Jižní Tyrolsko nabízí bohatství kulturních památek a zajímavostí. Objevte historické budovy, malebná náměstí a fascinující muzea, která vám přiblíží historii a kulturu tohoto regionu. Nechte se okouzlit jeho kulturní rozmanitostí a prožijte nezapomenutelné chvíle.
The 5 chapels (1519) representing scenes from the Passion of Christ. Together with the former "Görz" chapel in the parish church and the circular chapel in Lerschach, they form the so-called "Calvary Mountain" pilgrim road. The chapel was built to commemorate the fallen in the war against the Republic of Venice.
The Church of the holy cross was foundet in 1896 in gotic style.
Conciliar church dating back to the sixteenth century, with an adjoining monastery of the Capuchin friars. It is located adjacent to the Porta Venosta (Vinschger Tor) Gate. Masses in German: Weekdays: 6:30 a.m. Sundays and public holidays: 7:00 a.m. & 10:00 a.m. Masses in Italian: Weekdays: 7:30 a.m. Sundays and public holidays: 8:30 a.m.
Completely built in red porphyry. Built in 1899-1902 in the neo-Romanesque style, the lovely mosaic above the main portal was installed in 1903. The tower was only completed in 1930.
Holy mass:
Sunday at 10.30 in german language
The Capuchin church and convent are located not far south of the Cathedral Square in Brixen/Bressanone. This is a simple and unadorned religious building with a small facade tower in the style of the mendicant churches. Inside, the nave is covered by a barrel vault. The strongly indented choir room just closes off. On the left side of the nave there is a round-arched side chapel which houses the organ. The interior has no wall paintings or stucco work.
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In 1843, in Untersirmian, the small Heart of Jesus church was built, which is the first of a few churches, which were consecrated to the heart of Jesus. The simple building houses a Baroque altar from the 18th Century (1713). The tower was finished in 1857.
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The Roman Catholic Church of the Congregatio Jesu in Brixen is consecrated to St. Joseph. The classicist building was owned by the Order of the English Misses until it was taken over by the Autonomous Province of South Tyrol in 2011.
The classicist façade is simple and is divided by four pilasters. These are crowned by a triangular gable. Above the rectangular portal there is a round-arched window.
In addition to stucco work by Franz Singer, there is a high altarpiece inside the church depicting the death of St. Joseph. It was probably painted around 1770 by Josef Anton Zoller for the parish church in Schmirn. To the left and right of it are the figures of St. Joachim and St. Anna. On the left side altar is the painting of St. Philomena by Gebhard Flatz (1870), on the right side altar the communion of St. Antonius by Jakob Fink (1846) is shown. In the choir there is a ceiling painting with the representation of Jesus in the temple by Josef Mühlmann (1854). The other paintings and the neo-baroque decorative painting are by Johann Matthias Peskoller (1904).
The chapel was built in 1849 by the bricklayer Michael Kofler. It is dedicated to S. Maria Goretti - martyr of innocence.
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Built in the early 13th century with three-story keeps and living areas with Gothic parlours; a rare example of a medieval castle complex largely preserved in its original state; in the possession of the Counts of Brandis for 800 years. The castle is privately owned and cannot be visited.
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Tils with a late gothic church has been recently elevated to a parish. It is consecrated to St. Vitus, the old saint of the farmers, whose painful martyrdom is represented in the nave.
The "Leitnstöckl" is one of the many plague shrines in our area. At the "Leitnstöckl" there is a beatiful view of the surrounding mountains an the center of Dobbiaco/Toblach.
The hiking trail offers a wonderful view of Dobbiaco and leads past the Leitnstöckl chapel. The chapel is of great historical importance as it is one of the plague sticks and is reminiscent of the time of the Black Death in the Alps. The path leads through Dobbiaco and the sunny faction Wahlen.
The church to the St. Josef im Dörfl, in Muntaplair was built by Jakob Dietl and his mother Anna Lutzin at his own expense and consecrated on 10 October 1705 by Prince-Bishop Ulrich VII. The bell from the year 1798 had to be delivered on May 22, 1918 for war purposes. The pedestal of the altarpiece is decorated with floral patterns. The altar structure consists of two pillars. In the volute gable is a representation of the "Blessed Mother of the Good Council". The side statues represent the St. Martin and the St.. Florian. The altarpiece shows the St. Josef with angels and comes from Matthias Pussjäger. The little church was restored in 1964 at the instigation of the then pastor Alois Rainer to the primate of the priest born in the village Kassian Waldner. On the occasion of the 300th anniversary in 2004, at the suggestion of Pastor Anton Pfeifer, the little church was dehumidified outside and inside, and two windows were broken out to the right and left of the entrance. Three times a day, in the morning, at noon and in the evening there is a ringing and someone dies from the village, in the little church of the soul rose wreath is prayed.
next to the parish church is the "Cappella del Santo Sepolcro" (Chapel of the Holy Sepulchre, 17th century), with lagre marble angels and fígures depiciting Jesus Christ
The Church of St. Anna and St. Joachim is similar to many Capuchin churches built in Tyrol in the 17th century. The nave is square and has a barrel vault. On the northern side a square-shaped side chapel has been added. The long chancel is divided into two rooms by a high altar that mostly reaches to the ceiling. The room behind the altar was originally reserved for the monks.
A small window opening in the altar table makes it possible to see through and thus participate in the Mass. Side altars are set against the triumphal arch walls. The main altar and the two side altars are Baroque and date from the 17th century.
Holy Mass:
Tuesday to Saturday at 9.00 in german language
Sunday at 10.00 in german language
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The legend of the King Laurin
A long time ago at the Catinaccio was the King Laurin.
The hard-working dwarfs lived there. One day the King esposed his daughter Similde with another King of the Adige. All the noble people were invited but he does not. So he decided to go on this competition with a magic hood as a invisible guest to see his beautiful Similde. He saw her and fell in love with Similde.
The King took her on his horse and rode away. Similde's husband and his cavaliers was searching her. King Laurin knew that they are coming so he took the miracle belt to got more power. They fight each other and the King saw that he has no chance. So he decide to take his magic hood again and to jump throw the Catinaccio. The cavaliers saw the movement of the roses and captured him.
He was so angry that the Catinaccio betrayed him, so he cursed them: Neither day nor night should anyone ever see him. Laurin forgot the dusk and so it comes that today we can see it with his blooming roses for a short time...
From the pilgrimage church in Santa Maria, via several stations of the Cross, a meditation road (built in 1996) leads you to the oldest religious sanctum of the Alta Pusteria Valley: St. Peter am Kofl. It is said that the chapel was used as a refuge for some priests during the turmoil of the mass migrations from Aguntum (near Lienz in Eastern Tyrol). St. Peter am Kofl was first mentined in 1329 and later renovated in 1987.
The Franciscan Church was consecrated by the archbishop of Bressanone in 1697. The church is characterised by being back to basics, as the friar churches built during the Counter-Reformation clearly differ from traditional Collegiate Churches dedicated to belongings and culture through their simple and clear method of construction (planning: Franciscan friar Vitus Rastbichler from the Ötztal Valley). The Order's ideal of simplicity and poverty is reflected in the absence of a high bell tower and complex vaults and frescoes. After the entrance there's the small Chapel of Saint Anthony annexed to the nave destined for private meditation. The Fathers originally recited the choral prayers from the gallery. Not much of what distinguished the initial version of the church remains to be seen today, with the exception of the large oil paintings behind the side altars and the Franciscan saints on the southern wall. Today's altars are nice examples of Rococo art. The careful restoration works performed between 1992 and 1994 provided the Convent with its original appearance. The restoration project was awarded the Europa Nostra Prize in June, 1994. Visiting hours: daily (except Monday morning) 8 am - 6.30 pm
The Church of the Holy Cross Heilig Kreuz Kirche in Mitterlana is the central church in Lana and dates from the 20th century. The church was built during the term of office of the Dean, Rev. Alfred Delucca OT in the politically and economically difficult years between 1938 and 1943. The building was completed in 1950 and inaugurated during the Feast of Christ the King by Suffragan Bishop Oreste Rauzi of Trento.
The spherical roof of the tower is colloquially known as the Lana Apple by the local people. What is today's main parish church in Lana was built between 1938 and 1950 following plans by the famous Stuttgart church-builder, Otto Lindner, in the style of an ancient Roman basilica.
Holy Mass:
Saturday at 18.00 (in summer at 19.30) in german language
Sunday at 07.00 Uhr and 09.00 in german language
The Herbst Castle is named after the Brothers Kaspar and Christoph Herbst who built the Castle in 1500. In 1511, the Herbst Castle was used as a residence by Emperor Maximilian I.
Visits available only from the outside.
The complex was bought in 1500 by the brothers Kaspar and Christoph Herbst zu Herbstenburg and rebuilt into a fortified complex. It was the center of a fortified complex that extended through underground passages to the so-called "Red Tower" in the northwestern part of the village. In the cellars of the castle were the prisons of the Dobbiaco court.
In the years 1508 to 1511 the castle was the seat of the court quarters of Emperor Maximilian I of Habsburg. It was there that in 1511 the decision was made to wage war against the Republic of Venice.
Just like the innkeeper Georg Paprion from San Candido, also the innkeeper Johann Klettenhammer from Prato Drava, was a zealous pilgrim. Both lived around the same time, and like the outer church realised by Paprion, the Loreto Chapel realised by Klettenhammer also provides a testimony to Baroque devotion. The town of Loreto in Italy was a popular destination for pilgrims even in the 17th century, since drawings and paintings of its Chapel of Mercy can be found everywhere in Tyrol. Johann Klettenhammr brought back a copy of the miraculous image from his pilgrimage to Loreto, and constructed a chapel in the style and shape of the Chapel of Mercy - the Loreto Chapel - beside his house. The chapel was consecrated in 1650. It was struck by detritus carried by the flooding of the two rivers, the Mittereggerbach and the Mühlbach several times - the last time in 1965. For the inhabitants it was a miracle, that the chapel had never been destroyed by these miseries: hence, the Loreto Chapel became more and more of a destination for pilgrims. The fresco on the outside wall depicts the legendary transport of the house of the Sacred mother by angels to Loreto. Visiting times: daily from 8 a.m. to 6 p.m.
Festivities:
S. Antonio da Padova: June 13 th
Francesco d’Assisi: October 4th
The first Franciscans came to Bolzano during the lifetime of S. Francesco, probably in 1221. In the framework of the reform guided by Bernardino of Siena a second propagation wave of the Franciscans took place. In this context the monastery foundations of Kaltern were built. Claudia de Medici, Provincial Princess of Tyrol and promoter of the Franciscan movement, donated the ruins of the Rottenburg to the Franciscans, which were destroyed at the beginning of the 15th century. Parts of the garden area for the construction of the church and monastery. At the beginning of the 18th century, the church was expanded to the present state. The image of St. Anthony of Padua on the right-hand side altar is of great importance for piety. The Antonius cycle in the cloister was painted in 1721 by Matthias Pußjäger.
Source: Parrish office Kaltern
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