Kultura a památky v jižním Tyrolsku

The stone-framed round-arched portal opens towards Goethe Street on the west side of the An der Lan estate, a Renaissance building from the 16th century. Above it you find the beautiful double-arched windows. The south façade is adorned by a belt cornice and large rectangular windows set in stone with wrought-iron grilles. Inside, the central halls have vaulted ceilings, with the wood-panelled room on the first floor a testament to expert woodcarving and inspired by the Renaissance style. In 1817, the building was acquired by the Gelmini zu Kreuzhof family.

In the 14th century a church dedicated to St. Jodok stood where the Church of Our Lady now stands. In 1674 it was replaced by an early-Baroque nave dedicated to the Queen of the Rosary, with only the base of the bell tower preserved from its predecessor. The builders were the Misconèl brothers from Tesero in the Val di Fiemme. The tower was completed in 1776/77 with an octagonal tambour and bell dome. The three-bay nave with barrel vault is divided by pilasters and transverse arches between rectangular and lunette windows; a right-angled cornice connects it with the recessed rectangular choir. There is a two-storey loft to the west.

The altar fittings date back to the late-Baroque era. The Queen of the Rosary can be seen between Saints Dominic and Catherine on the high altarpiece, with the side altars dedicated to the Saints Joseph and Anthony of Padua. The pulpit, of stucco marble, dates from the Classicist era around 1800.

Complex of residential and farm buildings on the Wasserfallstrasse and the St. Kolumbangasse, arranged at an acute angle and grouped around a courtyard. Its core is located at the intersection of the two roads; it was expanded in the early 17th century, during the Renaissance, as indicated by the stone-framed courtyard gate with the monogram “Hans Pock” and the date 1626: the year 1620 could once be read on a double-arched window.

The „Wohlgemuth zu Wendelstein“ estate dates back to 1592. The date is above the portal in the fresco of the triangular pediment on the double-arched window, which is adorned by a beautiful wrought-iron balustrade. The Renaissance building has an irregular floor plan and is set around an inner courtyard. The hall on the first floor with the aforementioned double-arched window has a precious coffered ceiling.

Medieval winery and estate on the Kiechelberg hill which, together with the associated Church of St. Daniel, was until 1785 in the possession of the Benedictine Sonnenburg Abbey in the Puster Valley. The free-standing farm building dates back to the late Middle Ages and the Gothic style of the 15th century.

From a medieval core, remodelled in the 17th century during the Renaissance, a pointed-arch courtyard gate with stone surround and family crest leads onto the street. The stone archway features the letter "A" with an arrow as a bar. Above the front door is a coat of arms in stone consisting of three wavelike curving lines and the initials "L.H.". The ribbed vault and shouldered-arch doors date from 1500; the stone-framed rectangular and double-arched windows, as well as a bay on the façade, are from the 17th century.

The “Liebenstein” estate with its Maria-Hilf fresco dates back to the 16th century. In the first documents it is referred to as "Hof der Plattner genannt Röll". At the beginning of the 18th century, the two original buildings were combined into a single complex and given the name "Ansitz Liebenstein". The An der Lan family were the last noble owners of the house.

Two-storey building from the 17th century. Stone-framed, round-arched portal on façade with sandstone-
framed double-arched window (bifora) above. A marble plaque with Latin inscription and chronogram at

the entrance to the courtyard recalls the 1765 encounter of Francis I and his royal daughter-in-law
Elisabeth, the Infanta (princess) of Spain.

The town hall of Salorno/Salurn was once owned by the family of the Barons von Winklhofer, whose coat of arms can also be found on the portal, is characterized by Nordic and Italian building elements typical of the Überetsch/Oltraadige style of the 16th century. The open archway of the old building rests on mighty stone blocks. On the façade, the stone-framed rectangular windows are arranged next to the two-storey bay window and alternate with two superimposed double round-arched windows.

The first written documentation referring to this church appears at the end of the 14th century. From this era, the bell tower remains today, with its double-mullioned windows surmounted by triple-mullioned windows and frescoes on the façade representing the saints Anne, Catherine and Margaret, Christopher with the baby Jesus, and St. Michael, to whom the church is dedicated. In 1672, the church was restored, supplied with a barrel vault, and supplemented with a new chancel, side altar, and sacristy. Particularly rich are the decorations of the choir stalls: The scenes depicted on the parapet stem from the 17th century and represent the Visitation of Mary and Elizabeth, the Adoration of the Magi, the circumcision of Jesus, the flight from Egypt, and the Massacre of the Innocents. The busts painted on the lower part of the choir stalls represent the twelve Apostles and date back to the 18th century. The interior of the church is bare due to the theft of the furnishings and sacred images in 1969. The stolen original altarpiece was replaced by a representation of St. Michael fighting evil.

 

Three-storey building with regular window axes and south-facing loggia in the Mitterdorf quarter. The
origin was a tower-like core at the southwest corner dating from the late 13th-century, extended in at
least five development phases between the 14th and 17th centuries to create the present structure.
Further developments took place in the neo-Classicist and Historicist periods. The two lower levels of
the three-storey loggia structure on the southern façade date back to the Renaissance; the finishing
balustrade with its Tuscan columns is a neo-Classicist addition from around 1800.

The “zur Goldenen Krone” Inn dates from the 14th century and had a long row of spacious arcades supported on massive stone blocks. The entrance to the inner courtyard of the inn dates from the 17th century. The year 1650 is engraved in the key. The farm was ceded by the Lichtenstein family to the monastery of St. Michele all’Adige in 1470. In the 16th century, the Perkmanns were mostly the owners or rather leaseholders of the house, in the 17th century the Feigenputz and the Röll, Traxl and Lutterotti in the 18th century. It was considered the best inn between Bolzano and Trento and had a wealthy clientele. Despite decay in the previous two centuries, ownership of the building passed to the Mutschlechner family in 1811, who used it not only as an inn, but also for retail trade, horse-drawn carriage hire, a distillery and a butcher's shop.

The Gasthof zur Rose is located in the southern quarter of Salorno/Salurn, which is called "Gries". The first references with a description of the Gasthof "Zur Rose" go back to the year 1584.

Three-storey building in neo-Romanesque style; adjacent park with high trees. Single-run outside staircase to the first floor on the northwest side of the palazzo-like main building, with corner pilaster strips to the side, topped with a small turret. An aedicule with the Queen of the Rosary faces the main street. The courtyard entrance features portal pillars in the Mannerist style dating from 1612.

The most interesting part of the façade of the “von Lutterotti” estate, a 17th century Baroque building, is probably the portal. It is framed by two half-columns with capitals and scroll and smooth and broken headstones. This is the magnificent archway of the court and prison building of the former Salorno/Salurn jurisdiction. The seat is adorned by three wrought-iron balconies. The hall on the first floor is decorated with stucco work. After the building was no longer used as a seat of jurisdiction, it passed to the namesake Lutterotti family from Salurn.

The medieval core, near the Kirchplatz, was rebuilt and considerably altered in the late-Gothic and Renaissance eras of the 16th and 17th centuries. Original staircase as well as rib-vaulted hall. The remains of late-Gothic murals from the early 16th century were uncovered on the second floor.

At the church square, a medieval village castle rises majestically. This castle received its present form around 1600. Auer Castle is said to have been the ancestral seat of the Lords of Auer/Ora, who were first mentioned in 1190 as "Conradinus de Aura de masnada filiorum Enrici de Egna." In documents, the castle was also called the "Gesäss," as it housed, among other things, the official residence of the sovereigns. In the 19th century, the von Fioreschy family took over the property and gave it its present name: Von Fioreschy estate. In 2014, the estate underwent extensive renovations.

The parish church of St. Florian/St. Floriano on the old imperial road north of Laag/Laghetti was first mentioned in 1189, but it dates back to around 1145. The lower part of the nave dates from the time of its first mention (1189). The choir with the accentuated towering choir loft replaced an older end in the 13th century. The church of St. Florian is a unique artistic monument. In the nave, the old Romanesque building form is still preserved. Later, an elevated transverse square was attached to this nave, which was probably intended as a domed building. A round apse was attached to it in the 12th century, the exterior decoration of which features beautiful pilaster strips and a round arch frieze with various sculptures worth seeing. From 2005 to 2008, the church was restored from the ground up. The outside area around the church was also redesigned and a parking lot was built. On May 03, 2008, the church of St. Florian was consecrated by Bishop Wilhelm Egger.

The “Schwarzer Adler'' Inn dates back to the 15th century. It was the largest and most solid inn in Salorno/Salurn, located at the most important crossroads of the time. It was equipped with a parlour that exerted great attraction on passers-by and villagers and knew how to maintain itself as an inn best and longest. This large inn, once owned by various noble families, later fell to merchants and the bourgeoisie and was eventually divided among various owners: in 1500 it was the Rölls, 1600-1680 the Lansers, between 1680 and 1700 Andrä Nagele, who sold his property to Peter Tolloy, who in turn ceded it to Baron J. F. von Coret. In 1801 the inn was acquired by the Tschurtschenthaler family, who sold it in 1825 to Anton von Gelmini and Anton von Vilas. In 1833 the inn fell into the hands of the Petermair family. With the construction of the railway (1859), however, there was a drastic decline in the number of guests. From that time on, the inn's activities were almost exclusively limited to guests from the village.

Remarkable is the magnificent black eagle made of wrought iron, which has been preserved to this day in the same place above the old post road and reminds us of the old name and the centuries-old hospitality business that was practised there. The "Black Eagle" proved to be the most frequented inn in the village at that time.

The train station of the old Val di Fiemme railway was the starting point of the line extending from Auer/Ora to Predazzo, passing through Montan/Montagna, Truden/Trodena, and Kaltenbrunn/Fontanefredde. In 1894, the construction of a railroad had already been considered. Prompted by WWI, the Austrian army command ordered construction of the railway in 1916; it was an important means of supplying the Dolomite Front. From 1918 onward, the railway also carried passengers. In 1930, the train - which was pulled by a steam engine - was electrified, thus reducing the travel time from 4 to 2 hours. Due to increasing mobilization and the establishment of a bus connection to Val di Fiemme, the train lost its importance. On January 10, 1963, the train ran one last time from, Auer to Predazzo, before being decommissioned. Today, the railway track is a popular path for cycling tours or hiking excursions. The old train station Auer Val di Fiemme is the location of several cultural events and concerts.

Historic inn on the northeast side of the main square, formerly also known as the Gasthof Post as horses
would be changed here. In its present form the three-storey Renaissance building dates back to the

early 16th century, as indicated by the outside staircase, double-arched window with rosettes, stone-
framed rectangular windows and stucco ceilings.

Extended structure consisting of three components dating from the Renaissance of the early 17th century. The starting point for its architectural development was a two-storey Gothic core on the Kirchplatz with the basement containing two large, vaulted rooms used for agricultural purposes. Several sandstone-framed windows and a portal in stone with lozenge-shaped ashlars and rosettes indicate the significant extension works during the Renaissance.

A large park is located directly to the east of the Steinkellerhaus.

The Hausmann-Locherer estate dates from the Renaissance period, was built in the second half of the 16th century and is characterised by architectural elements of Nordic and Italian origin that are typical of the Überetsch/Oltradige architectural style. Architrave-shaped windows and an entrance portal with a round arch decorate the façade of the building. Above this round arch is the coat of arms of Andrä Locherer from 1593, consisting of a unicorn standing on its hind legs. The interior rooms with their central hall are arranged symmetrically. Some rooms have stuccoed ceilings, others are covered with 17th century woodcarving decorations. The entire building encloses an inner courtyard.

 

In lieu of the parish chapel built in Widum itself under parish priest Paul Nardin, a free-standing and somewhat larger Widum chapel was built in the courtyard in 1869 under parish priest Johann Clauser. It is dedicated to St. John of Nepomuk. The parish with its vaults at ground level, flight of stairs to the 1st floor, and the window and doorframes made out of stone is one of the most ancient buildings in Auer/Ora. It was renovated and extended in an exemplary manner by parish priest Peter Paul Hofmann in 1992. In addition to the parish flat, it houses rooms for the church associations as well as small and large parish rooms.

Structure on the Kirchplatz marked by late-Gothic and Renaissance influences. Stone bench along the
façade facing the square with 17th-century wrought-iron window grilles on the upper floor. Courtyard wall
to the west with merlons and integrated portal with plastic sandstone framework. Jambs decorated with
scrollwork surround a blazon featuring pretzels and waterwheel on the door lintel in reference to the mill
and bakery that once existed here.
The former princely fief with its press for tithe wine once belonged to Castle Auer opposite.

The ruin Kaldiff is locaded at Mazzon, above Egna . This castle was probably built around 1200. Between the 16th and 18th century it was inhabited by the noble family Von Enn. However, unfortunately it decayed partially after a fire. Today, after remediation work, there are only remains of curtain-walls as well as some frescoes and mural paintings available.

The Gelmini estate was built in the first half of the 17th century. It belonged to the An der Lan and Fedrigotti families and to the Gelmini family. The three-storey building has a beautiful garden and several courtyards leading to the service buildings. Another interesting feature is the oriel with turrets and ox-eyes in the upper part of the façade, located on Schillerstrasse. The building is decorated with a mosaic created in 1911 depicting a Virgin and Child inspired by Raphael's Renaissance Madonna. Particularly worth seeing are the coffered ceiling in the wood-panelled oriel room, which dates from 1661, and the carved wooden walls, which run in two vertical strips and are separated by refined half-columns. Dr. Max von Gelmini was one of the largest silkworm breeders in South Tyrol. He built the so-called "silk spinning mill", one of the most important examples of industrial architecture in the entire country.

 

Late-Gothic church, closed under the reign of Emperor Joseph II in 1785, which was dedicated to the Irish abbot and itinerant monk Columba (d. 615). A chamfered, sandstone-framed pointed-arch portal on the ground floor of the west façade, two stone-framed rectangular windows at the sides and the large sandstone corner blocks (15th century) all recall the former church.

The Loreto Chapel is located in Kalditsch/Doladizza above Montan/Montagna and is part of the "Rothenhof." It was consecrated on September 22, 1702 by Prince Bishop Michael von Spaur. The church day is celebrated annually at the end of September with a solemn service. The high altarpiece is a magnificent work by the Val di Fiemme-based painter Giuseppe Alberti. The inscription on the church roof, visible from afar, depicts a monogram of the Virgin Mary.

The "Stolpersteine" (stumbling stones) are a project by the Berlin artist Gunter Demnig that began in 1992. Small memorial plaques laid in the ground, these "Stolpersteine", are intended to commemorate the fate of people who were persecuted, murdered, deported, expelled or driven to suicide during the National Socialist era.