Výstavy umění v Jižním Tyrolsku

Many areas of the Dolomites are in the process of setting up projects to enhance the historical testimony of the Great War. Sesto di Pusteria was both victim and protagonist of this tragedy. Sesto di Pusteria is the only place of Germanic language and culture belonging to the Austro-Hungarian Empire to find itself at the front line, undergoing forced evacuation and displacement, and then, together with other places of the South Tyrol, being annexed to Italy. This chance set of events makes Sesto an emblematic place to tell the history of this period, not only for the Tyrolean citizens of today but for all the inhabitants of Europe. The vicissitudes of the civilian population and of the soldiers during this extremely important moment in history have so far surprisingly been neglected, undoubtedly because of the upheaval following the end of the war and annexation to Italy. Given the considerable interest in the First World War that is now emerging in Europe, Sesto has unique and inestimable contribution to make. The Associazione Bellum Aquilarum (Bellum Aquilarum historical association) aims to save from oblivion the surviving testimony to this tragedy in order to preserve it so that it can be handed down to future generations, not only to the young people of Pusteria, but also to those living in places once belonging to the former Austro-Hungarian Empire that were the scenes of battle here. The tragedy experienced so deeply at Sesto and in Pusteria is askin to that of many other areas of Europe which were on the front line or which, after the war, witnessed the havoc brougth on by territorial annexation. The ensuing cultural, historical and political schism was immense; without doubt, these events changed Pusteria but also Europe itself, and today - in a European perspective enabling the age-old tensions issuing from the war to be overcome - preserving these memories can aid us in the construction of our common future.

Kaufmann's artistic practice includes graphic design, multimedia works and objects. His creations always act as artificial prostheses, analyzing man-made applications and reintroducing them in a modified context: everyday objects, concepts or technologies are aesthetically reinterpreted and placed in an artificial environment. His works are distinguished by their enigmatic character, in which many elements are decoded and recoded through sophisticated technical tools, generating a rift between rationality and emotion, between rigidity and movement, and between the artificial and natural worlds. Kaufmann's universe moves in mystery: he is not interested in the visible surface, but in what lies beneath it, exploring encrypted codes to add new levels of meaning. In his art practice it is never explicit, but always measured and calculated. The viewer discovers only what the artist has consciously arranged as an interpretive bridge. In the interactive exhibition “meet me in the gallery,” Kaufmann focuses on installations inspired by surveillance technology, interrogating its mechanisms and their impact. The exhibition space is transformed into an environment protected from eavesdropping: panels emit white noise in the ultrasonic range, disrupting small microphones, particularly those on smartphones. Contact transducers generate vibrations that make conversations unintelligible to laser scanners. These sophisticated and disguised technological practices, along with the dialectic between power and powerlessness they evoke, form the core of Christian Kaufmann's artistic research. “meet me in the gallery” is an invitation from the artist to meet him on a conceptual and sensory level-without a physical presence, but only through his creations-to explore the boundaries of perception and technology, between control and loss of control, within a clear and essential aesthetic. Christian Kaufmann, born 1986 in Bolzano, Italy. 2007/2008 - 2008 studies at the University of Salzburg in Philosophy and Psychology. 2008/2009 - 2014/2015 studies in Sculpture and Multimedia at the University of Applied Arts Vienna. Since 2010 independent artist, lives and works in Magrè (Italy). La mostra è curata da Lisa Trockner Inaugurazione: 13 febbraio, ore 19, presso SKB ARTES nel Südtiroler Künstlerbund

SKB ARTES - The annual programme of SKB ARTES opens with a double exhibition. Anuschka Prossliner and Sabine Steinmair will be performing 5 rooms in dialogue: In ‘line.point.texture.a dialogue’, drawings and collages by Anuschka Prossliner meet material objects by Sabine Steinmair. At the same time, Christian Kaufmann presents a selection of new, expansive works in ‘meet me in the gallery’ in the Jahreszeiten-Saal at SKB ARTES, which disguise art as something else - and yet remain art. Lines, dots and textures form the common language in which Anuschka Prossliner and Sabine Steinmair enter into dialogue. In their highly labour-intensive works, the artists combine concentration and restraint with a subtle power that breaks up existing textures and reinterprets the zeitgeist. On display are extensive two-dimensional works on paper with fineliner, biros and coloured pencils by Anuschka Prossliner and objects woven from various materials, such as textiles, paper and gold, by Sabine Steinmair. Inscrutable phenomena and the power and powerlessness of surveillance technology form the basis for Christian Kaufmann's artistic research. In this exhibition, visitors are invited to explore the boundaries of perception and technology between control and loss of control in a clearly reduced aesthetic. Curated by Lisa Trockner Opening: 13 February, 7 pm, SKB ARTES in the South Tyrolean Artists' Association Exhibition duration: 14 February - 18 April

Solo exhibition from Alessandro Montoro in collaboration with S.Erardo Art Group Bressanone

By purchasing a skipass with the duration of minimum 3 days within the period from April 14 - 20, 2025, the free entry to the LUMEN museum on Kronplatz is included in the skipass price.
Located at the summit of the Kronplatz (in South Tyrol), the museum has dedicated 1,800 square metres to mountain photography. Spanning four floors, the LUMEN offers the possibility to experience the history of mountain photography from its beginnings until the present as well as displaying the art of mountain-photographers from all over the world.

An exhibition in collaboration with AVS Alpenverein Südtirol Opening of the temporary exhibition: 21/12/2024 11:00 am

Foto Forum is pleased to present the exhibition Durchgangsland–Terradipassaggio. This solo exhibition by the artist Francesca Cirilli is the result of a series of residencies conceived by curator Stefano Riba and organized by Foto Forum, which took place in 2024 in the municipality of Fortezza. The geographical context depicted in Cirilli’s images, as well as in Riba’s textual analysis — featured in a self-published booklet presented during the exhibition — extends along a 15-kilometer stretch of the SS12 (Strada Statale dell’Abetone e del Brennero) between Fortezza and Mules. This short section is densely packed with traces that tell the story of the ancient, modern, and contemporary history of an area shaped around the construction of large-scale infrastructures, built by foreign labor forces. A key focus of the exhibition is on the temporary workers’ villages and the labor force of the Brenner Base Tunnel. While the tunnel construction site is an essential part of the project, Cirilli is less interested in the scale of the infrastructure itself and more in the stories of the people who inhabit and shape the spaces where they live and work. Particular attention is also given to the representation of the natural environment, where built structures create (or carve out) enclosed spaces that contrast with the open Alpine landscape.

ONLY GERMAN AND ITALIAN SPEAKING GUIDES Museum visit: An introductory film provides a comprehensive overview of the origin and nature of the minerals displayed in the museum. After a 2-minute ride by private car and a subsequent hike (approx. 20 minutes) you reach the excavation site, where you will search for Geodes of Teis under the expert supervision of a gatherer. Note: Due to Paul Fischnaller's advanced age, the excursion will be led by another experienced collector if required. Tools, helmet and a pair of safety goggles will be provided by the museum. Hiking boots recommended. Duration: ca. 3 hours Price:adults 22,00 € - children (6-15 years): 10,00 € - children under 6 years are free. Discount with the Dolomiti Card. Registration and information: Mineral Museum Teis +39 0472 844522 or Tourist Information Office +39 0472 840180

Galleria Alessandro Casciaro is delighted to present its second exhibition with works by Jürgen Klauke. Klauke is one of the most renowned artists in Germany. In the early 1970s, he co-founded Body Art and co-introduced the concept of photographic Self-Performance to contemporary art. Since then, he has played a decisive role in its development. Under the title Kreuz & Queer, the show features photographic works and drawings.

Forty years after the death of two great figures of world culture, Italo Calvino and Marc Chagall, the Italian Association of Artists of Trento | Bolzano FIDA and the ASSB - Associazione Scrittrici e Scrittori di Bolzano are commemorating the two outstanding artists with an event at the Bolzano City Gallery. The wide-ranging cultural event will showcase works by twenty-nine artists from the Trentino-Alto Adige region as well as writings by the thirteen writers who are members of the ASSB Bolzano. These are free and personal interpretations and inspirations, a tribute to the two unforgotten personalities who are of immeasurable importance in art and literature. The artists and writers explore their significant legacy in order to create a moment of wonder in today's culture - a reflection of a past that is still alive. ‘The Emotions of Artists’ is the title of this ambitious project, which revolves around the deep emotionality masterfully concealed in the paintings and writings of the two great authors. As in the light, fleeting poetry that is always palpable in their imaginative works.

Fashion Revolution: Clean Clothes and What’s Behind It How much does a garment worker earn in Bangladesh? Where is cotton grown, and how many pesticides are used? What journey does a T-shirt take to end up in our wardrobe, and which labels can we trust? Ten oversized T-shirts provide answers to these and other questions about global clothing production.

The special exhibition “Die Hutterer. A Search for Traces in Klausen” is accompanied by the collaborative UNIKA exhibition under the Ladin title “PESC” (meaning PEACE) – an ideal that connects both exhibitions at the Civic Museum Klausen. They are part of the initiatives for the Euregio Museums Year 2025 “weiter sehen,” which, in memory of the Peasants’ War of 1525, addresses contemporary themes. The Hutterites A Search for Traces in Klausen The nearly 500-year history of the Hutterites, who were expelled from Tyrol in the 16th century, is that of a minority that was marginalized and persecuted due to their religious beliefs and communal organization. However, their story is also one of plurality and openness to foreign ideas. The teachings of the Anabaptists found great support in Tyrol, including in Klausen. One of the most significant preachers and religious leaders of the Hutterites, Peter Walpot, was a native of Klausen. At the same time, the Hutterites were subjected to relentless persecution, as evidenced by well-documented cases from Klausen. Jakob Huter, born near St. Lorenzen, took on the leadership of the Anabaptists in Tyrol at an early stage and organized their communal life. In the 16th century, the Anabaptists moved to tolerant Moravia, marking a period of prosperity. From the 17th century onward, they were forced to migrate further until they eventually reached North America. Here, despite facing some crises, they managed to preserve their faith and a well-functioning community to this day. Opening hours: Tues – Sat | 9.30 – 12 a.m., 3.30 – 6 p.m. Closed on Sundays, Mondays and holidays

Belinda Kazeem-Kamiński's Aerolectics investigates, through an unprecedented series of works, the origins and spread on the African continent of the European Catholic missionary system and its relationship with the contemporary world. The artist explores the intertwining of history and the present, looking at the removals in collective memory in particular in relation to the African context. With a multimedia and immersive journey, made up of voids and solids, voices and silences, in which objects, narratives, sounds and images follow one another, Kazeem-Kamiński traces and investigates the experience of blackness in Europe, as perceived by the white gaze. With an autoethnographic approach and adopting a polyphonic and multimedia narrative, Kazeem-Kamiński also looks at the role played by the missionary system in South Tyrol in relation to stories of the African diaspora.

The combined guided tours of the entire museum and the cathedral complex (cathedral, cloister and baptistery) take place alternately in German and Italian from Tuesday to Friday (except on public holidays). Tuesdays and Thursdays: in German at 3 p.m. Wednesday and Friday in Italian at 3 p.m. Duration: approx. 1.5 hours Price: € 5,- p.p. (excluding museum entrance)

From 1 April to the end of June, the Museum of Nature is showing macro photographs of insects by South Tyrolean photographer Ulrike Mitterstieler. Ulrike Mitterstieler, born in Bolzano in 1965 and raised in Fiè allo Sciliar, only discovered her passion for photography late in life. Her enthusiasm for insects, which has accompanied her since childhood, is combined with macro photography in order to visualise the hidden beauty and complexity of these small creatures. Her work enables viewers to recognise details that often remain hidden to the naked eye. The photographer was selected as part of the South Tyrol Nature Museum's Open Call, in which local artists were invited to submit works with a South Tyrolean connection. The aim of the project is to utilise the transitional area between the first and second floors of the museum with changing exhibitions and thus offer regional talent a platform. The current exhibition builds on the success of the previous presentation ‘Kontakt’ by Christian Passeri, which can be seen from January up to and including Sunday 30 March 2025. The exhibition invites visitors to experience the world of insects from a new perspective and discover the often overlooked beauty of these animals. It is accessible from 1 April to 29 June 2025 during the regular opening hours of the Nature Museum and is included in the admission price. Info: Tel. 0471 412964

Painting on metal foils in Stabler's Staircase Gallery in Oberbozen, Alter Mühlweg 28. Open daily, except Sunday & Holiday. Info tel. +39 0471 345480. He is a brooder, a thinker, someone who critically questions blind faith in progress. When he rushes through the streets, restless but observant, he might already be envisioning his next project: a façade, a painting, a sundial to adorn a wall, or a family crest. Gottfried Stabler, however, became particularly well-known for the gold leaf technique that he developed himself. (Text: Kuratorium Kommende Lengmoos)

The exhibition sheds light on the Peasants' War and its prehistory using archival documents from around 1500, focussing on the social, political and economic aspects of life before and during the peasant uprisings. Through the presentation of archival documents from the Diocesan Archives, works of art and everyday objects, perspectives on the Peasants' War that have been little illuminated to date are shown in order to visualise the multi-layered nature of the historical events and their complex causes. The exhibition builds a bridge between past and present and encourages reflection on the continuity of social upheaval.

Acquired over the past decade, these videos are being showcased at Museion for the first time, exploring memory through the medium’s experimental techniques, such as loops, overlays, and flickering. As video art remains a vital part of contemporary museums, Museion has actively expanded its collection, embracing this dynamic medium to uncover new meanings through the layering of visual and narrative languages. Currently, the museum holds 167 video works, including 28 installations and 139 single-channel films, which form a crucial part of its 4,450-piece collection. This focus dates back to a pivotal moment in 2007-2008 when Museion acquired 52 video works through the Electronic Arts Intermix (EAI) in New York. Since then, video art has remained a key area of growth, serving as a bridge between historical narratives, experimental storytelling, technological innovation, and an intergenerational artistic language. At the heart of this exhibition is an exploration of time and the ghostly presence of the past. The selected videos delve into themes of remembrance and transformation, using archival footage, found materials, and visual distortions to challenge conventional storytelling. Like archaeologists unearthing forgotten histories, the featured artists employ montage, appropriation, and layering to craft narratives that challenge the linearity of time. These latest additions to the Museion collection not only strengthen its role as a contemporary art institution but also hold particular value for the local region. By continuously expanding its video archive, Museion ensures that South Tyrol remains a hub for contemporary artistic discourse, fostering connections between global narratives and local cultural heritage. The exhibition, therefore, serves as a dynamic platform for engaging with the past while reinterpreting it through modern artistic lens. Videos on display: Korakrit Arunanondchai, Untitled (Painting with History in a Room Filled with People with Funny Names 3), 2015 Barbara Gamper, Becoming Otherwise (hot pink triangles and holes, or how to become woman?), 2020 James Richards, Qualities of Life: Living in the Radiant Cold, 2022 Berty Skuber, Epicycles, 2013

In March 2025, Museion will present a landmark exhibition about the relationship between graffiti and contemporary fine art. The first museum exhibition in Italy to investigate the art history of spray paint, Graffiti focuses on how the visual vernacular of the city and the street has entered the studio. Above all, the show contends that graffiti is a way of seeing and experiencing urban landscapes. Bringing together transdisciplinary works from across a 75 year period, the show centers on an approach that moves beyond the historization of graffiti as an “outsider” practice. Beginning with pre-graffiti spray paintings from the 1950s and 1960s, the exhibition unfolds through works by renowned graffiti writers of the 1980s, and contemporary artists who implement graffiti into their diverse practices. Spray paint, the tool which characterizes contemporary graffiti, was patented in the United States in 1951. Between its introduction as a product in the 1950s and the late 1960s – when the form of graffiti that is widely recognized today was first practiced – there was a lapse of almost 20 years, during which fine artists also experimented with the tool. Once spray paint became the dominant style for graffiti writing, its subsequent use in any capacity became tied to graffiti. A simple line of spray paint immediately calls to mind associations with rebellion and urbanity, whether this is intentional or not. Occupying 1,500 square meters across the two largest floors of Museion, the show features key works from the latter half of the 20th Century until the present day, as well as site-specific new works. Graffiti takes – as its point of departure – works from the 1950s and 1960s by artists such as Hedda Sterne, David Smith, Martin Barré, Dan Christensen, Carol Rama, and Charlotte Posenenske. In juxtaposition are spray paint on canvas works by seminal graffiti writers such as Rammellzee, Futura 2000, Blade, and Lee Quiñones. A selection of significant 1980s and 1990s paintings, which clearly reference or incorporate graffiti, by Lady Pink & Jenny Holzer, Martin Wong & LA2, and Keith Haring, is followed by more recent examples of spray paintings by Heike-Karin Föll, Michael Krebber, and Christopher Wool. Digital tag drawings by Georgie Nettell meet Patricia L. Boyd’s photogram of a bus shelter and Karin Sander’s Patina Paintings, among many other works. This part of the exhibition further includes artworks by contemporary graffiti writers such as Kunle Martins and WANTO, and a new piece by N.O.Madski in dialogue with sculptures by KAYA. The exhibition continues in the form of a city scape, occupied by various works incorporating urban realities. This includes films and photography by Charles Atlas and Manuel DeLanda, as well as numerous large-scale installations and sculptures such as Klara Lidén’s readymade trash cans and junction boxes, or Josephine Pryde’s New Media Express, a model train covered in miniature graffiti. Graffiti methods of mark making are reflected in R.I.P. Germain’s sculpture of a false storefront, a new wall installation by Matias Faldbakken, and street casts by Alix Vernet. This exhibition inaugurates a new long-term Museion research project which focuses on soft and non-violent forms of resistance – and art as a social and urban practice. The exhibition is co-curated by New York based artist and archivist Ned Vena (b. 1982 Boston, USA). His artistic practice, which involves paintings, sculptures, installations, and films, was deeply informed by his active practice as a graffiti writer and his profound research into the history of graffiti; and vice versa, his thorough studies of the history of painting also shaped his understanding of graffiti. Both his personal dedication and cross-disciplinary archival knowledge manifest in the exhibition.

The exhibition ‘Mercanti si diventa’ was created with the intention of investigating the figure of the merchant, the protagonist and soul of the city of Bozen from the earliest times, and his evolution from a ‘simple’ shopkeeper to a full-fledged fair merchant. On a local level, this qualitative leap took place between the 17th and 18th centuries, thanks to the spread of innovative trade manuals, the growing importance of Bolzano's fairs, and the role of the Mercantile Magistrate. The exhibition, which was realised thanks to loans from institutions, public archives and private collectors, aims to revive the intense commercial activity that characterised Bolzano's fairs in their heyday. The exhibition includes a reconstruction of the studio of an enterprising merchant. The maps, paintings and guild insignia on display emphasise how important transport activities were for international trade. On display are some valuable manuscripts from the Menz Archive, which give an insight into the complex structure that underpinned the organisation of a market, and some rare printed books, veritable encyclopaedias ‘of trade’. The exhibition ends with an inlaid panel by Alois Delug, an unfinished work from the early 20th century and exhibited for the first time at the Mercantile Museum. It ideally sums up those atmospheres, giving us a snapshot of the past of Bolzano, a city of fairs and markets. Exhibition in Italian and German

Scenes of peaceful life of shepherds and grazing animals, of hard work in adverse weather and in mostly uncomfortable areas: the cultural history of pastoralism moves between these two poles. When people began to settle in the Alps, bringing their domestic animals with them, the post-glacial landscape began to change. The exhibition illustrates the steps of this development up to today's debate about grazing animals and their predators. Sculptures, models, games, interviews and videos on the work of shepherds together with their dogs provide insights into the cultural practice of pastoralism and the importance of shepherds, who not only protect the flock from wolves. Shepherding can in fact play a decisive role on the environment, biodiversity, animal welfare, climate and human nutrition.

The images you take in during your holiday with us will create pleasant memories for a long time afterwards. After all, that’s one of the main goals. But the impressive natural landscape in which we live also looks great on the big screen. You can marvel at the fantastic pictures of South Tyrol's natural world during our multi-vision show, accompanied by explanations from our speakers. (in German)

Step into the enchanting fusion of art and nature at the grand opening of SculpGarden25 at Staudenparadies Seidnerhof. On April 12 at 11 AM, this exceptional exhibition will open its doors, organized by Art Circle St. Erhard VFG and Staudenparadies Seidnerhof. Witness a unique presentation where 23 talented artists will showcase over 60 sculptures and installations, beautifully embedded in the idyllic garden landscape of Staudenparadies. A highlight of the opening event will be the welcoming toast, where you’ll have the chance to engage with the artists, learn more about the creation of their works, the ideas behind the installations, and the interplay of light, nature, and art. These conversations promise to deliver captivating insights and inspiring encounters. Art isn’t limited to the opening day: from April 12 to October 25, visitors can experience a dynamic exhibition that evolves with the interplay of light, shadows, and nature. A rich program of accompanying events adds to the charm, featuring concerts, engaging readings, and the convivial Aperitivo Lungo. SculpGarden25 invites you to explore art and nature in a completely new way. Let yourself be inspired and enjoy the creative diversity of this extraordinary event that celebrates the harmony between culture and landscape. Be there as art comes to life amidst flourishing nature, creating a unique experience for all the senses!

"How did our ancestors live? A guided tour (german or italian) of the Museum Steinegg immerses you in the everyday life of past centuries. Lovingly furnished parlours, chambers and craft workshops tell of hard work, old customs and a life in the rhythm of nature. Experience over 1000 years of Tyrolean history, customs and traditions on 1000 m². Above all, the art treasures of religious and secular origin give the museum a special flavour and make it unique in South Tyrol. An animal exhibition is a source of amazement, especially for children. A new feature is the opportunity to be told directly by historical witnesses how they experienced the past. These exciting interviews can be shown on various screens. Important information: The museum opens on Palm Sunday and remains open until the end of October. Visits are only possible with a guided tour in german or italian languague. These take place from Tuesday to Friday at 10:10 and 11:10 and on Saturdays, Sundays and public holidays at 17:00. A reservation is required: +39 0471 619560 or info@sternendorf.it. On weekdays, reservations must be made by 12 noon the day before, on weekends by 4 pm on Thursday and 48 hours in advance on public holidays. A barrier-free visit to the museum is unfortunately not possible. PRICES: Adults from 14 years 7,00 € Children from 6 - 13 years 4,00 € Student with valid student card 4,00 € Mini - Family one adult and one child up to 13 years 7,00 € Family ticket two adults and two children up to 13 years 14,00 € Here is a small foretaste: Video Museum Steinegg

In addition to the permanent exhibitions ‘The Ötzi Find’ and ‘Flora, Fauna, Man’, the archeoParc in Unser Frau presents a small special exhibition every year. This year's edition is called ‘Glaciers and Me’ and is dedicated to two artistic positions on the topic to mark the Year of Glaciers: paintings by Jessie Pitt (Melbourne/Längenfeld) and photographs by Daniela Brugger (Karthaus) together with texts by glaciologist Georg Kaser (Karthaus) invite visitors to discover and reflect. EXHIBITION OPENING ‘GLACIERS AND ME’ at the archeoParc on 12 April 2025 at 18:00. open daily from 10:00-17:00

*1970 in Bolzano/Bozen (Italy), independent artist. Studio house for sculpture, public art interventions, drawing and painting in the historic Fundneyt residence near Klausen/Chiusa (Dolomites, Italy). Teaches and lectures at various universities. His works can be found in numerous international public and private collections.

In the second half of the 19th century, running a business, practicing a skilled trade, or, least of all, being an alpinist was far from easy if you were a woman. The period between 1865 and 1914 saw numerous wives of photographers active in mountaineering and mountain photography, and it would not be possible to include them all in this exhibition. Instead, four women photographers were selected to represent the group in this exhibition. Among them, Elizabeth Whitshed Main takes a special place as an outstanding photographer, alpinist, and the founder of winter alpinism in general and winter tourism in the region of Engadin, Switzerland, in particular. The exhibition also features works by Gertrude Bell, Eleonore Noll-Hasenclever, and Una Cameron, three distinguished alpinists, travel journalists, and women’s rights activists. Curator: Richard Piock (TAP – Süd) An exhibition in cooperation with Soroptimist Club Pustertal and TAP - Süd

This topic will be the focus of our staircase exhibition starting April 1st. This unique exhibition offers a visionary investigation of how travelling might develop and grow in the 21st century and beyond. Using AI images and illustrations, the Touriseum offers a glimpse into the future of travelling. This uncertain future comes to life, prompting reflection and even dreaming. Let yourself be inspired as you explore the possibilities and challenges of the coming age of travel. “The Future of Travelling” presents a collection of creative short texts and their artistic interpretations that will challenge the limits of our imagination. From hypermodern means of transport to sustainable travel options and virtual travel experiences, the exhibition explores a variety of themes that might shape travelling in the coming decades.

Michael Höllrigl’s expressive stone and bronze sculptures will adorn the gardens of the Kränzelhof in 2025, true to his motto “The hand knows more than the head.” “Letting you dream on and on” is the goal of the sculpture exhibition. Whether it’s nearly untouched wilderness or an enchanting cultural landscape, gardens represent the longing for paradise: Tamed nature and untamed inner worlds meet and perhaps grow together. In a place shaped by the interplay of nature and culture, like the Kränzelhof, the things of nature and the things of art point to each other in a way that echoes Joseph von Eichendorff’s immortal line from the poem “Wünschelrute”: “A song sleeps in all things, which dream on and on...” Organisation Kulturverein K.art. 15.00-18.00 (free admission) Price: Garden entry

Curated by Frida Carazzato In collaboration with the Fondazione Bonotto and Patrizio Peterlini’s curatorial advice Exhibition and graphic design: SS16 Studio and AndreaTabocchiniArchitecture Press preview: 11.04.2025, 11:00 am Opening: 11.04.2025, 7:00 pm Museion Passage and Piccolo Museion - Cubo Garutti Museion continues to research and explore its own collection by presenting You and the Night and the Music – Francesco Conz Editions from the Museion Collection, an exhibition dedicated to art editions, especially those of Francesco Conz, one of the key figures in the promotion and artistic production of international neo-avant-gardes in Italy. Curated by Frida Carazzato with the collaboration of the Fondazione Bonotto, through the curatorial advice of Patrizio Peterlini, the exhibition uses the museum collection to explore the cultural legacy and artistic vision of Francesco Conz. This important figure, who worked with Fluxus, Visual Poetry and Concrete Poetry artists, played a decisive role in disseminating these artistic practices in Italy and abroad. The title of the exhibition is taken from a work by Gerhard Rühm, a visual artist, musician, poet and co-founder of the Wiener Gruppe, and one of the first artists with whom Francesco Conz began producing large-format editions. The “You and the Night and the Music” title stimulates reflections on the relationship between art, time and the links between artists, collectors and museum institutions. The conjunction “and” in the artwork becomes, in the title of the exhibition, a metaphor for both the network of cultural connections that has given rise to one of the main hubs in the Museion collection and the figure of Conz, whose passion bound together artistic and human experiences. A number of collectors and art critics, in fact, have played a fundamental role in the history of the museum collection. People like Paolo Della Grazia, who donated his collection to the museum in 2020, Luigi Bonotto, Henry Martin and many others, have helped to create an artistic heritage that is now an essential reference point for the study of neo-avant-gardes. Thanks to their activities, Museion has been able to enrich its collection with a body of works that bears witness to the value of publishing and screenprint production as a means of disseminating contemporary art. The exhibition is located in the central area of Museion Passage, a space designed to host dynamic installations that are open to the public. The central and corner sections – the latter can be visited until November 16 2025 – present a selection of screenprints on canvas produced by Conz and designed to be easy to transport and exhibit in various contexts. These works interact through videos, artists’ multiples and other editions to create an experience that reflects on the art of publishing both as an artistic tool and as an effective space of cross-genre exchange, in harmony with the Fluxus spirit.