Jižní Tyrolsko nabízí bohatství kulturních památek a zajímavostí. Objevte historické budovy, malebná náměstí a fascinující muzea, která vám přiblíží historii a kulturu tohoto regionu. Nechte se okouzlit jeho kulturní rozmanitostí a prožijte nezapomenutelné chvíle.
Built in the 13th century, with numerous frescoes dating back to the 15th century. Contemorary round shaped church annex exists since 1975. The grace stones of the nobles, tax collectors and keepers in the church wall are worth seeing.
Although this church originally built in Romanic style dates back to the 12th century, renovation performed after 1735 transformed it to the Baroque jewel we see today with the lavish ornamentation that recalls the exuberance of Rococo. The outside is characterised by arched windows, niches with statues, the impressive main facade crowned by a cross, angels blowing trumpets and bearing glowing braziers, and the walls' buttresses in the form of scrolls. Without doubt, this church is one of the most beautiful sacral buildings in Tyrol.
Without bigger difficulties one can recognise that this municipality matured after the parochial foundation of Eppan about 1147 to the richest Pfarre of South Tirol with headquarter in St Paul. She was fine so well-to-do on account of many noble inhabitants of this area who, as it was a custom, of course supported the church. After 1786 it was divided the Pfarre for the first time into Girlan (Girlan, Schreckbichl and Frangart) and St Paul (St Paul, Saint Michael, Montiggl, mountain, Missian, untermargin, Perdonig and Gaid). In 1921 this happened next time: The principal place of the municipality - Saint Michael - was appointed with Montiggl, Gand, Pigeno and southern half by Eppan/mountain to the new Pfarre Saint Michael. On account of the plentiful financial possibilities one began in 1484 with the construction of an especially nice church. The magnitudes of the untercatch were extensive, it lasted therefore also till 1533, until the church was ready. The tower, 86 m high, experienced his own history within the scope of the construction work. From the late 15th century up to the middle of the 17th century there lasted his construction. For this reason he also unites two architectural styles: While Under - and middle section are held in the Gothic style, the end with the onion dome visible far away in baroque kind forms. In his inside there are nine bells, the heaviest one of it weighs 5 tonnes and sounds in deep A. You pleasantly voluminous sound remind us of the fact that this "instrument of God" second largest is in the country. A solar clock from 1718, Funeraldenkmäler of the noble Firmian, Khuen, Thun, rests of Late-Gothic Seccomalereien... There is a lot to see at this place! Something else: The church of St Paul is the only church far and wide which is consecrated only to Holy Paulus. This is not so natural at all, because Paulus is always called in connection with Holy Peter...
In the eastern part of the Lagundo "Garden Village", bordering the Merano district of Quarazze (Gratsch), lies the Lagundo district Paese (Dorf). The old Sant'Ippolito and Erardo Parish Church is found here. First documented in 1200, the church features three distinct architectural styles - Romanesque, Gothic and Baroque. The church holds many valuable treasures of art, both internally and externally, all of which testify to the turbulent political and cultural history of Tyrol. Between 1618 and 1628 a new Early Baroque nave designed by the architect Francesco Lucchese was added to the parish church. The church is closed because of restoration work.
The Christkönigskirche church, also known as the new parish church, was built between 1961 and 1963. The church has a flat-ceiling nave with a separate altar area. The two stained glass windows are by Heiner Gschwendt from Klausen/Chiusa, the church organ, consecrated in 1987, is by Andrea Zeni, and all other works of art connected with the church, including the granite fountain in front of the church and the statue of the Archangel Michael made of Lasa marble housed in a niche on the church square, are by the famous artist Friedrich Gurschler (1923-2020†).
Friedrich Gurschler was born in February 1923 on a farm near Unsere Frau/Madonna di Senales in Schnalstal Valley and is an honorary citizen of Partschins/Parcines.
The Church of St. Nicholas in Kematen was built despite the pronounced popular hostility between 1801 and 1807, integrating parts of a neogothic construction dating from 1468 into the new building. The Church was consecrated in 1833. The barrel vault was rebuilt in 1861. The main altarpiece is by Anton Sieß (1768) and depicts the patron, Saint Nicholas. The frescoes are by Franz Altmutter of Vienna (1811).
The Church of San Vigilio, located at 1,780 m above sea level, was first mentioned in the historical record way back in 1278. Masses are held on religious holidays. Contact the Lana Tourist Office for more information.
The Mount Vigiljoch is a place with almost magical powers, proven not only by its healing mineral springs at Bärenbad. Just like on St. Hypolyt, the natural energy of this place has been felt throughout the ages. Prehistoric places of worship were located here, as the numerous finds of hand-crafted flint stones and hollowed-out bowls made from stone dating from the Bronze Age prove.
St.Vigilius church, built at an altitude of 1793 m above sea level, was most likely constructed on the site of a prehistoric heathen place of worship. Its location makes this church one of the 'highest' in Tyrol.
The church
First documented in the 12th century, the little church of St. Vigilius has always been called 'weather church' by the locals, as it has always been a place of pilgrimage to ask God's protection against bad weather, rain, hail, thunder and lightning. The walls of the long house date back to early Romanesque times. The Gothic choir with its beautiful ribbed vault and the bell tower were added later. Particularly interesting is the high quality fresco cycle in the interior of the church, which dates back to the 14th century, and depicts the twelve apostles and a Calvary group.
Wetterhügel Hill and the church above the Jocher peak have not lost any of their magical appeal through the ages.
Holy Mass
9 June at 9.30 p.m. Sacred Heart Sunday Lighting of the bonfire with devotion to the Sacred Heart - near St. Vigilius Church
26 June at 9.00 a.m. Patrocinium cloister start cable car mountain station, church service, gospels and weather blessing
In July to the end of August on Sundays at 11.00 a.m. in german language
15 August at 11.00 a.m. Church service with blessing of herbs
6 October at 11.00 a.m. Harvest festival
3 November at 11.00 a.m. Hubertus celebration
25 December at 5.30 pm Christmas mass
There is a special cable car timetable for Sacred Heart Sunday and 25 December. Last journey at 23.30 hrs
The church of St. Mary is built in Gothic style. The Gothic middle relief and the side figures are significant. From the church there starts a path of meditation which leads to the chapel San Pietro in Monte/St. Peter am Kofl.
The parish church exhibits worth seeing works: the high altar from 1884, side altars from 1903, the pulpit from 1867 and the Queen of the Rosary from the Baroque period around 1700. A high artistic value has also the oil painting of Franz Sebald Unterberger which represents the St. Stephen, as well as the glass painting with the subject of the miners of Villandro in 1520.
Built in 1949/50, altar fresco of tungsten Koeberl from Innsbruck, Calvary of J. B. Oberkofler from 1960, the Madonna of the XVII century, the stained glass windows in the chapel of the dead Max Spielmann from Innsbruck, the rest of the church windows and the new organ of the company Felsberg from Chur. Categories: culture, Sacred art
The Holy Cross Chapel, built in 1755 in Rasciesa di Fuori (over 2200 m) is also worth a visit. The chapel was restored in summer 2012.
The chapel is located at Resciesa and can only be reached on foot in about 45 minutes, starting from the top station of the Resciesa funicular. It is a flat and easily walkable trail suitable for the whole family.
St. Anna’s Chapel | A small church built at the beginning of the 15th century in the Ortisei’s graveyard. It features a noteworthy portal and several ancient gravestones and memorials.
The church will be open only for special occasions.
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The beautiful Romanesque church, dedicated to St. Leonard, was built around the 13th century. Its main altar dates back to the 18th century.
Ortisei is the capital of Val Gardena, famous for its picturesque pedestrian area with great shops and cafés and its ornate woodcarvings.
This idyllic part of Val Gardena offers the possibility to enjoy the magic pedestrian area during your holiday with the breath-taking view to Sassolungo.
Shopping in Val Gardena is a fun experience. From ski suits to haute couture: you have a great choice. After strolling round the shops there are plenty of restaurants and cafés where you can indulge your palate.
The church dates back to the 12th century, but probably its origins are even more remote. The Romanesque building and the Lombard-style bell tower have been subject to many changes. Inside, there is a unique cycle of frescos in Byzantine style dating from 1200-1220. On the ouside walls there are other, probably late 14th century, frescos. Masses (in Italian): Weekdays: 8:00 a.m
During the renovations in 1992 at the church of "Our Lady Al Colle", carried out by the regional authority for the protection of monuments, the Laces Menhir (dating between 3300-2200 BC) was discovered. The Laces Menhir is made from pure marble and, apart from symbolizing the Adige mountain group, it is also linked to the Lombard Valcamonica mountain group. The Menhir is daily from 9 a.m. to 6 p.m. accessible for visitors.
The small chapel was built in 1867 and consecrated in honour of the picture of grace Maria Hilf in Innsbruck. In the chapel there are sculptures of Peter and Paul, Isidor and Hubertus. The chapel was last renovated in 1994.
A monument of the High Baroque, it is located at the eastern entrance of the old country road in the village center.
Was put into the present form in 1580 by Count Kleinhans and is decorated with frescoes on the interior and red chalk drawings on the outside. The baroque chapel St. Anna (spanish influence) was built in the 17th century. Over its portal is enthroned the so-called "Wessobrunn Madonna in the rosary" by Gregor Schwenzengast. Kleinhans was captain of the army in Spain.
Can not be viewed in the interior - private property.
The house of Peter Mitterhofer is first mentioned as the Zimmerhaus im Obergarten in a document dating to 1431. Peter Mitterhofer (1822-1893) lived in the house for 31 years and developed six typewriter models in his workshop there; the first of these prototypes was also the earliest of its kind, in 1864. It is known that Peter Mitterhofer designed six different typewriter models during the period between 1864 and 1869. The first model (1864, The Unsuccessful) is housed today at the Technical Museum of Industry and Commerce in Vienna. The second model was discovered accidentally in 1911 hidden in a secret compartment in the attic of Peter Mitterhofer’s house in Partschins/Parcines. The third model remains missing to this day – although Peter Mitterhofer travelled with it from Partschins/Parcines to Vienna on foot in 1866. The fourth model (the Meran model) was created in 1866, with the help of better financial resources after his return from Vienna. This model is on display at the Palais Mamming City Museum in Meran/Merano. Peter Mitterhofer completed his fifth typewriter prototype in 1869 (the Wien model). It was his intention to build a perfectly functioning typewriter. For this model he would need much more time than he had been promised in his subsidy request of 1866 in Vienna.
He made the journey from Partschins/Parcines to Vienna on foot for the second time in December 1869. There is evidence that Peter Mitterhofer received 150 guilders from the Emperor Franz Joseph I for his Meran model. This typewriter passed into the collection of the Polytechnic, where it faded into obscurity. On June 21, 1910, a typewriter labeled as old typewriter of unknown origin, allegedly Austrian was delivered to the Technical Museum in Vienna along with many other items.
The evidence that the model was connected with Peter Mitterhofer is provided by a letter from Peter Mitterhofer to Franz Ferdinand Goldegg zu Lindenburg (1798-1878). The character of the font and a close comparison of the lettering in this typewritten letter leave no doubt as to this analysis.
The interiors of the residence are not open to the public. The inventor’s grave and memorial stone are located in the old cemetery at the east wall of the Pfarrkirche Partschins parish church.
Josef Runggaldier commissioned this parish in 1900 to honour St. Joseph as a sign of his gratitude after having survived an accident whilst working in the woods. A painting inside the church depicts the episode. The extension project was stopped in 1979. However, a new church was started in 1981 and consecrated in 1984.
The parish church to the hl. Ursula was first mentioned in the 14th century. From this first church today only more fragments, such as the tower and the side walls are preserved.
The 19th century Neo-Gothic nave was dismantled in 1988 and replaced by an 8-sided building. This remarkable church is decorated with several paintings, carvings, statues and images (among which a statue of St. Ulrich by Ludwig Moroder and the altar painting depicting the Adoration of the Magi by Josef Moroder-Lusenberg).
Even though Versciaco only became an independent parish in 1891, the church was first consecrated in 1212. The lower part of today's nave walls date back to this period. The initial construction consisted of a rectangular room with a small apse added to the east and a flat wooden ceiling. The last preserved remains of a proto-Gothic fresco date back to around 1300 and can still be admired: Saint Ursula and her companions. The church might originally have been devoted to this saint of noble lineage, also because all the Saints venerated until Late Medieval times were of princely blood or at least nobles. Every year, three processions from San Candido to this church took place on the Saint's feast day (22nd of July). During the course of the 18th century, the Gothic furniture was replaced by Baroque pieces. The Baroque altar sheets that were replaced by neo-Gothic altars (by Josef Stauder, San Candido) in the 19th century, were carefully preserved and hung on the walls of the choir stall with three pictures: S. Magdalene, S. Sebastian and S. Peter. Even though only the last of the three bears the signature of Seb. Unterberger, it is very likely that all three pieces were realised by his hands. Visiting hours: daily from 9 a.m. to 5 p.m.
The former Holz Castle, which is mentioned in 1236, has only a few ruined walls. It is located above Prissian in a forested area.
The Evangelical Church and its parsonage, situated by the river Passirio and surrounded by a beautiful English garden, form a charming corner and a living reminder of the cosmopolitan Merano of the turn of the century. The church was designed by the Berlin architect Hans Vollmer, and built between 1883 and 1885. It has a longitudinal plan with a polygonal apse. Today the church is not only used for religious functions, but also hosts a variety of music concerts.
St. Anthony’s Chapel built in 1673 and situated on the main square in Ortisei/St. Ulrich is a popular photo motif thanks to its simple and unadorned style and roof turret.
It features an altar painting depicting St. Anthony from Padua, by the Swiss painter Melchior Deschwanden.
