Výstavy umění v Jižním Tyrolsku

During the family-friendly Discovery Tour, adults and children can learn all about the life of Ötzi the Iceman: At the archeoParc Museum, you’ll find various different challenges for you to overcome. Using your Discovery Kit, you’ll visit a Stone Age house, bake some break, and try on some of Ötzi’s clothing. And would you like to try shooting with a bow and arrows, or maybe riding in a dug-out canoe? And there’s a little surprise at the end! Price:Ticket € 54 (family4+), ticket € 32 (family3)

Stephan Pramstrahler, head of the house, will accompany us through the exhibition. There will be time for creative exchange over an aperitif afterwards. Taxi service leaving at the hotel Turm at 6.50 p.m. Registration at the Tourist Office Fiè or by 0471 725014 until 12.00 p.m. on the day of the event The entrance fee will be donated to charity.

We and our bodies, ideas, imaginations, and desires are consumed, processed, and monetized every day, just as we consume ourselves. Questioning the concept of visual excess in times of global crises requires an expanded understanding of research fields that bridge multiple contexts: How do we visually confront – and find ourselves confronted by – the contemporary phenomena of (over-)production and (hyper-)consumption? How can we filter out information “signals” from an excess of data “noise”? How do narratives of excess interact with imaginaries of renouncement, sacrifice, and resistance? How do they shape the way we perceive ourselves and how we live together as societies? The exhibition Diminishing Returns explores these questions, proposing counter-narratives and performative activities that challenge stereotypical notions of excess and its impacts. The works critically examine the personal, cultural, and social implications of excess from diverse perspectives. They contribute to dialogue by creating spaces for reflection, analyzing the role and use of images in our visual landscape, and engaging visitors through formats that directly challenge them.

In the Body of Language Im Körper der Sprache Nel corpo del linguaggio describes in three languages an environment that is explored with this art biennial and at the same time the state of our existence in the impossibility of separating the spiritual from the physical. Even if language is ultimately limited to a translation of inner experience and cognition, the communicable part of our experience and understanding of the world can be expressed in it. Language is a means of participation and has revolutionary potential. It builds worlds within us and around us, creates connections and demarcations. At the same time, it is alive and in constant motion - it reflects the political and social upheavals of our time.

The islands of Elba, Tavolara, Giglio, Le Camere, but also Favignana and Palmarola: each work on glass by Antonello Viola is inspired by an island, giving shape over time to an imaginary and highly personal archipelago in which the physical characteristics of each island dissolve into hazy chromatic chords.

The two-part special exhibition shows a representative overview of Robert Pan's oeuvre, while other works by the artist are integrated into the permanent exhibition in the historic building, creating an exciting dialogue with the Baroque furnishings of the imperial and episcopal appartments. This unusual combination opens up a dialogue across epochs: Pan's experimental abstract compositions, which focus on forms, colours and structures, interact with the strongly symbolic works of the Baroque masters. The exhibition thus not only offers the opportunity to trace Robert Pan's artistic development, but also invites visitors to experience the visually appealing contrast between different forms of artistic expression.

The permanent exhibition of Walter Senn gives an overview of his rich work of 50 years. Open every Friday afternoon or by appointment Tel. +39 348 8995768, www.senn.it

In the writings and visions of Hildegard of Bingen, Bonn artist Marianne Pitzen discovered that Hildegard saw a female image of God in the figure of wisdom, Sophia. On display are three-dimensional installations and replicas by artist and founder of the Frauenmuseum Bonn Marianne Pitzen. These are replicas of artistic works from the convent workshops, of which only a few copies remained after a fire, and writings on natural history and medicine with photographs by Marlies Obier from Siegen, who studied German, theology and history.

STAZIONE UNO GALLERY, an exhibition space located in the heart of Bolzano, is composed of spaces totaling over 300 square meters,divided over 2 floors and 3 rooms. The creator, Johann Kosjek, assisted by the Mediamacs Design team responsible for the exhibitiongraphics, aims to fill the gallery with special exhibitions for a period of two years. Stazione Uno now presents its latest creation, LIVINGBIOGRAPHIES, which, as the name suggests, tells the life stories of everyday people. At the center of the exhibition are the personalitiesof the individual exhibitors: their families, their histories, their life paths, their dreams, and finally their "diagnosis." With a commonthread: the participants in the exhibition are always connected to their destiny and not to the successes of an overly satisfying life. Stazione Uno comes to life through its participants. A team that could not be more diverse: people with and without disabilities, peoplewith and without "diagnoses," people even with 100% disability, gathered in what we have chosen to call the DOWN ART COLLECTION.People who have something to say and tell their unusual life stories, facing them positively, and constituting the so-called primary targetgroup of our exhibition work.

Known for his spectacular aerial photographs of western Switzerland taken from a small aeroplane, Ackermann has also created a special photographic monument to the Dolomites. These works have already been shown in illustrated books, in an exhibition at the LUMEN - Museum for Mountain Photography on the Kronplatz in Bruneck, as well as in numerous magazines, portfolios and photo books. Now a ‘Best of’ exhibition by Ulrich Ackermann, member of the Royal Photographic Society in London, will be on show at the South Tyrol Museum of Nature.

Guest showcase by Lisa Settari. In this exhibition, Lisa Settari offers insights into her master's thesis on the coming-out narratives of women who love women in South Tyrol's recent history. The work is based on twenty oral history interviews that Lisa Settari was allowed to conduct with ten women-loving women. Thanks to these oral sources and a focus on women's, gender and queer history, the existing historiography of South Tyrol can be both enriched and critically scrutinised. Lisa Settari: born 1994 in Merano, Bachelor in Political Science, Master in European Women's and Gender History, currently lecturer at the ‘Alexandru Ioan Cuza’ University in Iași (Romania).

Photographs by Paola Marcello curated by Luca Chistè. ‘Whenever a woman fights for herself, she fights for all women’, Maya Angelou. The project, proposed by the Passirio Merano association and the city of Merano in collaboration with the Merano Women's Museum, shows a selection of photographs, printed using fine art techniques, taken during a long journey by the author through seven Asian countries (Thailand, Nepal, India, Pakistan, Uzbekistan, Tajikistan, Iran) with the declared aim of documenting the situation of women.

Dolomythos-Museum at Innichen presents: Women scientists Many women, hardly mentioned in earlier times, made important contributions. We honour these often forgotten personalities, as well as the reserches of ordinary people from the valleys.

The sky has always been picturesque in its colour gradations and atmospheric moods, more recently also through auroras in our latitudes. But it is also marked by human existence: Air traffic, climate change, horizon-marking interventions in nature. And it symbolises something greater than man.

The fossil museum is designed as an outdoor museum and is accessible to interested visitors at any time and explains itself by means of texts and audio stations. A guided tour for a group of the museum with one of our local experts is highly recommended. Booking is possible by means of direct requests to the tourist office: info@moelten.net It is now a long time – 260 million years – since trees resembling today’s araucaria grew in Mölten/Meltina. The ginkgos produced feathery leaves, while tree-high horsetails stood between the village of Mölten/Meltina and the Möltner Kaser hut. It is astonishing that clearly identifiable forms of these South Tyrolean primeval forests remain: trees fell into the riverbank or were carried along by the current, embedded in sand and finally transformed into fossils. They can now be seen in the Fossil Museum, which was revitalised in 2023 and designed as an outdoor exhibition. It shows the best of the finds from the area around Mölten/Meltina. Particularly noteworthy are the fossil tree and plant remains, some 260 million years old, as well as the footprints of a small reptile. What is special about the fossils in Mölten/Meltina? There are only three places in South Tyrol where plant fossils from the Late Permian have been recovered: the Bletterbach Gorge; Seceda; and Mölten/Meltina. The finds from Mölten/Meltina are the only ones that reveal entire trees. Details of their growth, their branches, roots and size are all clearly visible, which makes it possible to reconstruct entire forests. The Fossil Museum has a fully equipped multifunctional room that can be hired for events for up to 30 people.

The title AMONG THE INVISIBLE JOINS is borrowed from the writing of Virginia Woolf, in which human life unfolds as a testament to its fluidity, brimming with potential and uncertainty. Her characters delicately hover between presence and impending absence, grappling with the memory of events and conflicts that prove elusive to full comprehension. The title therefore hints at the various thresholds between remembering and forgetting and the recurring acts of opening and closing doors on the continuous human journey of becoming. As such, the exhibition traces the intimate connections between life itself and the stories we tell, between what was and what remains physically perceptible. Above all, it highlights the collectors’ understanding of the transformative power of art by providing profound insights into life’s fluidity. The works selected for AMONG THE INVISIBLE JOINS encourage viewers to ponder the transitional spaces of contemporary existence, where socio-political tensions intertwine with artistic expression. Throughout their artistic and sometimes activist work, artists such as Lisetta Carmi, Nan Goldin, and Zoe Leonard have emphasized the fluid nature of identity by regarding bodies as open systems in a permanent exchange with the environment. The works of Giulia Cenci, Jef Geys, Roman Ondak, Tarik Kiswanson and Bronwyn Katz are just a few examples of how doors, and windows recur in the exhibition as potent motifs that frame the human body as well as marking transitions and thresholds. Objects from daily life, urban architecture, and public décor – like Alex Ayed’s sculptures or Michael E. Smith or Massimo Bartolini’s installations – are relocated and reframed by the artists to compose new narratives and weave unexpected connections between geographies and memories. Curated by Museion director Bart van der Heide, Frida Carazzato, Brita Köhler, and Leonie Radine, in collaboration with the collector Lorenzo Paini, the exhibition showcases a significant part of the Enea Righi Collection. Over the years, this collection has not only followed the artistic evolution of renowned conceptual positions, it has also embraced and supported a younger generation of artists. Another defining characteristic of the collection is its affinity for works of an institutional scale.

The combined guided tours of the entire museum and the cathedral complex (cathedral, cloister and baptistery) take place alternately in German and Italian from Tuesday to Friday (except on public holidays). Tuesdays and Thursdays: in German at 3 p.m. Wednesday and Friday in Italian at 3 p.m. Duration: approx. 1.5 hours Price: € 5,- p.p. (excluding museum entrance)

10.00 am: „Törggele“ Market in the courtyard of Castle Velthurns with homemade specialties from the farmers as well as official opening of the 27th Chestnut Weeks at 10.30 am. As part of the "Törggele" market, a flea market is held with everyday objects found in Feldthurns/Velturno. The education committee supports the Museum of Rural Culture project.

Children's programme in Steinhaus Working with clay promotes fine motor skills and concentration. The young artists mould various clay pots and figures. By working with sustainable clay, the children learn a conscious approach to natural materials and discover their creativity and manual skills through play. The works of art are then fired in a fire bowl.

only with registration within Thursday, 5 pm.

Materials are provided by the Museum. Children must be accompanied by an adult. Recommended for children above the age of 4.

Frank Martin (1890-1974) Mass for two four-part choirs - Kyrie Jacobus Gallus (1550-1591) - Pater noster John Sheppard (1515-1558) - Libera nos II Frank Martin - Gloria Heinrich Schütz (1585-1672) Our Father Give us peace Frank Martin - Credo Henry Purcell (1659-1695) - Hear My Prayer, O Lord Frank Martin - Sanctus Felix Mendelssohn Bartholdy (1809-1847) - Judge me God Frank Martin - Agnus Die Morten Lauridsen (*1943) - Ubi Caritas Entry: voluntary donation

The rabbit breeding association organizes the autumn exhibition of rabbits at the fire fighter station in Atzwang.

The Stelvio National Park is a high mountain park. During a guided tour of the naturatrafoi Visitor Centre, you can immerse yourself directly in the extreme climatic conditions of high altitudes. What tricks do the animals and plants use to survive the freezing nights, the nine months of winter temperatures, the strong sunlight and also the landslides? Guided tour in German language: 3:30 - 4:00 p.m. Guided tour in Italian language: 10:30 - 11:00 a.m.

‘Before Sunrise’ by Ewald Palmetshofer, based on Gerhart Hauptmann, is about a family in the countryside that has come into money and, marked by strokes of fate, seeks anaesthesia in alcohol intoxication. This led director Sarantos Zervoulakos and set and costume designer Ece Anisoglu - inspired by the location and nature of the studio in the Stadttheater Bozen and the wellness paradise of South Tyrol - to transform the setting into a sauna, which has consequences for the players. This social drama also includes a kissing scene with simulated sex, an off-screen birth and mild physical violence. Potential nudity is also to be expected due to the location in a sauna. All these consequences have prompted us, the Vereinigte Bühnen Bozen, to deal with the complex issue of intimacy coordination and to provide preventive measures for players and all those involved.

"Photography is an ideal tool to show the nuances of time, its effects, its consequences, but also its premises. Not the before and after, but the how and why in a presumed simultaneous eternity of events, condensed in an absurd and yet improbable attempt to capture the present. Giancarlo Lamonaca’s works represent, above all, a challenge to the idea of reality inherent in the concept of photography and open new fronts of dialogue with existence. These are physical and symbolic actions that reflect the allure of legitimate ambiguity. The impulse to record is not enough: the goal is to understand that every realistic element hides or implies something ambiguous, elusive, mysterious. It’s the need to expand and distort the known real world through a conceptual framework, showing how every form of (re-)cognition holds within itself a repertoire of potential and hypothetical imagination. Following Werner Heisenberg’s aphorism, according to which the artist is capable of 'penetrating reality from within,' we are called to seek what does not exist, the possible alternative, the different face of the world. It is always somewhat mad to want to surpass the boundaries of the 'photographable.' It means unveiling all the ambiguity of photography, allowing oneself to be impressed by its seductive fiction. But isn't it perhaps the eternal ambiguity or the ephemeral nature of images: to show and hide at the same time, to portray the world and at the same time change it? Even in this cycle of work, everything can be continually observed, reorganized, and recomposed. It’s as if nothing is ever fixed and never really 'seen.' 'It is in this impossible limit of the physical world,' wrote photographer Luigi Ghirri, 'that photography finds meaning.'"

Kunis flea market - Old and new, used and less used, junk and fun can be found at the flea markets in Lana, Ländparkplatz Lana, 7.00-17.00.

Ultimately - where the many philosophical questions of our existence remain unanswered, Johann Wolfgang von Goethe already said: ‘The inscrutable in devout contemplation’. Markus Damini Born in Bolzano in 1955. Attended the State Academy of Art in Trento. In the 1970s, further training in the craft of leather and its surface design. He became involved with the punching and colouring of leather and the creation of images on leather. This is followed by various artistic further training at home and abroad. The ‘repertoire d'oeuvres’, which in the broadest sense polarity (as energy) in the broadest sense, also includes other techniques and materials, such as beeswax and linoleum. and linoleum. Exhibitions since 1993 at home and abroad. Markus Damini lives and works as a freelance artist in artist in Brixen.

Handcrafted wooden objects of unique beauty and quality. Unique pieces made of wood from the forests of South Tyrol, for nature lovers and aesthetes looking for something special.

Flea market in Lana, Disco Exclusiv Club Lana, from 8.00-18.00.

The LanAntiqua Festival, organised by the LanAntiqua Association, aims to give "early music", which is an inexhaustible source of inspiration, its deserved place in the cultural life of Lana. This music, which is not limited to any epoch, covers the periods from the Middle Ages to Romanticism. The festival's highest maxim is: original sound, i.e. the performance of the music in an appropriate sound setting on instruments of the period and with the knowledge gained from the historical performance practice handed down in treatises. Thanks to imposing venues such as the church Maria Himmelfahrt in Niederlana with its impressive altar by Hans Schnatterpeck and its special acoustics, top-class concert enjoyment is pre-programmed. Programm: 20. April 20.30 Uhr Pianto della Madonna | I Solisti della Camerata di Cremona | Marco Fracassi 19. Mai 20.30 Uhr Gloria in excelsis Deo | Capella Lanensis | Giulia Bolcato 30. Juni 20.30 Uhr baROCK | Amici Veneziani | Simone Kermes 12. Juli 18.30 Uhr Blues trifft alpin Folk | David Frank & Magdalena Oberstaller 30. August 20.30 Uhr Northern Lights | Ars Nova Copenhagen | Sofi Jeannin 27. September 20.30 Uhr Drummers & Orgel | Dominik Palla & Julian Gruber | Andreas Benedikter 19. Oktober 20.00 Uhr …sed libera nos a malo… | Vokalensemble AllaBreve | Nataliya Lukina 23. November 20.00 Uhr Vitalität & Lebensfreude | vita & anima | Peter Waldner 22. Dezember 18.00 Uhr O du stille Zeit | Frauenvokalensemble Luminosa in cooperation with südtirol festival Blues & alpin Folk im Vigilius Mountain Resort Orgelkonzerte „a cappella” Adventskonzert

18 international & local South Tyrolean artists and designers are currently showing at Bunker23. The exhibition offers a wide range of art works, showcasing various approaches and different materials. Following a guided tour through the various ambiences, by sunset we will have experienced a wide range of perspectives - and treated to a sumptuous Marende on the Friedenterasse with local fare as the centrepiece. Duration of the guided tour: approx. 45 min Prices: € 15,00 per person; children up to 12 years free of charge