Kultura a památky v Brixenu

The building consists of lightweight walls, which are lined with rough chestnut wood slats and girded by retaining walls and ceilings made of exposed concrete. The concrete slabs, formed using coarse plywood formwork, were skilfully embedded into the terrain so that the building is harmoniously nestled into the steep slope. The rooms for filling, packaging and maturation are located completely underground, which has an added advantageous cooling effect. The tasting and sales room is glazed floor to ceiling and the chestnut wood battens in front of the window provide a visible filter. Natural materials, such as clay plaster, black plate, slate floor and oiled wood, characterise the room. The sparse furnishings with bar tables and a service line help to keep the focus on the essentials - the wines. Light shines diffusely from above, yet into the room in a targeted manner. From the tasting room, small peepholes offer an insight into the "holy of holies," the vintage cellar. Here the best wines are matured and skilfully presented. The considerate care for the landscape and the selected natural materials also reflect Garlider's philosophy in the production of organic wines.

Around 1800, the prince bishop Karl Franz Lodron commissioned two large cribs depicting the story of Christ and the Redemption for the grand chapel and a room in his living quarters. Both cribs illustrate numerous scenes based on evangelical stories.  Franz Xaver Nissl and the paralytic Augustin Alois Probst, assisted by his stepbrother Benedikt, were chosen as the engravers.  Probst’s crib contains more than five thousand miniature figurines, all recounting the story of Christ, beginning with the Nativity and continuing to the Passion at the Cross.  Nissl’s crib, depicting episodes of Christmas and the Passion, was put on display during Lent Sundays in the residence chapel.  Other cribs from Brixen, Tyrol, Naples and Sicily enrich this section of the museum.

 

The Town Hall of Brixen is situated between the “Portici Maggiori” Street and Cathedral Square.

The present building has a Renaissance façade and a late-Medieval crenellated roof.

At the eastern side of Brixen, beyond the confluence of the Rienz river and the Eisack river, in the village of Milland a new parish church was built between 1984-1985, and it is consecrated to the Saint Father Josef Freinademetz. The church is a curiosity, a work of modern architecture, a sacred place full of light.In the basement, there is an exhibition about the life and the work of the church patron, the Saint Father Josef Freinademetz, the Tyrolian China- missionary.
Guided tours possible after request.

In over 70 rooms the Diocesan Museum displays a representative cross section of the sacred art of the South Tyrol. It houses the well-known Nativity collection and parts of the treasure collection belonging to Brixen Cathedral, including the famous Adlerkasel. The collection of medieval sculpture and panel painting is the most comprehensive in the South Tyrol and is particularly worth seeing. Highlights in the art gallery are paintings by Lucas Cranach, Bartlmä Dill Riemenschneider, Ulrich Glantschnigg, Franz Sebald Unterberger, Paul Troger, Gianbattista Tiepolo and Carl Henrici. With an exhibition area of 6600m², the Brixen Diocesan Museum in Brixen is one of most comprehensive ecclesiatical collections anywhere. The Kaisertrakt is also worth seeing, with pictures, furniture and porcelain created by manufacturers commissioned by the Viennese court.

Guided tours for groups can be booked on request. Further information: www.hofburg.it/infos 

The lake Totensee, literally "lake of death" is less threatening than its name suggests.

The lake is located in a hollow below the well-known Chapple Totenkirchl. Surrounded by boulders and meadows, it is situated at an altitude of 2200 m. The macabre name comes from the agricultural expression "dead", which can be interpreted as unprofitable.

The chapel of the dead is situated at an altitude of 2186 metres between the mountain pass of Villandro and Sarentino on the high plateau of the Villandro Alp. The little church has to be renovated constantly due to the unique location. The last renovation was in 1981 by the “shooters of Villandro – Villanderer Schützen”. The crucifixion group inside the chapel is larger than life, for this reason it impresses every visitor. To the chapel of the dead leads a way of the cross which is 4 km long and has 14 stations. Besides, a way of the cross leads from Sarentino to the little church.

The art collection of the Museum of Klausen/Chiusa is located in the former Capuchin monastery. The entire first floor of the museum is dedicated to the famous Treasure of Loreto that forms the most important part of the museum. The Treasure of Loreto goes back to an endowment around 1700 by Queen Maria Anna of Spain (1667-1740) in response to a request by her confessor, Father Gabriel Pontifeser.
Another key aspect of our permanent exhibition is the Klausner Art Colony (1874-1914) with its well-known representative Alexander Koester.
The tour through the museum includes also a visit to the baroque Capuchin church.

Temporary exhibitions

"LA REGIONE FUORI DAI VETRI"
THE TIME COURSES OF ART
The world of work from the perspective of art
Opening: Friday, 22.3.2024
Duration of the exhibition: 23.3. - 17.8.2024

ART THAT WALKS
ART AT EVERY STEP
When craft meets art and vice versa
Opening: Friday, 30.8.2024
Duration of the exhibition: 31.8. - 2.11.2024


More information about the city museum: https://www.museumklausenchiusa.it/en/

The space in front of the Augustinian Monastery was used as a car park for a long time. Surrounded by buildings of historical value, the potential of the space was finally filled in with a new design. The complex is made of three parts: the entrance from outside, the square and the entrance to the abbey gate. The square was lowered by 1.5 meters in order to recreate the original proportions of the facades of the surrounding buildings. A steel plate for a fountain was installed in the middle of the space. Wooden steps arranged above the water cascade, surround the square, which can be used as seats for open-air events. In bad weather a large tarpaulin with steel supports and rope guy lines can be set up. All new aspects such as paving, parapets, steps etc. were made from granite to stay in keeping with the buildings of the abbey.

The Brixen Pharmacy Museum leads into the past of a Brixen townhouse with splendid wall panelling, murals and tiled stoves. The house containing the Peer Pharmacy holds a rich store of rare medicaments that relate the diversity and imagination of the healing art. This wonderful little museum is also highly recommended for all lovers of architecture and modern art.

Brown, marshy ground surrounds the three Schwarzseen (black lakes), which lie below the Toten. All around you can admire the abandoned mines with galleries and slagheaps, and the imposing peak of Villanderer Berg rising into the sky. The single lakes of the black-lakes-formation are called black, white and blue lake.

The Kassianeum is situated in the proximity of the cathedral square of Brixen and is a House of Youth with 33 modern one/two/three and four bed rooms, as well as a well-equipped conference centre and programme.

The Kassianeum offers groups, companies and schools eight well-equipped conference rooms, which can be used in various ways, as well as a larger congress hall. Seminars, conferences, meetings, workshops, congresses and other meetings can be run in a cost-effective way and offer a comfortable and professional atmosphere.

The court gardenis part of the Hofburg ensemble and is an oasis of peace for the city's many guests. The garden, decorated with flowers and herbs, is adorned with a valuable bronze fountain from the Biedermeier period.

The Cantina Valle Isarco was founded in 1961. The simple production hall originally built in 1978 was restructured in 2005 in order to separate the operational functions and to give the building an appropriate new appearance. The new part of the building made of concrete and the remaining structure were brought together by a unifying grey-red plaster shell, which symbolizes the connection to the terroir. Many steel components were given an oxide red shading, a color chosen to make the building look like a stone that has risen up amongst the vineyards. A brick ceiling now covers the barrique cellar, and the walls are covered in clay plaster. The offices and meeting rooms were renovated and refurnished; bright colors now accentuate the rooms. To round this all off, the tasting and sales room was redesigned in 2014, and an educational exhibit on wine was added as well.

The natural bathing pond in Lüsen is a small, idyllic mountain lake right in the midst of South Tyrol. Returning from a great hiking trip with super panoramic views or a nature park excursion, a visit to the bathing pond will bring you much sought after refreshment. Children can whiz down the slide while parents dive deep into the fresh spring water from the Lüsen Alm, when nearby farmers work on the fields and cows grass on the meadows.

The first rituals held at this site, where the little church has overlooked its wonderful views since 1743, probably date back to prehistoric times, although we cannot be sure of when exactly it was that people began to discover the unique aura of this place.
One thing is for sure: the road to the Latzfons Cross (2,311m), highest pilgrimage site in South Tyrol and erected on the south face of the Kassian Peak, is the oldest pilgrimage trail in South Tyrol.

The mountain refuge hut, close to the church at an elevation of 2,305m, has provided countless pilgrims and hikers with refuge and sanctuary over the years. Innumerable wonderful tales have been told about this sacred place, such as the legend of the “Black Christ” who, with a nod of his head, decided on the spot where the crucifix should be erected. Prayers sent up from here at the end of the pilgrimage, about an hour’s walk up a fairly steep road from the Klausen hut to the cross, afford protection to one and all, particularly from the wrath of the elements.

The view stretches over to the Langkofel, the Grohmann Peak, the Kesselkogel and the Rosengarten. It is not just the view that makes this place special though, but the atmosphere which pervades the site and can be felt instinctively by all those who come here.

Of demotic power is the church of St. Leonhard. Leonhard, the patron saint of cattle and prisoners, is commemorated by the heavy chain that winds one and a half times around the entire church. Consecrated in 1194, the church was redesigned around 1430 and baroque in the 18th century. The rich ceiling stucco from Franz Singer's workshop (around 1770) is a reminder of the Baroque and the creative joy of master builder Tangl. More recent history is evoked by the frescoes by Toni Kirchmair (around 11920), which interpret St. Leonhard as the patron saint of prisoners and fallen soldiers of the First World War.

The cloister of the cathedral of Brixen/Bressanone is one of the most important art monuments in South Tyrol. Its origins date back to pre-Romanesque times. The complex was rebuild in the romanesque (12th century) and gothic (14th century) phases.  In this last major reconstruction phase of the 14th century the sacred building was vaulted with a gothic groined vault. The well-preserved gothic frescoes, which depict themes of  the religious and  medieval life, are particularly breathtaking. Some of the most extraordinary frescoes of the cloister  are the presentation of  an elephant (3rd arcade) and the adoration of the Kings (13th arcade).

 

The 72 m high Gothic tower of the parish church of St. Michael is one of the landmarks of the city of Bressanone. It is called the "White Tower" because of its bright, bricked tower roof. The present shape dates back to 1459, and the four oriels behind which the room of the tower guard was located until the 1930s are typical.

 

The group Dekadenz was born out of the desire to challenge the South Tyrolean audience with home-grown cabaret.
It was the year 1980. In the small bishop's town of Bressanone, a few critical spirits around actor Georg Kaser decided that South Tyrol could definitely do with more culture than chewing cows and tinkling church bells. They founded the group Dekadenz and caused quite a stir with their first self-penned cabarets - after all, cabaret was hitherto an unknown quantity in the country. The Brixen innkeeper Burkhard Stremitzer provided a cellar in the Stufels district (and still does, free of charge!), which the group gradually turned into a cabaret cellar.
With guest appearances by cabaret artists, initially from Austria and Bavaria, as well as jazz concerts, the program expanded. The Anreiterkeller became a year-round performance venue, where cabaret and cabaret from the entire German-speaking region could be seen for the first time in South Tyrol.

With its 65,000 square metres of space, Franzensfeste is the largest historical complex in South Tyrol. Begun in 1833 under Emperor Franz Josef, this masterpiece of Austrian fortress architecture was opened by Emperor Ferdinand in 1838 after a construction period of only five years. By this time, however, it had already lost its strategic importance and justification. The enormous effort and the horrendous costs - for nothing. From then on, the huge fortress was only of use as a depot and was frozen in the Sleeping Beauty sleep of a strictly guarded military installation for over a century and a half. Since the military left the fortress in 2003, Franzensfeste has been open to the public and was extensively renovated in the course of two major exhibitions in 2008 and 2009. As a South Tyrolean Provincial Museum, Franzensfeste Fortress is now a magnet for tourists and locals alike and a popular venue for a wide variety of exhibitions and events.

January and february: winter break

Already in the Bronze Age, there existed a settlement at Abeins/Albes, mentioned in a document for the first time around 960, under the name of Allpines, later Albines. The actual church was built around 1320, at the end of the 15th century it was rebuilt and finally, in 1784, it was changed into Baroque style. It is consecrated to the Saints Hermagoras and Fortunat (painting on the high altar). The side statues date from the first part of the 18th century and represent the St. Albuin and the St. Ingenuin, while the wall- painting on the front and the ceiling fresco on the inside date from the period around 1700. The oldest church of the village is the Margarethen- Church. It has been arched in the late Gothic period, changed into Baroque in the 17th century with remnants of Gothic and Baroque frescoes. Precious Mary- statue of Master Leonhard von Brixen.

Stufels is a hidden jewel of Brixen: Inhabited in the neolithic and roman periods, it is considered one of the most charming quarters of the episcopal city. Located between the rivers Eisack and Rienz, Stufels has a picturesque building stock. With its  guardian angel church, attractive shops and artistic highlights, Stufels invites you to stroll around as well as take a relaxing stroll along the riverbank. Whoever visits Stufels approaches Brixen's actual core: quality of life in its most beautiful form.

The small church in St. Jakob got its actual shape in the 15th century. The Christophours – painting on the outer wall as well as several paintings of saints on the inside were made by an unknown master of Brixen of the 15th century. The altars are new Gothic.The church is locked for safety reasons, the keys are available at the nearby farm.

The two arcaded streets will charm you with a variety of gables and bay windows. The houses, built mostly in teh 15th and 16th century, form with its multitude of shops even today the heart of the shopping city.

Venezian saw has been built in the  year 1847 and restored to 2003

The convention center avails modern conference rooms inside its historic cloister walls from the Middle Ages. In addition, the accommodation on offer extends to 26 single and double rooms and creates the perfect link between education and fun. A broad leisure time and framework programme such as wine tastings, guided tours through the cloister and gardens, torch hiking trips, outdoor swimming, biotopes, outdoor exercise trail and the untouched nature around the historically unique building complex rounds up the offer.

Ecological tasks and projects are at the centre of our programme. In addition, the house of education Kloster Neustift offers adventure and help in orienting for your professional and religious life.

The Forum Bressanone is a highly net-worked event location in the centre of Bressanone. The vast Prihsna hall with a capacity up to 555 people, various rooms and bright foyers serve perfectly for congresses, seminars, conferences, courses and other events. The multifunctional rooms, the professional services and the practical experience of the team guarantee the success of your event.

Equipment – for every contemporary need

Lots of wood and glass, modern architecture, bright foyers and a large covered outdoor area, six climate-controlled rooms with innovative multi-media technology can be used in various ways. The centre is ideal for seminars, conferences, workshops and courses from 20 to 1,200 participants. The large Prihsna hall avails of a mobile stage and interesting stage technology and is a great location for congresses up to 600 people.
Our catering service and bar will look after any culinary framework you might have in mind for your seminar, congress, company event, conference or banquet.

Professional assistance for congresses

The team of the Forum Bressanone assists and helps you in the organization and planning of your event

Tennis court in the center of village.
Open from spring to autumn for guests and locals

The Cusanus Academy is situated in the centre of Brixen. There are ten flexible seminar rooms with the most modern conference technology, offering space for groups from 10 to 700 participants. These can be hired by groups, institutions and organisations. The in-house catering service, the accommodation possibilities and the parking structure in the city centre guarantee an all-round successful conference event.

The Cusanus Academy is a very special place. Directly beside the Baroque Brixen seminary, it is a place where the church and world meet. The conference centre of the Bozen-Brixen diocese, which is named after the theologian, philosopher and nature scientist Cardinal Nikolaus Cusanus, forms a harmonic contrast to the historic building. The interior and exterior designs stand out due to their structural simplicity and well thought-through planning.

The in-house seminar program at the Cusanus Academy targets the adult world and offers events on the themes of faith and religion, society and politics, on-going education and professional further education.