Výstavy umění v Jižním Tyrolsku

Immerse yourself in the fascinating world of sacred art with Doris Kirchler during a guided tour of the small Parish Museum. In a carefully curated exhibition, you will find around 50 impressive works, including statues and paintings, reflecting 700 years of regional history. These artworks invite you to explore not only their religious significance but also the socio-political and artistic changes over the centuries.

The Parish Museum is located in the historic Gothic granary, a charming building from 1559, situated in the northeast corner of the parish garden. Since 1984, this lovingly restored granary has served as the Parish Museum, providing a unique setting for the exhibition.

Kids: up to 11,99 years free, ticket required
Accessible by public transport

The Girlanerhof is pleased to present a special exhibition by the renowned sculptor Lothar Dellago. From September 6th to October 31st, you will have the opportunity to admire the artist's impressive works in the historic setting of the Girlanerhof. The exhibition is open from Monday to Friday from 10 am to 5 pm and is freely accessible, no registration is required. The highlight is the vernissage on September 5th at 5 pm, where you can meet the sculptor and his works in person. Dr. Wolfgang Drahorad will provide a deeper insight into Lothar Dellago's work with his introductory words. Do not miss this unique opportunity and immerse yourself in the fascinating world of sculpture.

Immerse yourself in the fascinating world of the Dolomites and experience an unforgettable guided tour of the Nature Park House in San Vigilio. Let yourself be enchanted by the breathtaking landscape, the rich flora and fauna, the mysterious cave world and the exciting stories about the nature park.

The Trevi Centre – TreviLab in Bolzano presents L’artigianato in due tempi - Handwerk im Wandel, a photographic exhibition curated by Claudia Corrent, which recounts the work of artisans in our region, intertwining memory and contemporaneity. Opening ceremony: October 3th, 17.00

Special Exhibition at the Chiusa Municipal Museum. The opening of the special exhibition will take place on 29 August 2025 at 7:00 p.m. Opening hours of the Municipal Museum: 29 August 2025 – 31 October 2025 Tuesday – Saturday | 9:30 a.m. – 12:00 p.m. and 3:30 p.m. – 6:00 p.m. Closed on Sundays, Mondays and public holidays

Twenty years after his death, the Office for Film and Media of the Autonomous Province of Bolzano, the "UMSt – Superintendence for Cultural Heritage and Activities" of the Autonomous Province of Trento, and the "Trento Film Festival" pay tribute to photographer Flavio Faganello with a joint exhibition. Hosted at the Merkantilmuseum in Bolzano, the exhibition features over one hundred of his impressive photographs and highlights the creative and artistic vision of the Trentino photographer, a vision closely linked to the practice of walking. Even in his time, Faganello addressed themes that remain relevant today. His photos invite all lovers of walking, slow and sustainable tourism to rediscover the paths and communities of a bygone world. Faganello’s exceptional archive, now divided between his family, the Autonomous Province of Trento, and the Autonomous Province of Bolzano, comes together again in this exhibition. The selected photographs document the major ecological and anthropological changes in Trentino and South Tyrol during the years of the economic boom and tourism expansion. The expressive images recall the close connection between the landscapes and the life of mountain farmers, their cultural heritage, and spirituality. Along the old paths with crosses, fences, votive shrines, and dry stone walls, Faganello captures the hard work, coexistence, and special relationship between people and sacred places. He documents rituals, customs, faith, and hopes of the pilgrims. By repeatedly returning to the same places and people, he manages, with his typical ironic style, to highlight the contradictions of the time, also addressing the issue of tourist invasion and environmental risks. In South Tyrol, Faganello is best known for his book The Children of Solitude, in which he photographically documented the life of mountain farmers. Free entrance. Guided group tours (max. 15 people, duration approx. 30 minutes) are available by appointment: - monika.ciardi@provinz.bz.it - Tel. 0471 412915

Park and basement: Relaxation, Book-Crossing (DE-IT-EN) Exhibitions: 'Visit Merano! Ein Neustart’ ‘History Villa San Marco’

Special exhibition: CALDERA, living with the supervolcano 280 million years ago, a supervolcano was located in the center of what is now the Trentino-South Tyrol region. Powerful porphyry layers still bear witness to its activity, while the rock formations in between tell of long periods of dormancy during which plants and animals settled. Fossils, animal models, and a simulation of the supervolcano make this distant world tangible in the Nature Park Visitor Center. Free admission; reservation not necessary.

Programme - Saturday, October 18, 2025, 6 p.m. ‘Living Life’ - Elisabeth Hölzl, exhibition opening, book presentation with Siegfried de Rachewiltz; musical performance by Marcello Fera. - 19 - 30/10/25, Mon-Fri 9:30 a.m.-12:30 p.m., Sat-Sun 4:00 p.m.-7:00 p.m., Exhibitions ‘Living Life’ - Mary de Rachewiltz, ‘The Last Ten Years’ - Ezra Pound (permanent exhibition). - Thursday, October 30, 2025, 6:00 p.m., book presentation with Ralf Lüfter, musical reading with Katarina Cuellar and Hubert Bergmann. - Friday, October 31, 2025, ‘Ezra Pound: New Method in Scholarship’, scientific conference in English. Free admission. In collaboration with: Ezra Pound Research Centre, Brunnenburg, Palais Mamming.

Visit one of the oldest preserved churches in Europe. The small church of St Benedict from the 8th century AD has Carolingian wall paintings inside, which are among the oldest frescoes in Western Europe. A building from the 8th century. The Romanesque tower dates from the 12th century. The paintings and Carolingian frescoes inside are among the oldest in the entire German-speaking world. The church harbours the world's only portrait of a Frankish landlord. Opening times: Tuesday, Thursday and Saturday from 10:00 am - 11:30 am Closed on Sundays and public holidays Guided tours (only in German or Italian): Monday and Wednesday at 2.00 pm (German) and 2.45 pm (Italian) Friday at 10:00 am (German) and 10.45 am (Italian) Price: €1.80 per person; with guided tour €3.00 per person Lake Resia Guest Pass holders have admission to the church included every Saturday. The valid Lake Resia Guest Pass must be shown in order to use this service as an inclusive service. Further information: Information office Mals, Tel. +39 0473 831 190

“Regenerated in Hope” is the title of the jubilee initiative that unites the 15 dioceses of Triveneto in a common journey to promote ecclesiastical cultural heritage and the bond between these places and their communities. The diocese of Bolzano-Bressanone is participating in the project with an exhibition in the chapel of St. John in the cloister of Bressanone Cathedral. The chapel, built in the 10th century and part of the cloister of Bressanone Cathedral, contains a baptismal font, which attests to its function as a baptistery, and displays examples of the ecclesiastical heritage of reference: sacred artworks from the Diocesan Museum; ancient documents and a register of baptisms from the Diocesan Historical Archive and the Parish Archive of Bressanone; sacramental books from the Major Seminary Library, special paper supports for the free transcription of visitors' names.

In addition to the permanent exhibitions ‘The discovery of Ötzi’ and ‘Primitive? Skilled!’, the archeoParc in Madonna di Senales presents a small photo exhibition every year in the museum’s cafeteria. This year’s edition features works by the young hunter Simone Santer: photographs of animals, plants, and landscapes. EXHIBITION PERIOD 30th April - 02nd November 2025 from 12 p.m. - 16:30 p.m. at the archeoParc.

Sonya Hofer is opening a new exhibition series in Bad Ratzes. In her paintings, clay reliefs, giant shells and magical figures, she brings a long-forgotten world full of myths and legends back to life.

In addition to the permanent exhibitions ‘The Ötzi Find’ and ‘Flora, Fauna, Man’, the archeoParc in Unser Frau presents a small special exhibition every year. This year's edition is called ‘Glaciers and Me’ and is dedicated to two artistic positions on the topic to mark the Year of Glaciers: paintings by Jessie Pitt (Melbourne/Längenfeld) and photographs by Daniela Brugger (Karthaus) together with texts by glaciologist Georg Kaser (Karthaus) invite visitors to discover and reflect. EXHIBITION OPENING ‘GLACIERS AND ME’ at the archeoParc on 12 April 2025 at 18:00. open daily from 10:00-17:00

The special exhibition to mark the 800th anniversary of the Castle of Taufers focuses on a medieval and social theme: the relationship between the nobility and the peasantry. The exhibition, curated by Marie Rubner and the Südtiroler Burgeninstitut, can be seen at Castle Taufers from April 18 to November 2, 2025.
The beginning of the 16th century was characterized by social, economic and religious changes. Serfdom severely restricted the rights of the lower classes and forced them to pay additional taxes to aristocratic feudal lords and the clergy. In 1525, the call for equality, justice and freedom grew louder and louder. Discontent soon turned violent and the Peasants’ War broke out like wildfire in Central Europe. 2025 marks the 500th anniversary of the beginning of the peasant revolt. To mark the anniversary, the exhibition “500 Years: Peasants‘ War - Striving for Freedom” allows visitors to immerse themselves in the history of this period.

The exhibition revisits various approaches and reflections on appropriation, artistic and monetary value, through a new commission by Jonathan Monk (UK, 1969). In Shine Bright Like a Diamond at Ar/Ge Kunst, one of the artist’s first institutional solo shows in Italy, Monk weaves together homage, parody, and (re)appropriation, engaging with the work of Chris Burden and the mechanisms of contemporary visual culture. Starting from a viral image of Kim Kardashian standing in front of Urban Light (2008), not crediting Burden’s work, the project reflects on the transformation of art into a reflective surface— a mute icon in a society dominated by image and the performance of the self. In an era where the simulacrum replaces reality, Monk sharply investigates the tensions between authenticity and representation, originality and reproduction. Jonathan Monk was born in Leicester in 1969 and lives and works in Berlin. He holds a BFA from Leicester Polytechnic (1988) and an MFA from Glasgow School of Art (1991). He is currently exhibiting Limited Company at Belvedere 21, Vienna, Austria. Recent institutional solo exhibitions were S L at Mahler LeWitt Residency, Torre Bonomo, Spoleto, Italy (2024); Exhibit_Model Four at Kindl Berlin, Germany (2019); The Sound Of Laughter Isn't Necessarily Funny at The Gallery, at De Montford University Leicester, United Kingdom (2017); Exhibit Model One at Kunsthaus Baselland, Muttenz, Switzerland (2016); Anything by the Smiths at CAN Neuchâtel, Switzerland (2015); COLOURS SHAPES WORDS (pink, blue, square, circle) at CAC Malaga, Spain (2013); Rew - Shay Hood Project Part II, Artpace, San Antonio, Texas, USA (2009); Time Between Spaces at Palais de Tokyo and Musée d'Art Moderne de la Ville de Paris, France (2008). Upcoming: Something To See Something To Hide/Nothing To See Nothing To Hide at Museum Landskrona, Sweden.

This topic will be the focus of our staircase exhibition starting April 1st. This unique exhibition offers a visionary investigation of how travelling might develop and grow in the 21st century and beyond. Using AI images and illustrations, the Touriseum offers a glimpse into the future of travelling. This uncertain future comes to life, prompting reflection and even dreaming. Let yourself be inspired as you explore the possibilities and challenges of the coming age of travel. “The Future of Travelling” presents a collection of creative short texts and their artistic interpretations that will challenge the limits of our imagination. From hypermodern means of transport to sustainable travel options and virtual travel experiences, the exhibition explores a variety of themes that might shape travelling in the coming decades.

Hocheppan Castle sits majestically on a rocky spur above Eppan on the Wine Road and is one of the most important fortified castles in South Tyrol. Built around 1130 by the Counts of Eppan, the complex impresses with mighty curtain walls, a striking keep and the well-preserved Palas. Particularly worth seeing is the Romanesque castle chapel, whose interior walls are decorated with extraordinary frescoes. These date back to the 13th century and show both biblical scenes and rare secular depictions - including the famous “dumpling eater”, a humorous testimony to everyday medieval culture. After years of decay, the castle was restored and is now a popular excursion destination with refreshments and a unique view of the Adige Valley. It combines history, art and nature to create an impressive experience. Hocheppan Castle and its chapel can be visited as part of guided tours, available every 30 minutes from 11:00 AM to 4:00 PM on the following days: • 5. April – July: Thursday to Sunday • August: Thursday to Monday • September – 9. November: Thursday to Tuesday At the following times: • On the hour: guided tour of the castle • Every half hour: Art historical chapel tour Special tours for larger groups or outside these times are available on request. Guided tours are available in German, Italian and English. For more information about guided tours, please contact the Tourist Association of Appiano at info@eppan.com or by phone at +39 0471 662206. Opening hours: Hocheppan Castle and the castle tavern are open daily except Wednesday from 10 am to 6 pm, hot meals are served from 11 am to 3.30 pm.

*1970 in Bolzano/Bozen (Italy), independent artist. Studio house for sculpture, public art interventions, drawing and painting in the historic Fundneyt residence near Klausen/Chiusa (Dolomites, Italy). Teaches and lectures at various universities. His works can be found in numerous international public and private collections.

OPENING TEMPORARY EXHIBITION: 12/07/2025 My wife and I were expecting the birth of our daughter in 2021, the year my book MASSIV was published. During this time, I felt a growing desire to send a strong message about the protection of the Alps. That‘s why I donated all of the proceeds from the book – over 100,000 euros – to projects aimed at preserving our mountains. I didn‘t want to have to explain to my daughter later that I had stood by and done nothing while our Alps were under threat. Shortly before the book was published, I also made a short film called "A letter to my daughter" – a personal, hopeful letter to my unborn child.

Michael Höllrigl’s expressive stone and bronze sculptures will adorn the gardens of the Kränzelhof in 2025, true to his motto “The hand knows more than the head.” “Letting you dream on and on” is the goal of the sculpture exhibition. Whether it’s nearly untouched wilderness or an enchanting cultural landscape, gardens represent the longing for paradise: Tamed nature and untamed inner worlds meet and perhaps grow together. In a place shaped by the interplay of nature and culture, like the Kränzelhof, the things of nature and the things of art point to each other in a way that echoes Joseph von Eichendorff’s immortal line from the poem “Wünschelrute”: “A song sleeps in all things, which dream on and on...” Organisation Kulturverein K.art. 15.00-18.00 (free admission) Price: Garden entry

Anna Anvidalfarei ‘Selbstgenügsame Orte des Sinns’ In the exhibition by Anna Anvidalfarei (*1996), an artist from Val Badia who lives in Vienna, the body becomes the stage. Its overall image is fragmented, individual areas emerge and serve as the backdrop for various scenes. The body parts detach themselves from the whole and become independent and meaningful moments: self-sufficient places of meaning. Ears, hands, bellies – they function as double projection surfaces, because they are both body parts and carriers of inner events. The artist opens up the body, looks inside it, but she doesn't see this as a purely physical intervention; it's an existential gesture that searches for the hidden and opens up narrative spaces, using the body as a resonance chamber for sensations. Anna Anvidalfarei says: "For me, looking deep inside oneself is fundamental. Through my works, I analyse various states, often restless states, caused by the body and its organs." She draws inspiration from everyday objects and postures, but also from the wax models and anatomical illustrations in Vienna's Josephinum. Her objects appear realistic, yet at the same time they are unnatural structures that challenge our imagination. In Neumarkt, Anna Anvidalfarei is exhibiting photographs, analogue prints and textile objects in which she explores the inner landscapes of the body and its physiological scope. The abdomen in particular, with a hole providing a glimpse inside, illustrates the relationship between the bearer and the borne, between stage and play. ‘The opening allows me to connect an event directly to a specific place,’ says the artist. Vernissage: 18 October 2025 at 6 p.m. Introduction: Jakob Goubran

Profanter Immobilien invites you to an exhibition at ArtSpace in Seis, Schlernstraße 16: Anuschka Prossliner & Markus Gasser „TRAUMFÄNGER | ACCHIAPPASOGNI“ (Dreamcatcher) 06.2025-01.2026 "The present is merely a transit space, a void between inklings and memories—those are the true places of our experience. In these floating realms, Anuschka Prossliner weaves a delicate net of childhood fragments, fantasies, illusions, and expectations. Dreamscapes with a magical hue, where the fragile remnants of happiness and longing dangle by a silk thread—yet remain accessible to dreamwalkers. In contrast, Markus Gasser’s dream world is more grounded and earthy. He turns his gaze to matter itself, to stone, and searches for ideas, thought fragments, heads and faces, which he draws to the surface through obsessive shaping—forming them into peoples." Anuschka Prossliner (1972) consistently reveals a fondness for the fragmentary, the sketch-like, the unfinished. The dot is her constant companion: quiet, reserved, yet precise. With an introspective gaze, she presents fleeting figures, silent beings, fragments of an inner world. Markus Gasser (1970) has long been devoted to the motif of the head – heads in dialogue with each other, deeply rooted in the earth, like flowers in a field. Sculpted forms in stones of all kinds – large and small, rough and smooth – that nevertheless represent only part of the whole. by arrangement +39 0471 707248 | immobilien@agentur-profanter.com

Dolomythos-Museum at Innichen presents: Women scientists Many women, hardly mentioned in earlier times, made important contributions. We honour these often forgotten personalities, as well as the reserches of ordinary people from the valleys.

Exhibition Daniela Atzwanger
The works exhibited by the artist explore the connection between emotions, experiences, and their symbolic reflection in reality, illustrating how emotions themselves are perceived, processed, and artistically transformed into new forms. They also address fundamental themes of the human condition, such as fear and hope, dream and awareness, relationships and solitude. This polarity is reflected in the composition of the background, which often contrasts with the organic subject through subtle tones and geometric shapes. The clearly defined figures express a very free and at times bold chromatic concept, while various color application techniques give rise to patterns and graphic forms. The viewer’s imagination is stimulated by delicate symbols, allowing the works to resonate in reality as visual echoes.
Daniela Atzwanger, born in 1977 in Brunico, studied graphic design in Bressanone and educational sciences and politics in Innsbruck. Since 2006, she has exhibited in South Tyrol, Hangzhou (China), and Venice. She lives and works in Bolzano. Opening: Thursday, 09th of October, 6:30 PM Introduction: Dr. Lukas Plancker, President of the cultural association “Tublà da Nives”. The exhibition will be open to visitors until January 9, 2026. Opening Hours Monday - Friday: 8:00 AM – 12:00 PM Thursday: 8:00 AM – 12:00 PM & 4:00 PM – 6:30 PM

On the occasion of the Euregio Museum Year 2025, dedicated to the 500th anniversary of the Tyrolean Peasants’ Revolt of 1525 – a historic turning point that continues to raise essential questions about power structures, social justice, political participation, and the potential for societal change – the Hofburg Bressanone presents a two-part exhibition project that sets history and the present in a dialogical relationship. The two exhibitions, 1525-2025. Irruption-Subversion-Renewal (29 March – 31 August 2025) and ETÀ, ÉTATS (12 September 2025 – 11 January 2026), explore the theme of societal transformation from different perspectives. They share a central conceptual motif: rupture as a starting point for movement, encounter, and new forms of social thinking. ETÀ, ÉTATS links the father-son relationship between Robert and Johannes Bosisio to the socially relevant question of intergenerational dialogue. In the spatial and conceptual design, the two artists meet in the center of the exhibition area, while their independent positions are situated at opposite ends of the sequence of rooms. At this central point of encounter, the focus is less on comparison and more on exchange: a dialogical coexistence aimed at connecting different experiences, ways of thinking, and perspectives.

In his series motusBerg, Heinz Innerhofer shows spotlights of South Tyrolean landscapes, mountains, and people. The photographs, both in black-and-white and color, resemble blurred sketches that talk about our landscape, which never seems to stand still.

Europe’s largest monastery complex in Tirol/Tirolo. Founded in 1142 by the Bishop of Brixen/Bressanone at the intersection of two important routes - the Brenner and the route to the Pustertal valley - the Augustinian Neustift Canons Regular Monastery was recognized, among other things, as a hospice and rest area for pilgrims. Today the Monastery makes a name for itself as a place of agriculture, culture and education. From the monastery winery to the herb garden, from the electricity plant to the educational center, several businesses are united in the monastery. The Augustinian Neustift Canons Regular Monastery in Vahrn/Varna is the largest Monastery complex in Tirol/Tirolo. The Monastery has an holistic conception and was independent and versatile from its very foundation. A walk through the Monastery complex will let you understand its size and importance as a former important cultural and economic hub of the Eisacktal/Valle Isarco valley. The first thing that will catch your eye are the architectural elements: Romanesque, Gothic, Renaissance and Baroque. With the Engelsburg, the late Baroque collegiate church, the Gothic cloister, the miracle fountain, the library’s unique manuscripts and the historic Pinakothek, the Augustinian Neustift Canons Regular Monastery is one of the most remarkable sights of the Eisacktal valley.

Images both reflect and exert sexist images still permeate advertising and entertainment. Violent images are part of our lives. They shape how we perceive the world. They may represent violence directly, or their violent potential may be associated with their production, dissemination, or use.Many questions arise: Where does the violence in and of the image begin? What makes an image violent? Who decides this, and in what context? How do production technologies and distribution channels influence the relationship between image and (the exercise of) violence? And how do artists deal with the issue of violence and the violent potential of image technologies? Through the lens of various disciplines, Violent Images investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss The Whiteness of Silicon Valley’s Digital Ecologies (Stephanie Polsky); Gender and Violence in News Media and Photography (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Violent Images explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises. Violent Images is the third volume in the Negotiating Images series, edited by Eva Leitolf and Giulia Cordin. The previous volumes are Shoot & Think (unibz) and Landscape with(out) Locus (NERO Editions).

Interlude is a state of limbo, a meeting point between different forms of expression, where photography intertwines and transforms itself in contact with other arts. The exhibited works tell of a hybrid photography in constant metamorphosis: from digital to analog, from conceptual to painterly, from minimalism to Arte Povera, to installation and multimedia solutions. Here, the image is no longer just a document or representation, but becomes a gesture, material, sign, and space. The group exhibition brings Italian, Austrian, and German artists into dialogue and draws a geographical line that—like an invisible thread—unites different sensibilities in a common field of research. In some works, photography meets painting, creating new, unpredictable forms of expression; in others, it transforms into an installation, a three-dimensional object, or a fragment that is reassembled in conceptual collages—an original development of a new visual language that also represents the quintessence of the Stadtgalerie Brixen's exhibition program for 2025. Curated by Marco Pietracupa, it highlights various perspectives of current international photographic research. This diversity of approaches is not merely technical gimmickry, but a profound reflection on our way of perceiving reality and constructing meaning through images. Photographic surfaces become textures, pixels become digital brushstrokes, analog photographs regain their materiality, while the installative character transforms the exhibition space into a landscape that invites visitors to traverse it. Interlude invites us to look beyond definitions and follow the thread of an ever-evolving language that combines contemporary sensibilities and pioneering practices—offering the audience a lively, participatory experience of an art form that continues to speak, create connections, and redefine the boundaries of photography.