords of Greifenstein decided to re-built it again.  On a few years later, in 1348, it was burnt down.  In latter years (once more re-built in 1363), Greifenstein went into the hands of the Lords of Starkenberg.  In 1420, when a part of the Tyrolean aristocracy went into war against the sovereign Duke Frederick of Austria, the sovereign had the castle besieged and starved out.  Amongst the duke's enemies was also the minnesinger Oswald von Wolkenstein.  He wrote a poetic song about the duke's besieger and made fun of them.  The duke's army could not take Castle Greifenstein, but the fight of the aristocracy and the castle's owner, Wilhelm von Starkenberg, became meaningless and, therefore, the Lord of Starkenberg escaped probably through a crevice at the south-western part of the castle.  His 18 servants gave up their resistance once they were promised free withdrawal.  Today, Castle Greifenstein is merely a ruin. 
In common language, it is also called the Sauschloss.  This name derived from a legend, which speaks about the time of the siege.  During this time, the people inside the castle had to face fact that they were left with no food.  There was only one well fattened pig in the castle's cellar.  Suddenly, one of the servants had an idea: instead of slaughtering the animal, they threw it with much laughter over the castle walls and down the rock just in front of the besiegers.  When those realised what just had happened, they lost all courage as they believed that the castle's inhabitants still had lots of food available.  Therefore, they withdrew ..... and Greifenstein was saved.

 

The first written documentation referring to this church appears at the end of the 14th century. From this era, the bell tower remains today, with its double-mullioned windows surmounted by triple-mullioned windows and frescoes on the façade representing the saints Anne, Catherine and Margaret, Christopher with the baby Jesus, and St. Michael, to whom the church is dedicated. In 1672, the church was restored, supplied with a barrel vault, and supplemented with a new chancel, side altar, and sacristy. Particularly rich are the decorations of the choir stalls: The scenes depicted on the parapet stem from the 17th century and represent the Visitation of Mary and Elizabeth, the Adoration of the Magi, the circumcision of Jesus, the flight from Egypt, and the Massacre of the Innocents. The busts painted on the lower part of the choir stalls represent the twelve Apostles and date back to the 18th century. The interior of the church is bare due to the theft of the furnishings and sacred images in 1969. The stolen original altarpiece was replaced by a representation of St. Michael fighting evil.

 

This imposing 3-storey Baroque building “Herrenhof” (17th century) has a façade with two rows of eleven wide windows topped by oeil-de-boeuf windows. The large round-arch portal framed with marble ashlars is noteworthy. Known as “maso Schnatterle”, the “Schnatterle farmstead” (1550-1600), it belonged first to Andreas von Fenner, then in the 17th century, to the Thun-Filippini family, before passing to the important Zenobio-Albrizzi family and finally, towards the mid-19th century, to the Noldin family.

The wine trail was strategically created in the shape of an eight, with its crossing point at the PUNKT Winehouse on the village market square, and leads you past vineyards and wine estates all the way to Lake Kaltern. White limestone road markers provide information on the unique names of the vineyards - such as Puntara and Palurisch, Salt and Plantaditsch. There are four resting stops along the way, marked by bronze plated information tables.

This large stone from the Bronze Age can be found along the Grauner Weg, but unfortunately, its original place of origin is not known. Its many engraved symbols are still a mystery today.

Stone of mica schist with 53 sunken bowls. They point to ancient sacrificial and cult ceremonies. Furthermore, two ships and a
Swastika can be seen (a sun). These type of stones ​​date back to the Bronze Age. The remaining symbols may have been engraved
later. The exact location where it was found in Graun is unknown.

Patronal feast: June 24th The construction dates are written on the church itself. The year 1581 can be seen at the end of the choir, 1586 at the southern entrance. The choir of the church was built in Gothic-renaissance mixed forms. The high altar contains an altarpiece of the painter Johann Degler of Funes. 

The church is only accessible during holy masses.

Source: Parrish office Kaltern

Three-storey building in neo-Romanesque style; adjacent park with high trees. Single-run outside staircase to the first floor on the northwest side of the palazzo-like main building, with corner pilaster strips to the side, topped with a small turret. An aedicule with the Queen of the Rosary faces the main street. The courtyard entrance features portal pillars in the Mannerist style dating from 1612.