Wydarzenia w regionie Bozen und Umgebung

A regional season that hosts the best Italian and foreign companies on the big stages of the Teatro Sociale in Trento, the Teatro Comunale in Bolzano and the Teatro Zandonai in Rovereto, as well as on most of the regional territory.

Once a month, the "Schizzi di Natura - Natur zeichnen" group meets to draw elements of nature using different drawing techniques and watercolor painting. During the four sessions between winter and spring, we focus on studying fruits, gems, flowers, twigs, and the animal co-inhabitants of the orchard. The nature study will be led by drawing teacher Alessia Perseghin, who is trained in scientific drawing.

A special evening guide will allow you to discover what happens at the Museum at night, when the doors close and the lights go out. Not only the secrets of the nocturnal animals in the rooms, but also what else glows in the darkness. Limited places. Reservation required!

ALL THAT MUSIC 2024/25 Jazz singer-songwriter, pianist and arranger Nicole Zuraitis is described as an innovative artist who is redefining vocal jazz, with ‘a heart as big as her remarkable voice'. A GRAMMY winner and four-time nominee the prestigious award, she has earned a place among the best artists and ‘prolific songwriters' to watch out for in jazz and beyond.

Flores Argentinas Ein Dialog zwischen Bass und Klavier Thanks to the collaboration with the concert associations LA FOLLIA NUOVA and TheatERA, a rich spring concert season awaits us in 2025, and we cordially invite you to join us. The first concert will take place next Friday, March 14, 2025, starting at 7:00 PM in the beautiful cassetto-paneled hall of Maria Heim. Reservations are appreciated at the phone number 3486758471. Admission is free! We look forward to seeing you there!

Flores Argentinas Ein Dialog zwischen Bass und Klavier Thanks to the collaboration with the concert associations LA FOLLIA NUOVA and TheatERA, a rich spring concert season awaits us in 2025, and we cordially invite you to join us. The first concert will take place next Friday, March 14, 2025, starting at 7:00 PM in the beautiful cassetto-paneled hall of Maria Heim. Reservations are appreciated at the phone number 3486758471. Admission is free! We look forward to seeing you there!

Flores Argentinas Ein Dialog zwischen Bass und Klavier Thanks to the collaboration with the concert associations LA FOLLIA NUOVA and TheatERA, a rich spring concert season awaits us in 2025, and we cordially invite you to join us. The first concert will take place next Friday, March 14, 2025, starting at 7:00 PM in the beautiful cassetto-paneled hall of Maria Heim. Reservations are appreciated at the phone number 3486758471. Admission is free! We look forward to seeing you there!

IL CROLLO Genoa diary of those days in 2001 at the G8 A production of L'AntiDiplomatico A documentary film by Michelangelo Severgnini Written, set to music and edited by Michelangelo Severgnini With previously unseen footage shot by the author at the G8 in Genoa in July 2001. IF YOU HAVEN'T UNDERSTOOD HOW IT IS POSSIBLE FOR EX-SIXTY-EIGHT YEAR OLD INTELLECTUALS TO GO INTO THE STREETS AND TV LOUNGES TO BARK ABOUT REARMAMENT AND WAR, START HERE The piloted collapse of a generation, by self-sabotage, which extinguished the no-global flame before the fire broke out. A collapse that left only one left standing: the NATO left, anti-revolutionary, orphaned by the USSR and in need of philanthropists. The left of token militancy, of another world possible as long as the paycheck arrives. 24 years and several funds later, the leaders of that no-global movement are now globalists, fact-checkers, anti-Russian warmongers, supporters of coloured revolutions, vaccination certificates and slavery. A generation that has inaugurated a paradigm: playing at saving the exploited with the money of the exploiters. A generation that turned anti-fascism into the defence of LTZs. A generation that conquered the castle by selling out to the castellan. A generation that preferred to change the names of things rather than change things. THE DIRECTOR WILL BE PRESENT

IL CROLLO Genoa diary of those days in 2001 at the G8 A production of L'AntiDiplomatico A documentary film by Michelangelo Severgnini Written, set to music and edited by Michelangelo Severgnini With previously unseen footage shot by the author at the G8 in Genoa in July 2001. IF YOU HAVEN'T UNDERSTOOD HOW IT IS POSSIBLE FOR EX-SIXTY-EIGHT YEAR OLD INTELLECTUALS TO GO INTO THE STREETS AND TV LOUNGES TO BARK ABOUT REARMAMENT AND WAR, START HERE The piloted collapse of a generation, by self-sabotage, which extinguished the no-global flame before the fire broke out. A collapse that left only one left standing: the NATO left, anti-revolutionary, orphaned by the USSR and in need of philanthropists. The left of token militancy, of another world possible as long as the paycheck arrives. 24 years and several funds later, the leaders of that no-global movement are now globalists, fact-checkers, anti-Russian warmongers, supporters of coloured revolutions, vaccination certificates and slavery. A generation that has inaugurated a paradigm: playing at saving the exploited with the money of the exploiters. A generation that turned anti-fascism into the defence of LTZs. A generation that conquered the castle by selling out to the castellan. A generation that preferred to change the names of things rather than change things. THE DIRECTOR WILL BE PRESENT

IL CROLLO Genoa diary of those days in 2001 at the G8 A production of L'AntiDiplomatico A documentary film by Michelangelo Severgnini Written, set to music and edited by Michelangelo Severgnini With previously unseen footage shot by the author at the G8 in Genoa in July 2001. IF YOU HAVEN'T UNDERSTOOD HOW IT IS POSSIBLE FOR EX-SIXTY-EIGHT YEAR OLD INTELLECTUALS TO GO INTO THE STREETS AND TV LOUNGES TO BARK ABOUT REARMAMENT AND WAR, START HERE The piloted collapse of a generation, by self-sabotage, which extinguished the no-global flame before the fire broke out. A collapse that left only one left standing: the NATO left, anti-revolutionary, orphaned by the USSR and in need of philanthropists. The left of token militancy, of another world possible as long as the paycheck arrives. 24 years and several funds later, the leaders of that no-global movement are now globalists, fact-checkers, anti-Russian warmongers, supporters of coloured revolutions, vaccination certificates and slavery. A generation that has inaugurated a paradigm: playing at saving the exploited with the money of the exploiters. A generation that turned anti-fascism into the defence of LTZs. A generation that conquered the castle by selling out to the castellan. A generation that preferred to change the names of things rather than change things. THE DIRECTOR WILL BE PRESENT

Lars Reichow (D): ‘Wunschkonzert’ The award-winning performer, radio and TV host, shows off the full range of his talent as cabaret artist, comedian, pianist and singer. And he is not afraid to expose himself: clear words against nationalism, racism and a strong commitment to thinking and acting open to the world. Never have words and music been so masterfully united. Never has one held so much breath as in this performance. Lars Reichow and his Best of ‘Wunschkonzert’ offer an excellent reason to confront reality. An entertaining and thought-provoking evening. ‘Reichow's programme is what cabaret should be: political, irreverent, polarising, provocative and very funny.’ (Mitteldeutsche Zeitung) ‘This cabaret performer can do it all: sing, play the piano, imitate voices, parody and switch from ironic to serious tones with ease.’ (Rheinpresse Düsseldorf) Performances: Fri 14th and Sat 15.03.2025 at the Piccolo Teatro Carambolage starting at 8 pm. www.larsreichow.de

Craft Market, organized by the Manuart Association, on March14th and 15th at Musterplatz in Bolzano, from 8:30 AM to 5:00 PM. (Free entry)

Craft Market, organized by the Manuart Association, on March14th and 15th at Musterplatz in Bolzano, from 8:30 AM to 5:00 PM. (Free entry)

Craft Market, organized by the Manuart Association, on March14th and 15th at Musterplatz in Bolzano, from 8:30 AM to 5:00 PM. (Free entry)

Craft Market, organized by the Manuart Association, on March14th and 15th at Musterplatz in Bolzano, from 8:30 AM to 5:00 PM. (Free entry)

Craft Market, organized by the Manuart Association, on March14th and 15th at Musterplatz in Bolzano, from 8:30 AM to 5:00 PM. (Free entry)

We delight your palate with a week full of fish specialities from 5 to 19 March 2025 at the Hotel/Restaurant Ansitz Kematen in Klobenstein, Monday day off. Table reservation, tel. +39 0471 356356

Pumuckl convinces master Eder to enter a race, and Eder wins the boat trip. But it is a trap: the big blue Klabauter (the spirit protector of ships), and his little helpers want to take Pumuckl back to sea. On the deck of the vacation steamer, Pumuckl befriends one of the little crew members. But he wants to stay at sea only if Master Eder comes with him. Puppet theater and drama based on a play by Ellis Kaut.

performed by theater group Lengstein in the common house Lengstein

Menu with sushi, gyoza and more from to March 5-23 at the Restaurant Feines Eck'l in Klobenstein. Info & reservation: +39 0471 233025

Theatre review Heretical Bodies 2O24.25 and meetings, readings, workshops

Die Entführung der Amygdala by Anna Gschnitzer The amygdala, Greek for ‘almond’, is one of the oldest parts of our brain. If the amygdaloid body perceives danger, it sends signals that lead to the release of stress hormones to prepare the person for flight or fight. After a bicycle accident, a woman lies unconscious on the road and is kidnapped by her amygdala, with ruthless consequences: she forgets to be a mother, she forgets her children, her husband, her home mortgage, the glass ceiling that she can no longer break through after returning to work from maternity leave, the cost of living that exceeds her income - in an instant she leaves it all behind. But can it be done, can it really be done? This monologue by Anna Gschnitzer, who has already enjoyed great success with the play ‘Fanes’, commissioned by the Vereinigte Bühnen Bozen, shows a woman whose life is hanging by a thread and who takes on a radically new perspective. In doing so, she finds tones that are at once angry, exasperated and urgently quick, which in their playfulness make one acutely aware of the existential malaise of the situation.

Die Entführung der Amygdala by Anna Gschnitzer The amygdala, Greek for ‘almond’, is one of the oldest parts of our brain. If the amygdaloid body perceives danger, it sends signals that lead to the release of stress hormones to prepare the person for flight or fight. After a bicycle accident, a woman lies unconscious on the road and is kidnapped by her amygdala, with ruthless consequences: she forgets to be a mother, she forgets her children, her husband, her home mortgage, the glass ceiling that she can no longer break through after returning to work from maternity leave, the cost of living that exceeds her income - in an instant she leaves it all behind. But can it be done, can it really be done? This monologue by Anna Gschnitzer, who has already enjoyed great success with the play ‘Fanes’, commissioned by the Vereinigte Bühnen Bozen, shows a woman whose life is hanging by a thread and who takes on a radically new perspective. In doing so, she finds tones that are at once angry, exasperated and urgently quick, which in their playfulness make one acutely aware of the existential malaise of the situation.

Die Entführung der Amygdala by Anna Gschnitzer The amygdala, Greek for ‘almond’, is one of the oldest parts of our brain. If the amygdaloid body perceives danger, it sends signals that lead to the release of stress hormones to prepare the person for flight or fight. After a bicycle accident, a woman lies unconscious on the road and is kidnapped by her amygdala, with ruthless consequences: she forgets to be a mother, she forgets her children, her husband, her home mortgage, the glass ceiling that she can no longer break through after returning to work from maternity leave, the cost of living that exceeds her income - in an instant she leaves it all behind. But can it be done, can it really be done? This monologue by Anna Gschnitzer, who has already enjoyed great success with the play ‘Fanes’, commissioned by the Vereinigte Bühnen Bozen, shows a woman whose life is hanging by a thread and who takes on a radically new perspective. In doing so, she finds tones that are at once angry, exasperated and urgently quick, which in their playfulness make one acutely aware of the existential malaise of the situation.

Eye contact with wild animals in the vast savannahs and forests of Africa, creating a deep bond between humans and animals. From 15 January, the Nature Museum will be showing images of this in an exhibition by Bolzano photographer Christian Passeri. Christian Passeri, who comes from Bolzano, lives in Berlin and works as a camera assistant for international film productions. He was inspired by the documentary films of the British wildlife filmmaker, naturalist and writer David Frederick Attenborough, who became famous for his award-winning nature documentaries for the BBC. Passeri has also dedicated himself to nature photography and documents the diversity of nature and its inhabitants with his camera. The exhibition is entitled ‘Contact’ - a term that captures the essence of Passeri's work: On his travels, especially through the unspoilt landscapes of Africa, he experiences fleeting but intense moments of eye contact with wild animals. These moments create a deep connection between man and animal that is emotional, moving and complex. Passeri endeavours to capture these special moments in his pictures and share them with his audience. The exhibition takes you on a journey to the origins of mankind and the magic of the wilderness. From the vastness of the savannah to the dense forests of Africa, Passeri shows the fragile yet majestic beauty of the blue planet. The exhibition will open on Wednesday, 15 January at 18:30 in the South Tyrol Museum of Nature and will run until the end of March. Free entrance.

‘Social intimacy’: the TSB's 2024/2025 season affirms the vital importance of theatre as a community reference point. The new programming has literally won over the Bolzano audience. The playbill designed for the Bolzano Municipal Theatre consists of 13 appointments with theatre excellence that are the result of the encounter between texts and artists of the highest calibre.

SKB ARTES - The annual programme of SKB ARTES opens with a double exhibition. Anuschka Prossliner and Sabine Steinmair will be performing 5 rooms in dialogue: In ‘line.point.texture.a dialogue’, drawings and collages by Anuschka Prossliner meet material objects by Sabine Steinmair. At the same time, Christian Kaufmann presents a selection of new, expansive works in ‘meet me in the gallery’ in the Jahreszeiten-Saal at SKB ARTES, which disguise art as something else - and yet remain art. Lines, dots and textures form the common language in which Anuschka Prossliner and Sabine Steinmair enter into dialogue. In their highly labour-intensive works, the artists combine concentration and restraint with a subtle power that breaks up existing textures and reinterprets the zeitgeist. On display are extensive two-dimensional works on paper with fineliner, biros and coloured pencils by Anuschka Prossliner and objects woven from various materials, such as textiles, paper and gold, by Sabine Steinmair. Inscrutable phenomena and the power and powerlessness of surveillance technology form the basis for Christian Kaufmann's artistic research. In this exhibition, visitors are invited to explore the boundaries of perception and technology between control and loss of control in a clearly reduced aesthetic. Curated by Lisa Trockner Opening: 13 February, 7 pm, SKB ARTES in the South Tyrolean Artists' Association Exhibition duration: 14 February - 18 April

Kaufmann's artistic practice includes graphic design, multimedia works and objects. His creations always act as artificial prostheses, analyzing man-made applications and reintroducing them in a modified context: everyday objects, concepts or technologies are aesthetically reinterpreted and placed in an artificial environment. His works are distinguished by their enigmatic character, in which many elements are decoded and recoded through sophisticated technical tools, generating a rift between rationality and emotion, between rigidity and movement, and between the artificial and natural worlds. Kaufmann's universe moves in mystery: he is not interested in the visible surface, but in what lies beneath it, exploring encrypted codes to add new levels of meaning. In his art practice it is never explicit, but always measured and calculated. The viewer discovers only what the artist has consciously arranged as an interpretive bridge. In the interactive exhibition “meet me in the gallery,” Kaufmann focuses on installations inspired by surveillance technology, interrogating its mechanisms and their impact. The exhibition space is transformed into an environment protected from eavesdropping: panels emit white noise in the ultrasonic range, disrupting small microphones, particularly those on smartphones. Contact transducers generate vibrations that make conversations unintelligible to laser scanners. These sophisticated and disguised technological practices, along with the dialectic between power and powerlessness they evoke, form the core of Christian Kaufmann's artistic research. “meet me in the gallery” is an invitation from the artist to meet him on a conceptual and sensory level-without a physical presence, but only through his creations-to explore the boundaries of perception and technology, between control and loss of control, within a clear and essential aesthetic. Christian Kaufmann, born 1986 in Bolzano, Italy. 2007/2008 - 2008 studies at the University of Salzburg in Philosophy and Psychology. 2008/2009 - 2014/2015 studies in Sculpture and Multimedia at the University of Applied Arts Vienna. Since 2010 independent artist, lives and works in Magrè (Italy). La mostra è curata da Lisa Trockner Inaugurazione: 13 febbraio, ore 19, presso SKB ARTES nel Südtiroler Künstlerbund

Foto Forum is pleased to present the exhibition Durchgangsland–Terradipassaggio. This solo exhibition by the artist Francesca Cirilli is the result of a series of residencies conceived by curator Stefano Riba and organized by Foto Forum, which took place in 2024 in the municipality of Fortezza. The geographical context depicted in Cirilli’s images, as well as in Riba’s textual analysis — featured in a self-published booklet presented during the exhibition — extends along a 15-kilometer stretch of the SS12 (Strada Statale dell’Abetone e del Brennero) between Fortezza and Mules. This short section is densely packed with traces that tell the story of the ancient, modern, and contemporary history of an area shaped around the construction of large-scale infrastructures, built by foreign labor forces. A key focus of the exhibition is on the temporary workers’ villages and the labor force of the Brenner Base Tunnel. While the tunnel construction site is an essential part of the project, Cirilli is less interested in the scale of the infrastructure itself and more in the stories of the people who inhabit and shape the spaces where they live and work. Particular attention is also given to the representation of the natural environment, where built structures create (or carve out) enclosed spaces that contrast with the open Alpine landscape.