Kultura a památky v jižním Tyrolsku

The late Gothic church was mentioned already in 1147 for the first time. According to the legend the church stands on the foundations of a heathen victim place. Today's building was built in the 15th century. Gothic elements of the church are the ogival portals, the rosette window above the main entrance with the Gothic three passports and the dainty net ribbed vaulting inside. The high altar (at 1620) shows Jesus' birth, statues of Peter and Paulus as well as figures from the Life of the Virgin Mary. The painted windows on the left and on the right side of the high altar were donated from Lajen's nobility families in 1905. The remaining fittings are in the neo-Gothic style. The tower of Our Lady's Church is adorned on the northern side and has impressing frescos.

Between the Antholz Nieder- und Mittertal stands next to the street the baroque chapel "Sießl". According to an inscription, the chapel Sießl was built in 1820 and renovated in 1886.

The new restored chapel “Unsere liebe Frau im Stöckl” was built in the year 1621 and enlarged in the year 1644. It was built totally new in the year 1680.

The Holy Cross Chapel is a mountain chapel on Resciesa near Laion/Lajen. The little church was built in 1755 and has been preserved until today. The last restoration took place in 2012 by the rifle company Laion and since then the chapel has been protected as an architectural monument. Inside the church there is a large crucifix that dates back to the first half of the 18th century. In summer, the chapel is always open to visitors during the day.

The church has been consecrated in 1434. The west façade shows a little weathered fresco remains, which show the Last Judgement and the Saint Christophorus. The church has a baroque altar. In the altar shrine are sculptures of Saint Mary with the child as well as Barbara (on the left) and Katharina (on the right). Right above is God father with the globe. Worth mentioning is the pretty Gothic net vault with a painted capstone. The right side altar shows holy Antonius of Padua and the left one Maria with the child and the wine patron Saint Urban, who hands the child a grape. Besides that are another two saint shapes, namely Saint Leonhard with the chain and again Saint Urban with the grape.

The City of Artists and Albrecht Dürer
The medieval city, which is surpassed in height by the mighty Sabiona Monastery mountain, proudly calls itself the "City of Dürer." Here, where the city was the scene of intense artistic activity just a hundred years ago, is where Albrecht Dürer stopped during his journey through Italy. He exploited his portrait of the city as a background for an allegorical copper-plate engraving titled "Das Grosse Glück" ("Nemesis").

Today, Klausen is still numbered among the most-beautiful of Italy's ancient cities: Its tower-studded facades, its wide alcove balconies, and the picturesque signs of its old inns and pubs were all that was needed to convince the club "I borghi più belli d'Italia" of its worthiness. And the "Treasure of Loreto" (a singular collection of works of art) in the city museum has got to be seen to be believed.

The old Romanesque parish church, of which only very little remains today, got up at the same place as today's building, but it was much smaller and was across the present church building, facing east. In 1714 the tower was placed a Baroque onion. 1842-1845 was built on the site of the old, the new, classicist parish church. The parish church belongs to the biggest columnless church buildings in South Tyrol: She is 40 m long and 15,6 m wide in the ship. For her great she's also called the "cathedral on the mountain". Josef Arnold and his sons painted the blanket areas in 1844. The frescos show conditions of Stephanus and Laurentius' lifes. The altarpiece of the high altar shows Maria with the Jesus and the two deacons Stephanus and Laurentius. On the blanket are four smaller paintings with scenes from the Gospel and the four evangelists.

The landscape is nestled in a fairytale white: deep snow makes the rugged peaks and rocks of the Dolomites appear soft and gentle, while forests and meadows on the slopes and in the valley lie under a deep blanket of snow. After dusk falls, silence settles over the landscape, and the stars sparkle on the horizon. Christmas lights illuminate the streets, and in the wooden objects of the "holzART" exhibition, twinkling stars, glowing angels, and shining hearts appear with a gentle glow, while Mitterolang Park also shines in a particularly atmospheric light: welcome to the Dolomites.Light.Zoo.

Here, the magical winter landscape of the Dolomites is reflected. Twelve corten steel steles, crafted by local artisans in the shape of our Dolomites’ peaks, create an interactive light path and offer a unique way to experience the wildlife of the Fanes-Sennes-Prags Nature Park. Take your time to immerse yourself in this idyllic scene and explore the park's wildlife.

A journey through the wildlife of the Fanes-Sennes-Prags Nature Park for young and old alike.

A musical clock is set into the facade of the "Sarteur" house in Selva. Every day at 11 a.m. and 6 p.m. (5 p.m.), fourteen valuable bells play different tunes. Four wood-carved medieval statues appear as the music starts. The paintings on the wall depict the craftsmen who used to work in the area, which was once called "Ghetun".

The History of Commandery Longomoso - a rural branch of the Teutonic Order - is closely related to the hospice, which was built in the year 1200, when the road to cross the Alps led across the Renon. The hospice was used as accommodation for travelers, for changing horses, to care for the sick. The present form of the building as a mighty wall cube with a pyramid roof was built c.1650. The magnificent "Reiteröfen" (fireplaces) in the state rooms are witnesses of domestic potter art. Worth seeing are the stucco ceiling and wallpaper with biblical scenes and episodes from the history of the Teutonic Order. Today the Commandery is the beaming cultural center for the whole Renon. The Board of Trustees of the Commandery Longomoso operates a varied program of events.

The impressive castle stands above Waidbruck/Ponte Gardena. Interesting interior, patly with original furniture. An exhibition shows the life of Oswald von Wolkenstein

Trostburg is open to the public

from the Thursday before Easter until the end of October. A visit is only possible with a guided tour.  Trostburg is closed on Mondays.

 

Season Start of the tour     Thursday before Eastern until end of June 11 a.m., 2 p.m. and 3 p.m. July and August 11 a.m., 12 a.m., 2 p.m., 3 p.m. and 4 p.m. September until end of October 11 a.m., 2 p.m. and 3 p.m.   The guided visit through the castle takes around 40 – 50 minutes.
For the unguided visit of the exhibition rooms one should plan for approximately 15 minutes, although a stay up to 40 minutes is considered to be very informative and worth it.

The anticque Ansitz Lusenegg was built in the 13th century. The noble family, who lived there, was well-to-do. Impressionable are the stone curtain wall, the crenellated gable wall and the wood-paneled room.

Although the first reference to a church consecrated to St. Magdalena appeared in a letter of indulgence dating to the year 1273, the origins of the chapel would appear to stretch even further back in time. The chapel as we know it today was built around 1480/1481 by the Schneeberg/Monteneve miners. The centrepiece of the chapel is the late-gothic winged altar, created in the workshop of Matheis Stöberl in 1509 and depicting scenes from the life of Saint Magdalena together with a number of other saints considered to be patron saints of miners. The second altar, attributed to artist Hans Harder and dated ca. 1470, is also worthy of note. Other works date back to the late Gothic and Baroque periods. In 2004, the church underwent extensive renovations. The altar and ambo were created by Hartmut Hintner of the Gsies/ Casies Valley in 2005.    

From the beginning of May to the beginning of November, a guided tour in German and Italian takes place in the miners' chapel every Monday from 4.00 pm to 5.00 pm. In July and August, there is also a guided tour every Friday from 10.30 am to 11.30 am.
The guided tour is free of charge. No registration required.

St. Peter forms an independent parish, Lajen's parish priest, however, looks after the spiritual welfare. Churches, which are dedicated to Saint Petrus usually point to a high age. The parish church in St. Peter documentarily reaches back to 1241. The church was already rebuilt in the 15th century, so nothing more reminds of the originally Romanesque building today. Today's baroque making is even younger, it was consecrated in 1767. In the inside are great ceiling frescos, which were painted from Josef Arnold,who also painted the blanket frescos of the parish church in Lajen. Three paintings are attached to the parapet of the gallery: Peter cures the lame (on the left), Saint Cäcilia (in the middle) and the conversion of Saint Paulus (on the right). The high altar dates from the building time of the church. The painting represents the farewell of Peter and Paulus. The side altars have different saint figures which have been made in the 18th century. The figures at the outside of the pulpit show figures which symbolize the three cardinal virtues (faith, hope and love).

The location of the chapel on the highest point of the San Silvestro Valley, has been identified as a prehistoric hillfort. Pre-christian sanctuaries were mostly build in such high located spots. It is therefore possible that also the San Silvestro Chapel was one of the pre-german shepherd's sacred places with a sacrificial altar.

The two arcaded streets will charm you with a variety of gables and bay windows. The houses, built mostly in teh 15th and 16th century, form with its multitude of shops even today the heart of the shopping city.

Nestled in the pristine nature of Bad Bergfall, just a few kilometers from the village center, lies one of the region’s most fascinating natural wonders – the sulfur spring. Known for its healing properties, the spring has been valued since the 16th century. The mineral-rich water that bubbles from the spring contains a high sulfur content, traditionally used for treating skin conditions and promoting overall health.

Today's church was built toward the middle of the 15th century after a village fire. The walls of the nave and the shaft of the tower should be considerably older. A gigantic Christophorus fresco which might have arisen at 1500, is on the right next to the portal of the church. On the left and on the right on the lower side of the fresco are Saint Nicholas with the three golden balls and Saint George with a dragon. Saint George is the second patron saint of the church. The church inside surprises with a pointed arch portal, the lancet windows and an impressive net vault. The baroque high altar (1720) shows Saint Silvester, Saint George, Saint Margareth, Saint Valentin and Saint Nicholas, who looks to the Mother of God with the child. The masterpiece of the church is the gothic winged altar (called the "Georgsaltar", 1520) from Artist Andre Haller from Brixen. In the middle of the winged altar is Saint George on the horse, who fights against the Dragon. On the right side Margareth knees in front of a lamp and prays for a good ending of the fight. In the background are represented Saint George's parents and his execution. The wings of the altar show Saint Joachim with a book and Saint Anna together with the Mother of God and the child.

In 1924 bulit the farmer Josef Pallhuber the "Brugger" chapel next to his house. Until now it is the youngest chapel in the valley.

The Romanesque St. Sisinius' Church is situated on a plateau above Lasa/Laas, the village of marble in South Tyrol. Its rare choir tower church was built on the ruins of a former building. Skeleton and clay fragments from the Bronze Age even prove the existence of a cult worship place. The hill’s many years of settlement are probably due to its location. Even today, visitors enjoy the wonderful view of the surrounding mountains that extend to the Laaser Ferner glacier.

The church itself was first mentioned in 1290 and is dedicated to the martyr Sisinius, who lived in the Nonsberg area of South Tyrol. Surrounded by a high asylum wall in a Romanesque herringbone pattern, the eastern wall has a Gothic pointed arch gate devoid of a gate wing. The choir is located in the tower, which is covered by a stone tower pyramid. The nave, on the other hand, has two round arched windows, a protruding triumphal arch and a portal made of pure Lasa marble.

The church has no sacral furniture and is closed. Once a year only, just before Easter, it is decorated as an Easter grave for devotion.

On Good Friday and Holy Saturday the Easter tomb is on display in the church.

The Maia Racecourse is one of the most beautiful in Europe. There are two seasons of steeplechasing and other horse races from April to September On the last Sunday of September there is the most important race meeting of the year: the Merano South Tyrol Grand Prix.

The highest point of the Schlern is the Petz with 2563m. You can also take a summit tour around the Petz.

In Laion village, next to the Maria Einsiedel chapel, there is a wayside shrine that dates back to the 17th century. In the niches of the wayside shrine are representations such as a crucifixion group, two holy warriors, St. John and St. Margaret and the visit of Mary to Elizabeth.

These two chapels were build in the 17th century by Georg Paprion, a San Candido/Innichen resident. After his return from a pilgrimage to Jerusalem in 1653 he decided to recreate the Sepulchral Church of Jesus Christ. 20 years before he had already built the first chapel.

opening times:
during the winter season: closed
01.06. - 30.06.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm
04.07. - 08.09.2024: THU - SUN 10 am - 12 pm & 4 pm -6 pm
14.09. - 13.10.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm

The chapel in the hamlet Obergoste is located at an altitude of 1328 m.

A peasant chapel is located in Oberrasen near the court Oberstallerhof.

The origin of the church surely reaches back much further than the consecration in 1465. In the inside are shown the consecrating document, translated into German, and a detailed list of the restaoration work of 1989.The capstones of the soft net ribbed vaulting represent saint figures and different coats of arms. The painting of the baroque high altar (1733) shows Saint Mary with the child and Saint Jakobus Senior and Saint Jakobus Junior. These two saints are represented, together with Saint Silvester and a Bishop, on both sides of the church one more time. Moreover, a Pieta from the 18th century and a figure of Saint Valentin with a cattle are remarkable (at 1800).

The Academy of German-Italian Studies, founded in 1959 as German-Italian Cultural Institute, is a non-profit association, whose aim is to foster the cultural and scientific exchange between the German speaking and the Italian speaking world.

The Academy organises international conferences, symposia, research and doctoral colloquia, as well as lectures, readings, exhibitions and concerts. It carries out in-house research through its research centres and through collaborative projects with other institutions. Cooperation agreements have been signed with several universities and research centers in Italy, Germany, and Austria.

Traditionally, the Academy’s focus lies in the field of humanities; however, topics pertaining to the social sciences, law and natural sciences are also dealt with. The proceedings of conferences and symposia are published by the Academy itself or by other international scientific publishers.

The Academy does not support any political, religious or ideological direction. It is housed in magnificent Villa San Marco, a stately building erected in 1895.

Already in 1239 was mentioned the consecration of the church. Today's making should have been made, however, in the context of a baroque change in the 18th century. The stout tower with the four-sided pyramid roof is impressive. A broad canopy is located in the main entrance at the west façade. The frescos at this façade show the Saints Johannes, Laurentius, Stephanus and Christophorus and were donated, according to an inscription, from Hans von Freising to Aichach and Dorothea von Freising in 1727. The altar is in a neo-Gothic style. A sculpture , called the "Johannesschüssel", is a copy of a very valuable sculpture from the 14th century. A sculpture of Saint Mary with her child from the master Leonhard of Brixen's school is also deposited in this church.

An inscription refers to the first consecration of the church in 1199. The nave has a flat ceiling and is equipped with oylets. The choir has a semi-circular, vaulted apse with a Majestas representation and two well-preserved Evangelist symbols. There are traces of frescoes dating back to the 13th century. To the south of the triumphal arch appear the victims of Cain and the upper body of a fish-tailed siren. The head with long hair, the thoughtful expression and the gestures of the arms give the depiction a uniquely melancholic appearance, which contrasts significantly with the image of the demonic element in the other wall paintings.

The Church of S. Nicolaus is open from 15.04.2025 - 07.10.2025 every Tuesday at 2 pm for the guided tours in German and Italian language (3,00 € per Person, no registration needed).