Jižní Tyrolsko nabízí bohatství kulturních památek a zajímavostí. Objevte historické budovy, malebná náměstí a fascinující muzea, která vám přiblíží historii a kulturu tohoto regionu. Nechte se okouzlit jeho kulturní rozmanitostí a prožijte nezapomenutelné chvíle.
The sundial created by the artist Roland Moroder is located on the Alpe Juac on a huge meadow and counts as usual all the serne hours. From Selva Gardena one reaches the sundial about the cozy walk no. 3 from the "Daunëi" fraction. Walking time: 30 min.
According to a 6 m-long inscription preserved in the presbytery, this simple, rectangular church with round apse in the east, was consecrated on 12 May 1142. It was painted around 1210 with outstanding and historically important Romanesque frescoes, which, among other things, show the planned sacrifice of Isaac by Abraham against a mountain backdrop. After the incorporation of the tower in around 1380, the church was decorated with Gothic paintings inside and also externally on the south wall. A wooden statue of St. Jakob from 1520 which was revamped in 1610, and two Baroque altars on the west wall, can also be seen. Below the church there is a shrine with simple but expressive pictures from the period around 1440.
The Church of St. Anna in Aschl/Eschio, near Vöran/Verano, is a Romanesque Revival building that was dedicated on July 26th, 1905: St. Anne’s Day.
A merchant, who hailed from Mölten/Meltina and had found prosperity in Bolzano/Bozen, founded the church. The curate of Vöran, Anton Locher, helped with the construction financially, buying a forest and a meadow for the small house of worship.
The origins of the "Unsere liebe Frau" Sanctuary in Mörre/Mora just outside St. Leonhard/S. Leonardo can be traced back to a curious occurrence. Legend has it that village doctor and farmer, Matthias Pichler, purchased a votive image of the Virgin Mary from a street trader. Sometime later, in 1750 he decided to build a chapel on his property. Since word of Pichler’s ability to cure diseases and heal wounds was widely known, many came to him for help and also to see the image of the Virgin Mary. The growing number of needy visitors prompted Matthias Pichler to enlarge his chapel in 1752 and again in 1764. But as the miracles diminished in frequency, so did the number of pilgrims. This happened just at the time when Emperor Joseph II had decreed a program of enforced secularization and the chapel fell into disuse and eventually ruin.
In the mid-nineteenth century, a number of well-intentioned benefactors decided to renovate and further enlarge the church into the valued place of worship that it is today. An image of the Madonna was placed at the center of the new Baroque altar, inspired by a work of painter Giovanni Battista Salvi (known as "Sassoferrato"). Matthias Pichler was the first country doctor in the Passeiertal Valley to have been mentioned officially in the town records and his descendants followed in his footsteps. The country doctor could cure a variety of ailments afflicting both humans and animals and various treatments were administered, such as to stop haemorrhages. Many patients flocked to the doctor partly because of the scarcity of doctors and partly because the bad state of repair of the roads leading elsewhere. The first public pharmacy only opened in 1983 in the village of San Leonardo, serving the entire valley.
The two statues created by the sculptor Anton Ferner represent Saint Leonard and the canonised medical practitioner, Damian (1764).
The votive images are also noteworthy in themselves. Impressive and rich in detail, they express the gratitude of the population. Most of the votive paintings date back to the nineteenth century, one of which is the work of Josef Haller (1737-73). Among the best known of the late Baroque painters of Tyrol, together with sculptor Anton Ferner, Haller is one of the greatest exponents of the Passeiertal Valley School of Arts (his original work from 1768 is displayed at the MuseumPasseier museum).
So the ascent to Mörre from St. Martin is certainly worthwhile, to pray or meditate at the pilgrimage shrine, as well as to admire the works of local artists. Not least, there is the spectacular view of the valley below to enjoy.
The St. Benedikt church of Mals was ercted in the 8th century A.D. Its Carolingian frescoes are among the earliest murals in central Europe. Originally, St. Benedict's did not have a tower; this was probably only built in the 12th century and therefore appears somewhat oversized.
Without doubt, however, the two portraits of the founders are the most interesting. They show the Bishop of Chur and a Franconian landlord in traditional costume. This portrait is unique in Europe, as there is no comparable representation anywhere else.
Opening hours summer 21.04.2025 - 31.10.2025:
Open to the public: Tuesday, Thursday, Saturday from 10:00 - 11:30 am
Guided tours: Monday, Wednesday at 14:00, Friday at 10:00 (only in German language)
Prices: € 1.80 per person; with guided tour € 3.00 per person
Registration not required
Opening hours winter 07.12.2024 - 15.03.2025:
Open: Saturday at 10:00 am
Price: € 1.80 per person
Registration not required
Guided tours only in German or Italian language (Info: +39 0473 831190)
The church is closed on Sundays and public holidays.
"La Roda", the giant wooden bicycle, can be seen in the meadows at the finish area of the Maratona dles Dolomites cycle marathon. The artwork, created by a local artist in 2016 on the occasion of the 30th anniversary of the cycling marathon, has become a symbol of the passion for cycling that can be felt everywhere in Alta Badia.
Bicycle events in Alta Badia:
The Parish Church of Hafling, which is first mentioned in documents dating from 1291, is dedicated to John the Baptist. The walls of the nave date from the same period while the Gothic chancel and tower, which can still be seen today, were added in the second half of the fifteenth century.
The rededication took place on June 11th, 1469. In the seventeenth century, a barrel vault replaced the flat wooden ceiling. Of particular note is the remarkably large mural depicting St. John the Evangelist, which dates to around 1600. In the chancel arch, there is a precious fresco by Karl von Blaas. A few sculptures from the eighteenth century grace the church as well.
The porphyry relief on the outside of the cemetery chapel, now the vestry, is a mystery. It depicts a man, a tree, a flower, and a wheel-shaped ornament. The enigmatic relief is often associated with an agrarian devotion to the sun, but a precise interpretation has yet to be firmly established.
The Mary's Ascension into Heaven Parish Church is located in Sarnthein / Sarentino Village. The church was first mentioned in documents dating back to 1309. The church tower is the oldest part, having been built in the 14th century. Other parts of the church were added or expanded over the years.
The Ascension Church in Ehrenburg was first built in the year 1370. Today's building was built in the baroque period between 1698 and 1701. The mercy-painting was painted by I. A. Mölck (1755). In the crypt, there is an old statue of the Virgin Mary and other interesting paintings.
At the parish church St. Martin in Hofern the longhouse walls are romanic, the vaults, the choir and the tower were built in the year 1473. At the inside there is a sidepiece altar which dates bach to the year 1520. Church is locked, information about the key at the tourist office in Kiens/Chienes.
Near the Brunner Hotel in Vernuer/Vernurio there is a fully preserved sawmill dating back to 1906.
Open daily for visits.
The parish church in St. Sigmund is one of the most beautiful historical monuments in South Tyrol. First mentioned in the year 1363, today's building was built between 1449 and 1489. The altar (1440) is one of the oldest and most important sidepiece altars in South Tyrol. The church “Unsere liebe Frau im Stöckl” was built in the year 1621 and enlarged in the year 1644. It was built totally new in the year 1680.
Alta Badia is a true treasure trove of wonders, containing masterpieces sculpted by Nature itself—from the most majestic, shaped over millennia, to the more delicate and ephemeral ones, yet persistent due to their cyclical nature. Among these stands out the snow cave, located at the foot of Cima Dieci, inviting you to discover a nature of icy and pristine beauty, revealing the frozen heart of a cave adorned with impressive wavy walls, patiently sculpted season after season.
The cave continues to grow in size in the summer: the narrow hollow carved out by the stream is filled with cold air which is denser and therefore heavier than the summer air outside. This in turn sets off an inverted chimney effect: the heavy cold air sinks down to the bottom of the cave, giving rise to a strong draught from the top to the bottom of the snow cave. Warm summer air is now drawn into the cave from the upper openings, causing the cave to melt from within.
In the meantime, the warm is cooled by the ice and thus flows out through the lower opening as heavy air. This effect can continue for months, melting an ever larger cavity in the ice.
Access to the cave is officially prohibited. You may approach the entrance to take photos, but be cautious of the risk of falling rocks.
This tiny, charming place of silence and meditation was dedicated to the patron saint of cattle. 300 year-old frescoes illustrating the history of Jesus' life were uncovered during restoration work in 1993.
The Castle Ehrenburg was the residence of the Sirs von Ehrenburg, who were later called von Künigl. It was built in the 12th century. During the 15th century, the castle was extended, and in the year 1512, it was extended again with the arcade yard. In the year 1732, it was converted into a baroque castle. The big hall, the bay windows, the wooden paneling, and the paintings on the ceiling, as well as the castle chapel are very remarkable. The castle is not open to visitors.
Only visible from the outside.
The Sandwirt is the birthplace of the Tyrolean freedom fighter, Andreas Hofer. Today an inn stands on the location, with the farmhouse parlor of the old inn building particularly worth seeing.
The Parish Church of Vöran/Verano, which is dedicated to Saint Nicholas, is one of the oldest churches on the Tschögglberg high plateau. The church was first documented as far back as 1330.
The walls of the nave date from that time as well. Towards the end of the fifteenth century, the apse was redone in the Gothic style, the nave fitted with two pointed arched doors, and the tower built. During the baroque period, the nave was supplemented with flat-arched windows and a barrel vault; a side chapel was also added. Frescoes depicting the Coronation of the Virgin are interesting from a historical and art-historical perspective, but are not preserved in their entirety.
The old church is a simple building made by wild rocks between the tower and the sacristy. Its today`s shape dates back to the XIVth century and under the plaster of roof and walls were found frescos dated back the same period.
The parish church St. Petrus and Paulus in Kiens was built between 1835 and 1838. Only the tower dates back to the 15th century. The paintings on the ceiling are remarkable.
Slopes:
Lagazuoi: length - 3.5 km, elevation difference - 600 m
Armentarola: length - 7.5 km, elevation difference - 1130 m
Times:
Line taxi Armentarola - Passo Falzarego (approx. 10 km): 20 minutes
Lagazuoi cable car: approx. 30 minutes
Descent Lagazuoi - Sas Dlacia: approx. 30 minutes
Taxi Service
Contact: +39 0471 180000 (08:30-17:00)
Horse Tow
The horse tow will not operate if the route is closed or in heavy snow conditions.
The paintings on the outer wall of the 17th century represent the wonderful rescue of the "Platzliner" meadow. God father flashes out the clouds, the Saints Cipriano and Giustina protect the meadow and his flook with their coats. This painting shows that the colonization of Tires did not begin in today's centre, but in San Cipriano.
Would you like to share the magic of the Armentara meadows with your loved ones back home? Why not do it in a romantic and old-fashioned way, by sending an illustrated postcard? We have prepared a special box in which we collect postcards that will be sent twice a year: with the first snowflakes and in early summer, with the first blossom. You don't even have to think about the postage stamp, we post it ourselves!
The 19th century neo-Gothic nave was demolished in 1988 and replaced by a modern octagonal structure. The beautiful chancel dating back to 1670, however, was preserved, complete with the painting of the Madonna with Child by Lukas Cranach on the high altar (now a copy). In 1503 Wilhelm von Wolkenstein had a chapel dedicated to the Virgin built here, which subsequently had to be enlarged several times to cope with the large numbers of people who came to this popular place of pilgrimage as they still do today. On the outside wall of the sacristy there is a stone painted with the coat of arms of the Counts of Wolkenstein.
The theatre was designed by the Munich architect Martin Dülfer and inaugurated in 1900. It is a wonderful germ of eclectic Munich "Jugendstil" architecture. Marble and stucco decorations embellish the inside and the outside ot the theatre. It is dedicated to the Italian composer Giacomo Puccini.
Gigant – the giant, is a work of art in polished steel that was created by the artist Daniele Basso for the occasion of the 30th anniversary of the Ski World Cup in Alta Badia. The giant takes up the skier of the World Cup logo and symbolizes the sport of skiing. It is, above all, an acknowledgement to all the volunteers who contributed to the great and unique success of the Ski World Cup in Alta Badia.
The artwork was set up at the Piz La Ila mountain station where the descent to the famous Gran Risa slope begins.
